Episode 239 – Pete Bagge and Mimi Pond

Virtual Memories Show 239:
Pete Bagge and Mimi Pond, Live at CXC!

“The way I draw is how I express myself. . . . Friends asked if I should have collaborated on these biographies with someone who draws realistically. . . . But then I wouldn’t have wanted to read it!”
–Pete Bagge

First Pete Bagge rejoins the show for a live Spotlight session at CXC – Cartoon Crossroads Columbus. We talk about Fire!!: The Zora Neale Hurston Story, his shift from fiction to nonfiction comics, his interest in feminist icons who didn’t ask for permission, dealing with cultural/gender appropriation issues in writing about women of color, expressing serious moments in his funnybones cartooning style, going through male menopause, making a living, and why he hasn’t made any Buddy Bradley stories in a long time. Then, we get a few segments from my CXC spotlight session with Mimi Pond, where we talk about her creative process, sexism in comics, and what she misses about the ’70s. Give it a listen! And go buy Fire!! and The Customer is Always Wrong!

“As long as you’re in your chair in front of your drawing board, there’s more of a chance that you’re gonna make a mark on a piece of paper at some point.”
— Mimi Pond

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guests

Alternative comic creator Pete Bagge is best known for the 90s comic series, Hate, featuring the semi-autobiographical antihero Buddy Bradley, whose adventures have been collected in two volumes: Buddy Does Seattle and Buddy Does Jersey, both from Fantagraphics. Bagge has also created three graphic novels: Reset, Apocalypse Nerd, and Other Lives. The journalistic strips Bagge has done for Reason have also been collected into a book entitled Everybody Is Stupid Except For Me. More recently, Bagge has written and drawn a full-length biographical comic, Woman Rebel: The Margaret Sanger Story, from Drawn & Quarterly, and a collection of short biographical strips, Founding Fathers Funnies, from Dark Horse. His newest book is Fire!!: The Zora Neale Hurston Story, from Drawn & Quarterly. Peter Bagge lives in Tacoma, WA with his wife Joanne and two darn cats.

Mimi Pond is a cartoonist, illustrator, humorist and writer. Her graphic memoir, The Customer is Always Wrong, was recently published by Drawn and Quarterly. It is the long-awaited 400 pages+ sequel to 2014’s Over Easy, which detailed her post-art school waitressing career in the late 1970s in Oakland, CA. Over Easy garnered a tremendous critical response, a place on the New York Times Best Seller List, the PEN Center USA award for Graphic Literature Outstanding Body of Work, and an Inkpot Award from Comic Con International in San Diego.

Pond has created comics for the Los Angeles Times, Seventeen Magazine, National Lampoon, The New Yorker, and many other publications too numerous to mention, along with five humor books. She has also written for television: her credits include the first full-length episode of the Simpsons in 1989, and episodes for the television shows “Designing Women” and “Pee Wee’s Playhouse”. She lives in Los Angeles with her husband, the painter Wayne White.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Columbus Metropolitan Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Pete Bagge by me. It’s on my instagram.

Episode 238 – Shannon Wheeler

Virtual Memories Show 238: Shannon Wheeler

“Cartooning for The New Yorker is like being in a jazz club, and you don’t go into a jazz club and play the Ramones.”

It’s late-night podcast-action with cartoonist Shannon Wheeler! We get into the history of his Too Much Coffee Man comics and his new book, Sh*t My President Says: The Illustrated Tweets of Donald J. Trump (Top Shelf), learning the language of cartooning at The New Yorker (and learning to work with a new editor there), the ways his architecture training informs his storytelling, his discovery of the Fabulous Furry Freak Brothers at WAY too young an age, the cartooning trick that made him want to draw, his dream project on the history of northern California, and the redemption of the guy who used to dress up as TMCM at conventions! It’s coffee-fueled! Give it a listen! And go buy Sh*t My President Says!

“Liberals can be some of the most conservative people you’ll ever meet.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Shannon Wheeler is the Eisner Award-winning creator of Too Much Coffee Man, who has appeared internationally in newspapers, magazines, comic books and opera houses. He has contributed to a variety of publications, including The Onion newspaper and The New Yorker magazine. Wheeler currently lives in Portland, OR with his cats, chickens, bees, girlfriend and children. He publishes a comic every day at tmcm.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at an undisclosed location on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Wheeler by me. They’re on my instagram.

Episode 226 – Joyce Farmer

Virtual Memories Show 226: Joyce Farmer

“The ’60s were a time of explosive interaction and learning of radical ideas. The thing was, I thought they were sensible, not radical.”

