Episode 239 – Pete Bagge and Mimi Pond

Virtual Memories Show 239:
Pete Bagge and Mimi Pond, Live at CXC!

“The way I draw is how I express myself. . . . Friends asked if I should have collaborated on these biographies with someone who draws realistically. . . . But then I wouldn’t have wanted to read it!”
–Pete Bagge

First Pete Bagge rejoins the show for a live Spotlight session at CXC – Cartoon Crossroads Columbus. We talk about Fire!!: The Zora Neale Hurston Story, his shift from fiction to nonfiction comics, his interest in feminist icons who didn’t ask for permission, dealing with cultural/gender appropriation issues in writing about women of color, expressing serious moments in his funnybones cartooning style, going through male menopause, making a living, and why he hasn’t made any Buddy Bradley stories in a long time. Then, we get a few segments from my CXC spotlight session with Mimi Pond, where we talk about her creative process, sexism in comics, and what she misses about the ’70s. Give it a listen! And go buy Fire!! and The Customer is Always Wrong!

“As long as you’re in your chair in front of your drawing board, there’s more of a chance that you’re gonna make a mark on a piece of paper at some point.”
— Mimi Pond

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guests

Alternative comic creator Pete Bagge is best known for the 90s comic series, Hate, featuring the semi-autobiographical antihero Buddy Bradley, whose adventures have been collected in two volumes: Buddy Does Seattle and Buddy Does Jersey, both from Fantagraphics. Bagge has also created three graphic novels: Reset, Apocalypse Nerd, and Other Lives. The journalistic strips Bagge has done for Reason have also been collected into a book entitled Everybody Is Stupid Except For Me. More recently, Bagge has written and drawn a full-length biographical comic, Woman Rebel: The Margaret Sanger Story, from Drawn & Quarterly, and a collection of short biographical strips, Founding Fathers Funnies, from Dark Horse. His newest book is Fire!!: The Zora Neale Hurston Story, from Drawn & Quarterly. Peter Bagge lives in Tacoma, WA with his wife Joanne and two darn cats.

Mimi Pond is a cartoonist, illustrator, humorist and writer. Her graphic memoir, The Customer is Always Wrong, was recently published by Drawn and Quarterly. It is the long-awaited 400 pages+ sequel to 2014’s Over Easy, which detailed her post-art school waitressing career in the late 1970s in Oakland, CA. Over Easy garnered a tremendous critical response, a place on the New York Times Best Seller List, the PEN Center USA award for Graphic Literature Outstanding Body of Work, and an Inkpot Award from Comic Con International in San Diego.

Pond has created comics for the Los Angeles Times, Seventeen Magazine, National Lampoon, The New Yorker, and many other publications too numerous to mention, along with five humor books. She has also written for television: her credits include the first full-length episode of the Simpsons in 1989, and episodes for the television shows “Designing Women” and “Pee Wee’s Playhouse”. She lives in Los Angeles with her husband, the painter Wayne White.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Columbus Metropolitan Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Pete Bagge by me. It’s on my instagram.

Episode 200 – Thomas Dolby

Virtual Memories Show #200: Thomas Dolby

“I’m never happier than when I’m out in my converted lifeboat studio staring out over the North Sea, playing with sounds. I prefer sounds to people.”

Two-hundred episodes!? Who’d’a thunk it? My guest for this special anniversary show is musician, tech entrepreneur, professor and now memoirist Thomas Dolby! We talk about his new book, The Speed of Sound: Breaking the Barriers Between Music and Technology: A Memoir, the upsides and downsides of his major careers, the gestalt of artist-artwork-audience, his curious mixture of shyness and arrogance, our respective imposter syndromes, teaching music for films, moving beyond the keyboard as a computer interface, having students who don’t know about his music career, looking back at his life and starting to figure out the big picture, and meeting the one rock band that doesn’t find Spinal Tap funny. (Jump to 7:00 to skip my intro.) Give it a listen! And go buy Thomas Dolby’s memoir, The Speed of Sound!

“I don’t write relationship lyrics. I don’t write typical pop lyrics. I start where typical pop lyrics leave off. The obsessions that I have, about geography, history, the planet, about technologies and their faults, about parallel worlds, and about my role in those worlds as a dissident: that seems to be what connects with a certain type of person.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Thomas Dolby has spent his career at the intersection of music and technology. He was an early star on MTV, and then moved to Silicon Valley, where he has had an extraordinary career as an entrepreneur. He has been named Johns Hopkins University’s first Homewood Professor of the Arts, where he will help create a new center that will serve as an incubator for technology in the arts. He lives in England with his family.

There’s a more extensive bio at his faculty page at Johns Hopkins.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Mr. Dolby’s home in Baltimore on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me and Thomas Dolby by his wife, Kathleen Beller. It’s on my instagram.