Episode 199 – Michael Tisserand

Virtual Memories Show #199: Michael Tisserand

“I always feel like Herriman’s a a step ahead of me. When I read Krazy Kat I think I know what I’m reading; the next week I read the same strip and I realize I’m reading something different than I thought I was reading.”

For our 199th episode, Michael Tisserand joins the show to talk about his fantastic new book, Krazy: George Herriman, a Life in Black and White (Harper). We discuss Krazy Kat, race in America and the phenomenon of racial passing, newsroom culture, conducting research on microfilm in the age of Google, the allure of New Orleans, what it was like to write the biography of an enigma, and a lot more. So don’t be a bald-faced gazooni! Give it a listen! And go buy KRAZY!

“Herriman treated language as something that wasn’t up to shouldering the kind of burdens that we put on it.”

 

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Michael Tisserand is a New Orleans-based writer whose most recent book is Krazy: George Herriman, a Life in Black and White — the first full-length biography of cartoonist George Herriman, the creator of Krazy Kat . His other books include The Kingdom of Zydeco and Sugarcane Academy: How a New Orleans Teacher and His Storm-Struck Students Created a School to Remember. Michael’s work has appeared in the Oxford American, The Nation, The Progressive, and on WBEZ-FM Chicago. The former editor of New Orleans’ Gambit Weekly, Michael’s eleven-part Katrina series “Submerged” was published in alternative newsweeklies across the country. He has appeared on “To the Point” and was a frequent guest on Philip Adams’ “Late Night Live,” and can be seen in the documentaries Dear Mr. Watterson and Zydeco Crossroads. Michael is represented by Gary Morris at the David Black Agency.

When not writing, Michael coaches scholastic chess and organizes the annual New Orleans Chess Fest, and is a founding member of the Laissez Boys Social Aide and Leisure Club, a Mardi Gras parading organization. Michael lives in New Orleans with his wife and children. He happily answers emails at michael@michaeltisserandauthor.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Mr. Tisserand’s home in New Orleans on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me and Michael by Amy Roth Photo. It’s on my instagram.

Episode 193 – Ed Koren

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Virtual Memories Show #193: Ed Koren

“I’ve mined this little world that may or may not be exclusive to me, but it’s something that I’m interested in: the interface between country and city, between older and younger, between lifestyles. It’s an emotional and intellectual world I like probing.”

Ed Koren‘s cartoons and covers have graced The New Yorker for more than 50 years, so it was honor to record with him during CXC about his career, his perspective on generations of cartoonists, the development of his unique style (he has a good answer to my question, “Why so hairy?”), the persistence of his middle-class work ethic, his first encounter with the Undergrounds, his lithography “uptown” art, the advantages of having small ambitions, and more! Give it a listen!

“I still take enormous delight in starting and finishing and going through the uncharted seas of getting from here to there. There’s no map to get from an idea to a final culmination. (That’s what Dorothy Parker called single-panel cartoons: culminations.)”

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Well also talk about why he avoids Look Day, why he left NY for the country, the challenges of satire, the significance of The New Yorker in his household, the influence of Alley Oop and the Schmoo on his work, the shrinking economics of cartooning, his “ah, animals!” moment, his interest in long novels and single-panel comics, what he had to learn and what was innate, the benefits of being an outsider, and why he pined to join the Columbus Marathon outside our hotel. Now go listen to the show!

“I keep learning new things about color, and density, and structure. With each problem that I have to deal with comes and epiphany: ‘This is how it works!’ It may be self-renewing, but each time I move ahead.”

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About our Guest

Edward Koren has long been associated with the The New Yorker magazine, where he has published over 1000 cartoons, as well as numerous covers and illustrations. He has also contributed to many other publications, including The New York Times, Newsweek, Time, G.Q., Esquire, Sports Illustrated, Vogue, Fortune, Vanity Fair, The Nation and The Boston Globe. His illustrated books include How to Eat Like a Child, Teenage Romance and Do I Have to Say Hello (all by Delia Ephron), A Dog’s Life by Peter Mayle, Pet Peeves by George Plimpton, and The New Legal Seafoods Cookbook by Roger Berkowitz and Jane Doerfer. Thelonius Monster’s Sky-High Fly Pie was published in 2006, Oops by Alan Katz in 2008, How to Clean Your Room in 2010 and Poems I Wrote When No One Was Looking by Alan Katz in 2011. He has also written and illustrated books for children, Behind the Wheel, and Very Hairy Harry. He has also published six collections of cartoons which first appeared in The New Yorker, the most recent being The Hard Work of Simple Living.