Joyce Farmer joins the show to talk about her transition from housewife to underground comics legend, the adventure of disposing of 40,000 copies of her comic when the state of California was trying to pinch her and her partner, traveling the world and landing in Greece, making Special Exits (Fantagraphics), the heartbreaking comic memoir about the death of her folks after a decade or two away from cartooning, and why she could swear and curse just as much as her male underground peers. Give it a listen! And go buy Special Exits!

“I’m not interested in doing something if it isn’t groundbreaking.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Joyce Farmer, born in 1938 in Los Angeles, is a pioneering underground comics cartoonist. She and Lyn Chevli wrote and drew controversial feminist humor, starting in 1972, publishing the titles Pandora’s Box, Abortion Eve, and Tits and Clits Comix. Farmer has also been published in Wimmen’s Comix, Mama! Dramas, Itchy Planet, Energy Comics, Zero Zero, and the notorious women’s sex comic Wet Satin. Her work has been exhibited internationally, including Austria and Italy. Her most recent book is Special Exits.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Farmer’s house on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Farmer by me. It’s on my instagram.

Episode 220 – Seth

Virtual Memories Show 220: Seth

“The world of the studio is where my interest is now. . . . It’s the world of exploring ideas you don’t have to show to anybody.”

Seth returns to the show to talk about Palookaville, making a living, his changing relationship to comics and cartoonists, his retrospection on the ’90s cohort he came up with, the creative sanctity of the studio and the creation of art no one will see, finishing his Clyde Fans serial after 20 years (and what he wants to work on next), being the subject of a documentary, seeing his work animated, doing collaborative work, taking up photography, a key lesson he learned about marriage, the disadvantages of being a people pleaser, why Kickstarter may be like an IQ test, and more! Plus, he asks me some questions! Give it a listen! And go buy the new the new Palookaville and the documentary, Seth’s Dominion!

“I’m over that hump, where I’m no longer as engaged with the medium of comics as I used to be.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Seth is the cartoonist behind the long-running comic-book series Palookaville. His books include Wimbledon Green, George Sprott, and It’s a Good Life, If You Don’t Weaken, all published by Drawn & Quarterly. He is the designer for The Complete Peanuts, The Portable Dorothy Parker, The John Stanley Library, and The Collected Doug Wright. From 2014 to 2016 he partnered with Lemony Snicket on the young readers series All The Wrong Questions. He is the subject of the recent award-winning NFB documentary Seth’s Dominion, and was the winner in 2011 of the Harbourfront Festival Prize. In 2017, he collaborated with the musician Mark Haney for the musical performance Omnis Temporalis, and his cardboard city installation was featured in the Art Gallery of Ontario’s sesquicentennial group show Every. Now. Then: Reframing Nationhood.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Toronto Marriott Bloor on a Zoom H2n digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Seth by me from 2014. It’s on my instagram.

Episode 202 – Karen Green

Virtual Memories Show 202: Karen Green

“My plan is to make this a research destination for comics studies, especially as they relate to comics in New York City.”

Karen Green, Curator of the Comics and Cartoons collection at Columbia University, joins the show to talk about her secret origin! How did she go from bartender to medieval scholar to comics librarian? We get into the evolution of the library and comics scholarship, her proudest acquisitions, her love of NYC and being a bartender there in the ’80s, reading Playboy for the cartoons, the experience of having a portrait done by Drew Friedman, her Venn diagram with Mimi Pond, and the one cartoonist she’s still speechless around. Give it a listen! And go buy Drew Friedman’s More Heroes Of The Comics: Portraits Of The Legends Of Comic Books; Karen wrote the intro!

“Things that were throwaway materials for the medieval or early modern period are now priceless artifacts in museums and libraries around the world. Who’s to say that the things we see as disposable culture today are not going to be given the same valence?”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Karen Green serves as Curator for Comics and Cartoons at Columbia University. She founded the graphic novels collection in the Columbia University Libraries, while working as the Ancient and Medieval History librarian. She has acquired the papers of Chris Claremont, Wendy and Richard Pini, Al Jaffee, and the Kitchen Sink Press for Columbia’s Rare Book and Manuscript Library, as well as items from the estate of Jerry Robinson and research materials from Larry Tye’s history of Superman. A former bartender, Green holds graduate degrees from Columbia University and Rutgers University. For four-and-a-half years, she wrote the “Comic Adventures in Academia” column for Comixology. She served as a Will Eisner Comics Industry Awards judge in 2011, a member of the jury for the Pulitzer Prize in Editorial Cartooning in 2014, serves as vice-president of the board of directors of the Society of Illustrators–and former trustee of the Museum of Comic and Cartoon Art, before its transfer to the Society–has taught and lectured on comics in academia, and curated the Fall 2014 exhibition, “Comics at Columbia: Past, Present, Future,” in Columbia’s Rare Book & Manuscript Library.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded in a meeting room in Columbia University’s Butler Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karen Green by me. It’s on my instagram.

