Episode 205 – Patrick McDonnell

Virtual Memories Show 205: Patrick McDonnell

“Comics are like life. You just grow with them.”

Mutts creator Patrick McDonnell joins the show to talk about getting a late start on his career as a daily strip cartoonist, how Mutts has changed in its 23 years, the evolution of his interest in animal advocacy, the overlap of comic strips and poetry, finding his Coconino County in the New Jersey suburbs, learning from Jules Feiffer’s paste-ups, the greatest blurb he’ll ever get, taking up painting, finding joy in collaborating (occasionally), and how the gospel of Peanuts taught him that the essence of life is love. (We also talk about what to do after you’ve lost a long-loved dog, but neither of us cry, I swear!) Give it a listen! And go buy his newest book, Darling, I Love You: Poems from the Hearts of Our Glorious Mutts and All Our Animal Friends (as well as the Mutts collections and all the other books and projects he’s done)!

“Giving some of the joy and comfort that I got from Peanuts back to the world, that’s my job.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Patrick McDonnell is the creator of the comics strip Mutts, which debuted in 1994 and appears in over 700 newspapers in 22 countries. Mutts has been anthologized in 25 books in the US and in numerous collections around the world. Patrick has created a dozen children’s books, including the Caldecott Honor-winning Me . . . Jane, a biography of Jane Goodall, and the New York Times bestseller The Gift of Nothing. He collaborated with Eckhart Tolle on Guardians of Being: Spiritual Teachings from Our Dogs and Cats. He is a member of the board of directors of the Humane Society of the United States, the Fund for Animals, and the Charles M. Schulz Museum.

There’s a more extensive bio at Patrick’s website. You really should check it out.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at in Patrick’s painting studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Patrick and Amelie and me and Patrick by me. It’s on my instagram.

Episode 150 – Molly Crabapple

Virtual Memories Show #150: Molly Crabapple

“I always like smart, rebellious young people who feel like the world has done them bad.”

enhanced-23675-1436538713-1Artist Molly Crabapple joins the show to talk about writing her new memoir, Drawing Blood (Harper), making illustrated journalism from Syria, Guantanamo and Abu Dhabi, translating Nizar Qabbani, growing into her parents’ legacy of art, Marxism and argumentation, finding her soul in the Damascus Room at the Met, balancing community and competition, stepping back from the idea that we’re in an “Age of Outrage” and more! Give it a listen!

“The world hates refugees. I’m convinced that if there was a major crisis in Canada and we had 10 million white refugees, we’d still think of some reason to keep them out. People hate impoverished people fleeing over borders.”

23669253074_31e22ac28f_zWe also talk about Charlie Hebdo, the Occupy movement, Molly’s success at bypassing the gallery model and whether her path is replicable, the scariest place she’s ever visited as a journalist, her biggest artistic, literary and journalistic influences, and more! (And if you want to find out who she’s reading nowadays, join our Patreon and become a monthly contributor to The Virtual Memories Show!)

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Molly Crabapple is an artist and writer in New York. She is a contributing editor for VICE, and has written for The New York Times, Paris Review, and the Guardian, among other publications. Her work is in the permanent collection of the Museum of Modern Art. Follow her on Twitter and Tumblr.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Crabapple’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Crabapple by me.

Episode 147 – Peter Kuper

Virtual Memories Show #147:
Peter Kuper

Photo by Holly Kuper

“The things we were seeing on the lamppost that would wash away, the art on the walls that would get painted over: we wanted to codify that in World War 3 Illustrated.”

ruinscoverAlt-comix lifer Peter Kuper joins the show to talk about his new graphic novel, RUINS (Self-Made Hero), a beautiful book about American expats in Oaxaca, Mexico during last decade’s political upheaval. Peter also talks about co-creating World War 3 Illustrated and the legacy that anthology has left since its inception in 1979 (!), how surprised he finds himself to be teaching at Harvard, how he fights despair over the fight against climate change, the need to build one’s own artistic scene, what it’s like to be one of the only people who actually followed through on the “if Bush/Cheney are re-elected, I’m leaving America” pledge, and more! Give it a listen!

“For me, the safest thing has been doing things I love. I’m an atheist, but I’ve had the experience of putting in the love and the effort and have come to believe that it’ll work out. I know a tremendous amount of it is luck, but persistence and putting yourself in the way of possibility has worked.”

ruins_64_72

Seriously, Peter Kuper’s a legend in cartooning, and this wide-ranging conversations covers a lot of territory, including his revelations about murals in Mexican art, the wide variety of art-styles he employs, the economics of cartooning, the sink-or-swim experience his parents subjected him to in Israel (and why that led him to do the same to his kid in Mexico), the devaluation of political humor, the GOP candidate he fears the most, and the historical knowledge of comics his students at Harvard and SVA have (or don’t have), so go listen to our conversation and then go buy Ruins!

“We all draw. Every kid draws. For whatever reason, we give it up. I encourage people to keep it there. Why not sketch for pleasure? Turning it into a career is a whole other bag.”

We talk about some books in this episode. Here’s a list of them:

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Kuper has created over a dozen graphic novels, including The System, Sticks and Stones, and an adaptation of Franz Kafka’s The Metamorphosis. He is co-founder of the political graphics magazine World War 3 Illustrated and since 1997 has written and drawn “Spy Vs Spy” for MAD Magazine. He has been teaching comics courses for over 25 years in New York City and is a visiting professor at Harvard University. His new book is RUINS.There’s a more extensive bio at his site.

Pocketing

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Kuper’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Kuper by Holly Kuper.