What it is: 2/25/08

What I’m reading: Love and Sleep, by John Crowley

What I’m listening to: The Lexicon of Love, by ABC

What I’m watching: Breach, a movie about Robert Hanssen, the FBI mole; Chris Cooper is flat-out amazing

What I’m drinking: Red Stripe! Hooray, Beer! (because we also watched Anthony Bourdain’s No Reservations episode about Jamaica)

Where I’m going: Nowhere! No travel this week, although I will be visiting my accountant in Hackensack on Thursday afternoon to square away 2007’s taxes

What I’m happy about: Taking my Dad out for dinner for his 70th birthday and discovering Latour, another fantastic restaurant in northern NJ

What I’m sad about: I still can’t get the wood-burning stove going without an initial, several-minute smoke-bomb in the house

What I’m pondering: Are those real? (after seeing Kristen Chenoweth on the red carpet at the Oscars)

Sofa, So Bad

NM Governor Bill Richardson may be a kingmaker in Democratic party presidential politics, but I hope the eventual winner doesn’t promise him a position in the Department of Interior Decorating:

credit: Rebecca Craig/The Santa Fe New Mexican, via Associated Press

Seriously: that’s some terrible upholstery (and I’m pretending not to see the “GOV” fur blanket behind him). Good thing Bill Clinton brought his chameleon sweater to this Super Bowl bash.

(Photo credit: Rebecca Craig/The Santa Fe New Mexican, via Associated Press) 

Good night, sweet Curator of Webster Hall

Almost 10 years ago, when my micropress published its first book, we had a launch party at Webster Hall in NYC. This was facilitated by the author’s pal Baird Jones, whom I met briefly at the event. Two years later, we used the same venue for our second book’s launch. There was no payment involved, which gratified this cheap bastard no end; I assume Baird was just looking for any way to boost traffic at the hall on a weeknight.

Over the years, Baird was often cited as the source of Page Six gossip items in the NYPost (always referred to as the “curator” of Webster Hall). I would feel a little celebrity-by-proxy moment, a flicker of “I met that guy!” even though I didn’t actually know him.

So I was kind of sad this morning when I discovered that Baird died earlier this week. But I think he’d be glad to know that the news made Page Six.

(Update: here’s a long piece on Baird over at Radar.)

Beans and Time

Here’s another article on how Starbucks can or cannot reinvent itself, which came out a day before yesterday’s announcement of 600 layoffs. Consultant Geoff Vuleta has gone silent on the company’s initiative to spay its baristas, but he does offer up a smart idea: go small.

Open a chain of microstores devoted solely to making coffee. “No travel cups, no music, no machines, just amazing beans and a narrow range of the best-in-the-world coffee drinks,” he envisions.

I still think their beans are a scorched mess, leading to unpalatable coffee, but hey.

Meanwhile, VM reader and Trompler Foundation curator E. Scharf sends word that there’s a movement afoot to save the breakfast sandwich. I have no horse in this race; my town doesn’t actually have a Starbucks.

Ragery!!

I’m the best there is at what I do, but what I do isn’t very interesting!

Please provide your own caption for Gil-verine.

Exit, Ghost

On the flight home from Belfast last week, I finished reading Exit Ghost, the new Zuckerman novel by Philip Roth. I didn’t enjoy very much of it, except for the scene of Zuckerman’s reunion with Amy Bellette, the woman brilliantly “fictionalized” in The Ghost Writer. It’s only in that episode that I really felt the weight of Zuckerman’s age, as he and Amy recommence a conversation they began 50 years earlier.

The rest of the novel — in which the narrator laments his lost erection as he fixates on a perfectly toned, slim, large-boobed, literary oil-heiress who has married a schlubby Jew — left me cold. At its worst, it degenerates into a bad standup routine: Zuckerman, isolated in the Berkshires for more than a decade, comes back to NYC and grouses about people using cell-phones. Fortunately, the character doesn’t have to fly anywhere, or else we could’ve been subjected to a rant about airplane food.

But I digress. Where the book did succeed for me was that one evocation of old age and loss, as characterized by Amy Bellette’s refusal to let the the love of her life go, though he’d been dead more than 40 years. And it got me thinking about how long I’ve been reading Philip Roth’s novels and how I’ll feel when he dies. Flying home, I thought, “I’m sure I’ll be sad, but I wonder if I’ll cry.”

I doubted that I would, and that got me thinking: Which living artist’s (writer, musician, actor, painter, cartoonist, etc.) death would move me to tears?

I’m having an awfully hard time thinking of one. There are contemporary artists whose work mean the world to me, but I’m not sure any of their deaths (provided they’re not killed senselessly or somehow incredibly fittingly) would make me cry.* I’m trying to puzzle out what this means, since some of the possibilities aren’t too palatable.

So I put the question to you, dear readers! In the comments section, tell me (okay, the world) “What artist’s death would bring you to tears, and why.”

(If you need to expand the field to include athletes, feel free.)

* I mean artists with whom I don’t have a personal relationship. I’m friends with a number of professional writers whose deaths would absolutely crush me. So no cheating and naming a writer who’s your dad or something.