Episode 112 – Remainder

Virtual Memories Show:
Clive James – Remainder

“I should have led a more balanced life, but that’s easy to say at the end of things. When you’re caught up in what you’re doing, it’s very hard to be reasonable. And art isn’t really made out being reasonable.”

sentencedClive James was diagnosed with leukemia and emphysema several years ago, but the poet, essayist, memoirist, novelist, TV host, and charter member of the Virtual Memories Show Dream List hasn’t let his ailments silence him. He joins us for a wide-ranging conversation about poetry, mortality, binge-watching Veronica Mars, writing Cultural Amnesia (one of my favorite books), being Australian despite 50 years in the UK, how his showbiz career hurt (and helped) his literary legacy, and a lot more. We talk about his two new books — Poetry Notebook (Liveright) and Sentenced To Life (Picador, UK only) — and the ones he’s working on, and how he faced two choices after his diagnoses: lie back on a couch, admire himself for his achievements, and sign off; or go on as if he had forever. Give it a listen!

“All that poetry comes in handy when you lie there, contemplating the end. The question is why: Why when your body is about to come apart, is there such appeal in reading such highly organized argument and imagery?”

Clive James on the Virtual Memories Show

We get into the role of culture, the future of the Middle East, his first encounter with a Jew, the books he made a priority of when he realized his time was short, why it’s okay for actors to be shallow, and how he wrote a critique of Daniel Goldhagen while dressed as a mariachi singer for a TV show in Mexico.

“It’s possible to say that if I’d just concentrated on my literary activities [instead of working on TV], I’d have had a less complicated reputation. The question never would have arisen: Is he serious enough to write seriously?”

We talked a lot of books in this one. Here’s a list:

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About our Guest

Born in Australia, Clive James lives in Cambridge, England. He is the author of Unreliable Memoirs; a volume of selected poems, Opal Sunset; the best-selling Cultural Amnesia: Necessary Memories from History and the Arts; and the translator of The Divine Comedy by Dante. He has written for the New York Times Book Review, The New Yorker, and The Atlantic. He is an Officer of the Order of Australia (AO) and a Commander of the Order of the British Empire (CBE). You can find a longer version of his bio at his site.

Credits: This episode’s music is El Cholulo by Tosca Tango Orchestra. The conversation was recorded at Mr. James’ home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. James by me.

Episode 107 – Silence in Translation

Virtual Memories Show:
Yasmina Reza – Silence in Translation

“When you write a novel with a classical structure, you’re writing horizontally. [In Happy Are The Happy, I can] speak as a character, and the character is also somewhere in the spirit of another. It allows you to see the characters in many ways that naturalism would not allow.”

51PvahAbjAL._SY344_BO1,204,203,200_Playwright and author Yasmina Reza joins the show to talk about her new book, Happy are the Happy (Other Press). We also discuss the confluence and divergence of love and happiness, her surprise when “Art” was produced in Iran and Afghanistan, the appeal of Sarkozy as a literary character, her love of The Wire, and why she let James Gandolfini transpose The God of Carnage from Paris to Brooklyn. We also get to talking about writing a novel like a constellation, being unapologetic for writing intelligent plays that are accessible, the playwrights in her theater pantheon, and why she’s French first, Jewish second, and nothing third. Give it a listen!

YASMINA REZA (2010)

“A play is good if it can be seen in different cultures, in different languages, different actors. That’s the strength of a play. Just to be played in Paris would have been for me a kind of failure.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Yasmina Reza is a playwright and novelist whose works have been translated into more than 30 languages and include Art and God of Carnage, both winners of the Tony Award for Best Play. The film adaptation of the latter, Carnage, was directed by Roman Polanski in 2011. She has written six books, including Dawn Dusk or Night: A Year with Nicolas Sarkozy (Knopf, 2008). Her newest book is Happy are the Happy. She lives in Paris.

Credits: This episode’s music is The Paris Match by Style Council. The conversation was recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Reza by Pascal Victor.