Creative Creation?

A few years ago, I wrote about the American Jobs Creation Act (here and here), a bill passed in 2004 that permitted U.S. companies to repatriate overseas funds at a reduced tax rate (essentially 5.25%). It was a one-time act, and made some sense, given that the U.S. has one of the largest corporate tax rates in the world (essentially 35%). The joke I discovered about “jobs creation” was that, in the pharma business, this act overlapped with the onset of massive layoffs in this industry.

Today, the NYTimes writes about the bill, how the amount of money that came back to the U.S. was 50% higher than government estimates ($312 billion to $200 billion), and how the tax revenues generated were six times higher than a congressional committee anticipated ($18 billion to $2.6 billion). It’s great that tax revenues got a big boost, but the it looks like the biggest “creation” was in the creative accounting department.

Companies were told by the government that the repatriated funds had to be dedicated to R&D, employment, and other “jobs creation”-y domestic investments. Of course, there was no provision stating that funds previously allocated to those needs couldn’t be shifted away to other activities.

“It basically worked out to be one big giveaway,” said Robert Willens, a tax and accounting authority in New York. “The law never took into account the fact that money is fungible.”

Mr. Willens said while companies did make investments in their domestic operations, the repatriated money also freed up a corresponding amount of cash to pay out to shareholders or buy back stock — moves that do not generate job growth or investments. “We know that a lot of stock was retired during this time,” he said.

While you read all about it, I’ll get back to last year’s financials and letcha know what neat accounting tricks I come across.

Mobil Eyes

I didn’t take any pix yesterday when I went to NYC to interview an exec at Pfizer, but that doesn’t mean I didn’t see any neat stuff. In this case, I discovered the Mobil Building, a block or so southwest of Pfizer’s HQ. A gent named wallyg posted a neat pix of the building (and the nearby Chrysler building) over at flickr:

Photo by wallyg, who appears to have some other really wonderful shots up at flickr, too!

Bottoms up

Sorry I didn’t post earlier in the day, dear readers. I was just building up my courage for the plunge into our annual Top Companies Report, where I profile the top 20 pharma companies and top 10 biopharmas. I just have to tell myself, “Come July 2, it’ll all be done.” It used to be daunting, but the past few years of awful pipeline progress have made it awfully depressing, too.

This morning, I sat down with Pfizer’s 2007 annual report to run the basic numbers on drug revenues, and realized that two of its drugs that went generic dropped a combined $3.3 billion in revenues, while one of its biggest up-and-coming products just got banned by the FAA (in pilots and air traffic controllers) because of a variety of messed up side effects. The company’s biggest seller (the top-selling drug in history) was flat for the year, now that similar drugs have gone generic. I knew they have a tough slog ahead, but the numbers make it even starker. I thought, “I really should’ve started with another company.”

As it turned out, the next 7 or 8 companies on my list weren’t in great shape, either. The European firms got a little boost on my chart because of the exchange rate (I always put in a disclaimer that shows results in local currency, because I’m all about value), but I have a feeling I’m going to be hard pressed to find good stuff to write about in their profiles.

“Come July 2, it’ll all be done.”

On the positive side, I’m just about done with my review/ramble on the Kindle! I spent a while on it yesterday, realized it was getting way too involved, and stripped it down to a pretty good size and shape. Unfortunately, I won’t be able to finish it today, because I just got a (print) book in from Amazon: Dæmonomania, by John Crowley. It’s the third book in his Ægypt series, and I cæn’t wæit to reæd it!

What It Is: 5/26/08

What I’m reading: Lord Jim, Joseph Conrad, and vol. 1 of Cromartie High School, an incredibly funny manga.

What I’m listening to: That new Portishead album again.

What I’m watching: Kung Fu Hustle, which remains one of the most entertaining flicks of all time, and The Big Lebowski, which I need to write about.

What I’m drinking: Blue Point Brewing Co.’s Blueberry Ale (a gift from this weekend’s houseguests).

Where I’m going: Maybe out to see Iron Man today, but otherwise, nodarnwhere special this week.

What I’m happy about: Having a nice, long, relatively relaxing weekend. (“Relatively,” because Saturday involved a lot of cleaning and cooking, as we had those aforementioned houseguests. Also, I was a nervous nellie because one of the sets of guests had a 1-year-old child, and I was afraid Rufus would get overstimulated and eat the kid. Everything turned out fine.) Oh, and taking a vacation day on Tuesday, just to get a little extra time before diving into the big Top 20 Pharma and Top 10 Biopharma issue of my magazine.

What I’m sad about: Last night, Rufus appeared to have developed a case of Ringworm in Ringwood. Fortunately, we already had a vet appointment scheduled for tomorrow.

What I’m pondering: Why the Coen Brothers use voiceovers in some of their flicks and not in others. Also, how long the natives will let the new Mars probe transmit.

What I’m updating: Rufus’ status! The vet says that they’re just “mayfly” bites, nothing that requires any treatment! Wanna see all the gories? Glad to oblige!

Final Tale of Hofmann

When I was a student at Hampshire College, the annual Halloween tradition was known as “Trip or Treat.” Being a total square, I never partook. For a variety of reasons, I wish I’d tried acid, but it’s a bit late in life for that.

Anyway, Albert Hofmann, the man who first synthesized LSD, has died at the age of 102. But, as Acid Archie sez, “ACID NEVER DIE!”

(written by Grant Morrison, drawn by Steve Yeowell; not sure who holds the copyright, which is 1990)