Episode 193 – Ed Koren

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Virtual Memories Show #193: Ed Koren

“I’ve mined this little world that may or may not be exclusive to me, but it’s something that I’m interested in: the interface between country and city, between older and younger, between lifestyles. It’s an emotional and intellectual world I like probing.”

Ed Koren‘s cartoons and covers have graced The New Yorker for more than 50 years, so it was honor to record with him during CXC about his career, his perspective on generations of cartoonists, the development of his unique style (he has a good answer to my question, “Why so hairy?”), the persistence of his middle-class work ethic, his first encounter with the Undergrounds, his lithography “uptown” art, the advantages of having small ambitions, and more! Give it a listen!

“I still take enormous delight in starting and finishing and going through the uncharted seas of getting from here to there. There’s no map to get from an idea to a final culmination. (That’s what Dorothy Parker called single-panel cartoons: culminations.)”

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Well also talk about why he avoids Look Day, why he left NY for the country, the challenges of satire, the significance of The New Yorker in his household, the influence of Alley Oop and the Schmoo on his work, the shrinking economics of cartooning, his “ah, animals!” moment, his interest in long novels and single-panel comics, what he had to learn and what was innate, the benefits of being an outsider, and why he pined to join the Columbus Marathon outside our hotel. Now go listen to the show!

“I keep learning new things about color, and density, and structure. With each problem that I have to deal with comes and epiphany: ‘This is how it works!’ It may be self-renewing, but each time I move ahead.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Edward Koren has long been associated with the The New Yorker magazine, where he has published over 1000 cartoons, as well as numerous covers and illustrations. He has also contributed to many other publications, including The New York Times, Newsweek, Time, G.Q., Esquire, Sports Illustrated, Vogue, Fortune, Vanity Fair, The Nation and The Boston Globe. His illustrated books include How to Eat Like a Child, Teenage Romance and Do I Have to Say Hello (all by Delia Ephron), A Dog’s Life by Peter Mayle, Pet Peeves by George Plimpton, and The New Legal Seafoods Cookbook by Roger Berkowitz and Jane Doerfer. Thelonius Monster’s Sky-High Fly Pie was published in 2006, Oops by Alan Katz in 2008, How to Clean Your Room in 2010 and Poems I Wrote When No One Was Looking by Alan Katz in 2011. He has also written and illustrated books for children, Behind the Wheel, and Very Hairy Harry. He has also published six collections of cartoons which first appeared in The New Yorker, the most recent being The Hard Work of Simple Living.

Born in New York City, Koren attended the Horace Mann School and Columbia University. He did graduate work in etching and engraving with S.W. Hayter at Atelier 17 in Paris, and received an M.F.A. degree from Pratt Institute. He was on the faculty of Brown University for many years.

Koren’s cartoons, drawing and prints have been widely exhibited in shows across the United States as well as in France, England and Czechoslovakia. He has exhibited at the Middlebury College Museum of Art, the Washington Art Association, Terry Dintenfass Gallery, the Virginia Lynch Gallery, The Luise Ross Gallery, and Big Town Gallery. His work is also in the permanent collections of the Fogg Museum, the Rhode Island School of Design Museum, the Princeton University Museum, The Fitzwilliam Museum at Cambridge University, and in the Swann Collection at the Library of Congress. A major retrospective of his work was shown at Columbia University’s Wallach Gallery in 2010, and at the University of Vermont’s Fleming Museum in the summer of 2011.

Edward Koren has received a Doctor of Humane Letters Degree from Union College, and been a John Simon Guggenheim Fellow. He was Distinguished Visitor at The American Academy in Berlin, Germany in 2003.In 2007 he received The Vermont Governor’s Award for Excellence in the Arts. He has been a member of the Brookfield, VT Volunteer Fire Department for 24 years. He lives in Vermont with his family.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Westin Columbus on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Koren by me.

Episode 176 – Malcolm Margolin

This is one of those Must-Hear episodes of The Virtual Memories Show, people! I know I love all my kids, but I admit this one’s pretty special; give it a few minutes and you’ll understand why.

