Podcast: God’s Way of Teaching Americans Geography

Virtual Memories – season 3 episode 4 –
Fred Kaplan – God’s Way of Teaching Americans Geography

Every generation, we find ourselves fighting one of these insurgency wars, but the last one — Vietnam — was so awful that the generals threw out all the training manuals and lessons from it, saying, “We’re not doing that ever again.” The problem was, they didn’t have a choice.

Why was the U.S. Army so unprepared for the insurgency in Iraq? Why did it take years after the fall of Baghdad for the military and its civilian command to understand what sort of war we were fighting? What did we achieve in Afghanistan, and what did we hope to achieve? Fred Kaplan, Pulitzer Prize-winning author of The Insurgents: David Petraeus and the Plot to Change the American Way of War, discusses all this and more in the latest episode of The Virtual Memories Show! (My contribution is a comparison of war analytics to pharmaceutical clinical trials.)

Untitled

There’s a tendency for people to believe that everybody around the world is pretty much like us, and to the extent that they’re not, it’s because a dictator is stomping his boot on their heads. The thinking goes, when that boot is lifted, they’ll become like us. It’s a very one-dimensional view of conflict.

Enjoy the conversation! Then check out our archives for more! (If you dig this one, you’ll probably like the episode with Ron Rosenbaum from January ’13.)

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Fred Kaplan writes the War Stories column at Slate.com and jazz reviews for Stereophile magazine. In addition to The Insurgents, his books include 1959: The Year Everything Changed, Daydream Believers: How a Few Grand Ideas Wrecked American Power, and The Wizards of Armageddon (Stanford Nuclear Age Series). His articles, reviews and essays have appeared in The New York Times, The Washington Post, The LA Times, The Boston Globe, Time, Newsweek, New York Magazine, Foreign Affairs, Foreign Policy, The Atlantic, The New York Observer, The Forward, Architectural Digest, Home Theater, GQ, and a whole lot of other venues over the years. He won the Pulitzer Prize in 1983 while at the Boston GlobeVisit his website for more about his work.

Credits: This episode’s music is Start a War by The National. The conversation was recorded at Willard Spiegelman’s home in New York City, on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Blue Yeti USB mic into Audacity. All editing and processing was done in Garage Band. Also, I have a yucky headcold, so that’s why the intro/outro sounds so bad this time around. I’ll come up with another reason for next episode’s bad intro/outro.

Droning on

David Carr has a good piece in the NYTimes today about the public’s lack of interest in the U.S. government’s use of unmanned aerial vehicles (drones) to assassinate people. You should read it. Drone warfare came up in my podcast interview with Ron Rosenbaum, and will again in next week’s interview with Fred Kaplan. (ADDENDUM: Check out this New Yorker piece by Teju Cole on drone strikes and Obama’s literary habits.)

During the snowstorm this past Friday/Saturday, I watched all 6 hours of the BBC miniseries of John Le Carre’s Tinker, Tailor, Soldier, Spy, which was remarkably good. It’s left me a bit averse to watching the 2011 remake, although it has a good cast.

Yesterday, I took an old issue of The Paris Review off my shelf, to read the Art of Fiction interview with Mr. Le Carre conducted by George Plimpton in 1997. Here’s a passage that jumped out at me:

INTERVIEWER: But is espionage not different since the end of the cold war? Do you still keep in touch with spies?

JOHN LE CARRE: I have a few people, Americans mainly, some Israelis. The Brits don’t talk to me. It’s necessary to understand what real intelligence work is. It will never cease. It’s absolutely essential that we have it. At its best, it is simply the left arm of healthy governmental curiosity. It brings to a strong government what it needs to know. It’s the collection of information, a journalistic job, if you will, but done in secret. All the rest of it — intervention, destabilization, assassination, all that junk — is in my view not only anticonstitutional but unproductive and silly. You can never foresee the consequences. But it’s a good job as long as intelligence services collect sensible information and report it to their governments, and as long as that intelligence is properly used, thought about and evaluated.

Then you come to the question of targets of intelligence: what are the proper targets of the CIA? That’s a policy problem. For me, they are much more widespread than you would suppose. I think they should be extended to the ecology, to the pollution of rivers and those things. There is, for example, one plant in northern Russia that disseminates more pollution than the whole of Scandinavia. One plant alone. I think things of that sort as so life-threatening that they should be included in the CIA’s brief. And counterterrorism: you cannot make a case for not spying on terrorist organizations. You’ve got to spy the hell out of them.

But countersubversion — that’s a really murky target. That is when a government defines what political thoughts are poisonous to the nation, and I find that a terribly dangerous area. And then of course the maverick weapons — they’ve been left all over the place, partly by us. I mean, where are the Stingers we gave to the Afghans? Also, if you meddle in people’s affairs, you then have to live with the consequences. Look at Afghanistan. We recruited the Muslim extremist movement to assist us in the fight against Russia, and we let loose a demon. Intervention is a very dangerous game, and it always has consequences, and they are almost always embarrassing.

Paris Review, The Art of Fiction Interview CXLIX (issue 143, summer 1997)

The line from the last episode of the miniseries keeps swimming up in my head: “I still believe the secret services are the only real expression of a nation’s character.” Apparently, in the book, it reads, “The secret services were the only real measure of a nation’s political health, the only real expression of its subconscious.”

We have so much we fail to learn.

10 Years On

10 years ago today, I launched this blog. I was going to write some grandiose post about all that’s gone on during that span, but I think I’ll just celebrate this blogiversary the way they all should be celebrated: sobbing quietly in a corner.

Podcast: All Tomorrow’s Parties

Virtual Memories – season 3 episode 3
Miss Scorpio – All Tomorrow’s Parties

Love burlesque? Steampunk? Funky hats? Swing music? Russian baths? General decadence? In our latest episode, I talk with Miss Scorpio, party planner extraordinaire and mistress of Gemini and Scorpio, about 10 years of throwing fabulous themed costume parties, curating one of New York City’s largest underground mailing lists of offbeat cultural events, transforming her loft into A Midsummer Night’s Dream, building your own social network, and why you never want to do dinner and a movie for your internet first date.

Your podcast-host may be a bookish stick-in-the-mud, but his friends aren’t!

Untitled

Enjoy the conversation! Then check out the archives for more!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Miss Scorpio is the the mistress of Gemini & Scorpio Events. She loves brass bands, circus, and fab hats. Her possibly out-of-date bio tells us, “Miss Scorpio dazzles audiences worldwide with her outrageous wit and wardrobe, constantly shocking the status quo into something more fabulous. She is an attention-getting, opinionated, stylish and intellectual artist who has worked for high-powered design firms and traveled with carnivals & gypsy bands, among many unique life experiences. A brazen Scorpio, she regularly talks to strangers.” You can find more about Miss Scorpio and her events at Gemini & Scorpio, Twitter, Flickr, Facebook, and YouTube. (And why don’t you sign up for her mailing list?)

Credits: This episode’s music is End of the Party by English Beat. The conversation was recorded on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Blue Yeti USB mic into Audacity. All editing and processing was done in Garage Band.