“There’s no way to write about millennials without adopting a comic tone.”
I get over my insecurity about younger authors and talk with Tony Tulathmiutte about his debut novel, Private Citizens! We discuss his critique of the idea of voice-of-a-generation novels, the heavy and weird expectations of being an Asian-American writer, the impossibility of satire, what he got out of his years working in Silicon Valley, writing good bad sex scenes, and his discovery that Jonathan Franzen thinks he uses “overly interesting verbs”. Give it a listen! And go buy Private Citizens!
“I don’t think of writing as a therapeutic activity. It’s more like exhibitionist wallowing.”
“It’s not fair to castigate David Foster Wallace for the purposes to which other people put his writing.”
From tonytula.com: “I’ve written for The New York Times, VICE, The New Yorker, The Atlantic, The New Republic, N+1, Playboy, The Paris Review, and elsewhere. I come from the Pioneer Valley in the Bay State, and used to work in Silicon Valley in the Bay Area. For some reason I’ve received an O. Henry Award and a MacDowell Fellowship, and I appeared as a guest on Late Night with Seth Meyers. I work in New York.” His new novel is Private Citizens.
“What would young, pre-Trainspotting Irvine Welsh think of you now?”
“He’d think I was a total wanker.”
Irvine Welsh has created unforgettable characters in his novels, beginning with the cast of Trainspotting in 1993. We caught up in his Chicago home and talked about writing, boxing, the art world, the White Sox, the creative flourish that’s seen him publish three novels in four years, the perils of success and exhausting your autobiography, the periods of life he’s interested in writing about, his first meeting with Iggy Pop, his childhood and the school-days’ balance of being a reader and being a jock, the narcissism of online living, Trainspotting over the years, Edinburgh’s failed gentrification, the ways that America’s friendlier than Scotland, and more! Give it a listen!
“I think it’s good for me as a writer not to be hanging out with writers all the time.”
We also talk about his critique of global capitalism, the problems with permanent austerity, American and UK tabloid culture, standing up David Bowie (twice), returning to Ulysses every few years, the ways William S. Burroughs helps rewire his brain, and the great anonymous allure of the first-time novelist.
“Instagram is like Methodone to Twitter’s heroin”
Then Dmitry Samarov rejoins the show to talk about his memoir-in-progress, his paintings, his latest readings, and his decision to jump off the social network treadmill. This episode also includes my justification for being a New York Yankees fan, as well as my problematic relationship with superhero comics. Give it a listen!
Dmitry Samarov was born in Moscow, USSR, in 1970. He emigrated to the United States with his family in 1978. He got in trouble in first grade for doodling on his Lenin Red Star pin and hasn’t stopped doodling since. He graduated with a BFA in painting at printmaking from the School of the Art Institute of Chicago in 1993. Upon graduation he promptly began driving a cab — first in Boston, then after a time, in Chicago. He is the author of two books, Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. Go check out his paintings, and maybe buy some.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald. The conversations were recorded in the homes of Irvine Welsh and Dmitry Samarov on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same equipment in a hotel room in Washington, DC. Processing was done in Audacity and Logic Pro.