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Virtual Memories Show #176:
Malcolm Margolin

“What I’m passing on to people is . . . the capacity to have fun. To have a life that you can build around. Not branding, and not the demands of the marketplace, but what you really think and what you want.”

After a remarkable 40-year career, publisher Malcolm Margolin is retiring from Heyday Books in Berkeley. He joins the show to talk about the liberation of being unimportant, building a roundhouse to fall apart, the “dress code” necessary to make things palatable to a mainstream audience, his efforts to chronicle California Indian culture, his next act(s), and more! Give it a listen!

“In some ways I feel regret; the irony is that I was so active in preserving other people’s cultures and languages, but I let mine go.”

We also talk about the craziest golf foursome ever, the two-week-plus run of LSD that may have changed his life, his hatred of salesmanship (and environmentalists), the publishing revolution of the ‘70s, how we learn to live in a world bigger than our capacity to understand it, the inscription he’d want on his headphone e’d what drew him to publishing all those years ago (the beautiful women)! Give it a listen!

And become a patron of this podcast via Patreon or Paypal to get access to bonus conversation with Malcolm and a list of all the books we talked about! (Also, here’s a free bonus page of all the great quotes from our conversation.)

“I’m an emotion junkie. If I can go more than a few hours without breaking into tears, it’s a wasted day.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

HMALcover_web800px-200x299Malcolm Margolin is an author, publisher, and the founder and executive director of Heyday Books, an independent nonprofit publisher and cultural institution in Berkeley, CA. In 1974 he founded Heyday with the publication of his book The East Bay Out: A Personal Guide to the East Bay Regional Parks. Malcolm is the author/editor of eight books including The Ohlone Way: Indian Life in the San Francisco-Monterey Bay Area, named by the San Francisco Chronicle as one of the hundred most important books of the 20th century by a western writer. His essays and articles have appeared in a number of periodicals including The Nation, Small Press, National Parks, the San Francisco Chronicle, and the Los Angeles Times. He retired from his role as publisher at Heyday Books this year.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the offices of Heyday Books on a Zoom H2n digital recorder (because I screwed up with my main recorder). I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photos of Malcolm by me.

Episode 158 – Glenn Head

Virtual Memories Show #158:
Glenn Head

“I’d always been really wowed by the idea of artistic freedom, but that was all just an idea and not a reality. Actually being on the street and talking about artistic integrity is a joke. It’s a joke that’s laughing at you.”

chicagocoverIn his new comix memoir, Chicago (Fantagraphics), Glenn Head follows Orwell’s maxim, “Autobiography is only to be trusted when it reveals something disgraceful.” We talk about how he approached his first long-form comic after decades in the field, what prompted him to chronicle his mid-’70s self, the allure of underground comix, how his next work may mirror another bit of Orwelliana, why it’s always good to delate your heroes, what he’s working on next, and more! Give it a listen, and go buy Glenn’s new book!

“I think fools are always sympathetic, because they don’t know better.”

We also talk about our favorite comic stores, what he discovered about storytelling in the process of making Chicago, how he balanced the joys (and hassles) of editing comics anthologies, what he learned studying under Art Spiegelman at SVA, who his toughest (and best) critics are, how becoming a dad revised his understanding of his old man, and what it was like living in NYC through the AIDS years! Go listen!

“I learned that I’m not going to do my best work unless I risk vulnerability and putting myself out there.”

Also, if you want to find out who Glenn is reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who he’s reading and why.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

24723331364_f216d7967f_zGlenn Head was born in 1958 in Morristown, NJ, and began drawing comics when he was fourteen. His work has appeared in many places—from The Wall Street Journal to Screw. Others include The New York Times, Playboy, New Republic, Sports Illustrated, Advertising Age, Interview and Entertainment Weekly. Glenn’s fine art has been exhibited in New York and across the country: Exit Art’s travelling cartoon art show, “Comic Power”; “Art and Provocation: Images from Rebels” at the Boulder Museum of Fine Art; and “The New York Press Illustrator Show” at CBGB’s Gallery. His editorial cartooning appeared in the Inx show at Hofstra University. In the early ‘90s Glenn co-created (with cartoonist Kaz) and edited Snake Eyes, the Harvey Award-nominated cutting-edge comix anthology series. His solo books include Avenue D and Guttersnipe – underground urban comix that capture the intense, gritty underbelly of streetlife. Head was a frequent contributor to the Fantagraphics’ comix anthology quarterly Zero Zero. The Simon & Schuster’s comic book anthology Mind Riot featured Glenn’s work – a collection of personal stories depicting teenage angst. His project, Head Shots, a sketchbook of cartoon art, followed. From 2005 to 2010 Glenn edited and contributed to the Harvey and Eisner-nominated anthology Hotwire (three issues). Over the past six years Glenn created his graphic epic, Chicago. This coming-of-age memoir centers around a starry eyed 19-year-old with dreams of underground comics glory as he encounters his heroes, faces homelessness, despair, insanity . . . and somehow survives.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Virtual Memories Headquarters on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. Photo of Mr. Head by me.

