Episode 635 – Ari Richter
Episode 634 – Dan Nadel
Episode 596 – Maurice Vellekoop
Episode 461 – Matt Madden
Episode 349 – Peter Bagge
Episode 341 – Chris Ware
Episode 275 – Dave Calver
Episode 202 – Karen Green
Virtual Memories Show 202: Karen Green
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“My plan is to make this a research destination for comics studies, especially as they relate to comics in New York City.”
Karen Green, Curator of the Comics and Cartoons collection at Columbia University, joins the show to talk about her secret origin! How did she go from bartender to medieval scholar to comics librarian? We get into the evolution of the library and comics scholarship, her proudest acquisitions, her love of NYC and being a bartender there in the ’80s, reading Playboy for the cartoons, the experience of having a portrait done by Drew Friedman, her Venn diagram with Mimi Pond, and the one cartoonist she’s still speechless around. Give it a listen! And go buy Drew Friedman’s More Heroes Of The Comics: Portraits Of The Legends Of Comic Books
“Things that were throwaway materials for the medieval or early modern period are now priceless artifacts in museums and libraries around the world. Who’s to say that the things we see as disposable culture today are not going to be given the same valence?”
Enjoy the conversation! Then check out the archives for more great episodes!
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About our Guest
Karen Green serves as Curator for Comics and Cartoons at Columbia University. She founded the graphic novels collection in the Columbia University Libraries, while working as the Ancient and Medieval History librarian. She has acquired the papers of Chris Claremont, Wendy and Richard Pini, Al Jaffee, and the Kitchen Sink Press for Columbia’s Rare Book and Manuscript Library, as well as items from the estate of Jerry Robinson and research materials from Larry Tye’s history of Superman. A former bartender, Green holds graduate degrees from Columbia University and Rutgers University. For four-and-a-half years, she wrote the “Comic Adventures in Academia” column for Comixology. She served as a Will Eisner Comics Industry Awards judge in 2011, a member of the jury for the Pulitzer Prize in Editorial Cartooning in 2014, serves as vice-president of the board of directors of the Society of Illustrators–and former trustee of the Museum of Comic and Cartoon Art, before its transfer to the Society–has taught and lectured on comics in academia, and curated the Fall 2014 exhibition, “Comics at Columbia: Past, Present, Future,” in Columbia’s Rare Book & Manuscript Library.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded in a meeting room in Columbia University’s Butler Library on a pair of Blue enCORE 200 Microphones
Episode 193 – Ed Koren
Episode 192 – Jim Woodring
Virtual Memories Show #192: Jim Woodring
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“I have something to live for in the goal of producing this long, fascinating, convoluted, loop-de-loop, metaphysical story arc. And that’s the kind of thing that occupies me and makes my days the joyous things they are: living in this screwed-up dream-world that isolates me from the rest of the world and humanity in general.”
Jim Woodring rejoins the show to talk art, comics and the Unifactor! During a break at SPX 2016, we sat down to discuss the importance of Fantagraphics on its 40th anniversary, Jim’s move to Seattle in 1974 and his move away from there last year, camaraderie with the cartoonists of his generation, what he’d do if he was just starting out as a cartoonist today, the experience of seeing Frank in 3-D
“Some people say religious experiences are just in the person’s mind, but where else would they be?”
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We also talk about how Jack Kirby drew like a haunted machine, why computers have led to a generation of prosthetic geniuses, why he sticks with analog drawing tools (like that six-foot-long pen, known as Nibbus Maximus), the remarkable experience of going on a tour of the South China Seas with “a billionaire friend of mine”, his relationship with the Unifactor (and the perils of trying to circumvent its storytelling imperatives), the role of perseverance in becoming a better artist, and the feeling that he’s done the right thing in his life. Now go listen to the show!
“I feel like a pretender next to guys like Jaime and Gilbert Hernandez. With my limited abilities and my ‘that’s good enough’ philosophy of art, I feel like I’ve just sneaked into the party.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Jim Woodring was born in Los Angeles in 1952 and enjoyed a childhood made lively by an assortment of mental an psychological quirks including paroniria, paranoia, paracusia, apparitions, hallucinations and other species of psychological and neurological malfunction among the snakes and tarantulas of the San Gabriel mountains.
He eventually grew up to be an inquisitive bearlike man who has enjoyed three exciting careers: garbage collector, merry-go-round-operator and cartoonist. A self-taught artist, his first published works documented the disorienting hell of his salad days in an “illustrated autojournal” called JIM. This work was published by Fantagraphics Books and collected in The Book of Jim
He is best known for his wordless comics series depicting the follies of his character Frank, a generic cartoon anthropomorph whose adventures careen wildly from sweet to appalling. A decade’s worth of these stories was collected in The Frank Book
Woodring is also known for his anecdotal charcoal drawings (a selection which was gathered in Seeing Things
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Bethesda North Marriott on a pair of Blue enCORE 200 Microphones