Born in New York City, Koren attended the Horace Mann School and Columbia University. He did graduate work in etching and engraving with S.W. Hayter at Atelier 17 in Paris, and received an M.F.A. degree from Pratt Institute. He was on the faculty of Brown University for many years.

Koren’s cartoons, drawing and prints have been widely exhibited in shows across the United States as well as in France, England and Czechoslovakia. He has exhibited at the Middlebury College Museum of Art, the Washington Art Association, Terry Dintenfass Gallery, the Virginia Lynch Gallery, The Luise Ross Gallery, and Big Town Gallery. His work is also in the permanent collections of the Fogg Museum, the Rhode Island School of Design Museum, the Princeton University Museum, The Fitzwilliam Museum at Cambridge University, and in the Swann Collection at the Library of Congress. A major retrospective of his work was shown at Columbia University’s Wallach Gallery in 2010, and at the University of Vermont’s Fleming Museum in the summer of 2011.

Edward Koren has received a Doctor of Humane Letters Degree from Union College, and been a John Simon Guggenheim Fellow. He was Distinguished Visitor at The American Academy in Berlin, Germany in 2003.In 2007 he received The Vermont Governor’s Award for Excellence in the Arts. He has been a member of the Brookfield, VT Volunteer Fire Department for 24 years. He lives in Vermont with his family.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Westin Columbus on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Koren by me.

Podcast – Our Lady of Organized Vituperation

Virtual Memories Show:
Mary Fleener –
Our Lady of Organized Vituperation

“I was so excited to get an issue of Weirdo in the mail. I ran up my driveway and saw my neighbor and said, ‘Look! I got a letter from Robert Crumb!’ And he said, ‘Who’s that?’ And I thought, ‘Here’s my introduction to the mainstream appreciation of underground comics.'”

lotpViva Cubismo! Mary Fleener joins the show to talk about her career in cartooning, her love/hate relationship with LA (mostly hate now, but there was a little love in the early days), the Zora Neale Hurston story that made a cartoonist out of her, the story of how Matt Groening accidentally derailed her career, her past-life regression while attending the King Tut exhibition in 1978, the roots of her Cubismo comics style, the joys of simplifying her life, the new book she’s working on, the horrors of The Comics Journal‘s message board, and more! Give it a listen!

“When I was going to college, you’d pass the guys selling ‘Muhammad Speaks,’ then you’d run into the Hare Krishnas, then there’d be the La Raza guys, then the Jesus freaks. Everything was in flux. Everybody was getting in cults. Everyone was either asking you for money or trying to convert you.”

FLEENER!

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About our Guest

Mary Fleener was born in Los Angeles when smog was at an all time high, Hollywood was still glamorous, and every woman’s ambition was to own a mink coat. Inherited good art genes from her mother and never wanted to do anything else. A collection of her comics was published in 1994 by Fantagraphics as Life of the Party. Her Illustration work has appeared in The SD Reader, OC Weekly, The Village Voice, SPIN, Guitar Player, Musician, and Entertainment Weekly, as well as projects like The Guitar Cookbook, Weird Tales of the Ramones (CD box set), Star Time (the James Brown CD box set), Carlsbad Museum of Making Music – “Hands on the Future” exhibit, and CD covers for The Insect Surfers and Buddy Blue. Her paintings have been exhibited at La Luz de Jesus Gallery, Track 16, David Zapt Gallery, Laguna Beach Art Museum Annex, LACE (Los Angeles), COCA (Seattle), Southwestern College, Patricia Correia Gallery, Sushi Gallery and Ducky Waddle’s Emporium. She also enjoys making hand-built ceramics and wheel thrown functional pieces that she glazes and fires in her own kiln. She enjoys painting on velvet, that which we all consider the King of Kitsch, but which also makes her color and “cubismo” style of drawing even more dramatic and mysterious on the plush background of black velvet. She lives is in Encinitas, CA, with her husband, a dog, a cat, and lots of stringed instruments. They have a band called The Wigbillies.

Credits: This episode’s music is Boomcubism by Brian Eno. The conversation was recorded at Ms. Fleener’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photos of Ms. Fleener by me.