Episode 152 – Carol Tyler

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Virtual Memories Show #152:
Carol Tyler

“I don’t think you can go predict when you go into a long-term memoir project, that the people you’re writing about will see their lives profoundly change.”

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Carol Tyler spent 10 years making Soldier’s Heart: The Campaign to Understand My WWII Veteran Father: A Daughter’s Memoir (Fantagraphics). We sat down at her home in Cincinnati to talk about her perspective on the book now that it’s in her rear-view mirror. We also talk about the glass ceiling for female cartoonists, what it means to be a parent first and cartoonist second, how her dad’s PTSD affected so much of her life, how she drew the last part of Soldier’s Heart in hospital rooms, going on food stamps in the midst of this project, her struggle to retain her hippie-ish enthusiasm during a period of heavy loss (4 family members and 3 close friends in 4 years), and how she broke into a frat-house to steal post-party empties for recycling. It’s a fun, deep conversation with a master cartoonist (even when it borders on Gil-as-therapist), so give it a listen!

“I couldn’t solve my dad’s problems. I couldn’t solve him.”

I’m not kidding about the therapist business; we get into some really thoughtful stuff about how she dealt with her dad’s behavior, how she sorta tries to replace him now, and how it might lead her into whole new modes of storytelling. Go listen!

“Color speaks; it sings like music! It’s non-language-oriented. When i use it, it helps me tap into what is nonverbal so I can communicate those emotions.”

23530796552_ece06760d9_zAlso, if you want to find out who she’s reading nowadays and get a list of the books and comics we talked about, join our Patreon and become a monthly contributor to The Virtual Memories Show! The first bonus episode (coming Jan. 31) includes a conversation with Carol about how she became a reader, and the author she goes back to read perennially.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Carol Tyler is an award-winning comic book artist & writer best known for autobiographical stories. She received an MFA in painting from Syracuse University in the 1980s and soon after began to get her work published in San Francisco with Robert Crumb. At ComicCon in 1988, Tyler was awarded the Dori Seda Memorial award for Best New Female Cartoonist. Her work has received top honors, including ten Eisner Award nominations, the LA Book Prize, and multiple Harvey and Ignatz nominations. “The Hannah Story” was named on the list of the Top 100 Cartoonists of the Century. Her latest book is Soldier’s Heart: The Campaign to Understand My WWII Veteran Father: A Daughter’s Memoir (Fantagraphics). It describes the author’s relationship with her father and how his PTSD shaped her childhood and affected her relationships in adulthood. It has been on Time Magazine‘s Top Ten and recently on Rolling Stone Magazine‘s Top 50 Graphic Novels. She has also published two short story collections, The Job Thing (1993) and Late Bloomer (2005), all with Fantagraphics Books. Professor Tyler teaches Comics, Graphic Novels & Sequential Art at the University of Cincinnati and is also a Residency Artist with the Ohio Arts Council.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Tyler’s house on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Tyler by me.

Episode 147 – Peter Kuper

Virtual Memories Show #147:
Peter Kuper

Photo by Holly Kuper

“The things we were seeing on the lamppost that would wash away, the art on the walls that would get painted over: we wanted to codify that in World War 3 Illustrated.”

ruinscoverAlt-comix lifer Peter Kuper joins the show to talk about his new graphic novel, RUINS (Self-Made Hero), a beautiful book about American expats in Oaxaca, Mexico during last decade’s political upheaval. Peter also talks about co-creating World War 3 Illustrated and the legacy that anthology has left since its inception in 1979 (!), how surprised he finds himself to be teaching at Harvard, how he fights despair over the fight against climate change, the need to build one’s own artistic scene, what it’s like to be one of the only people who actually followed through on the “if Bush/Cheney are re-elected, I’m leaving America” pledge, and more! Give it a listen!

“For me, the safest thing has been doing things I love. I’m an atheist, but I’ve had the experience of putting in the love and the effort and have come to believe that it’ll work out. I know a tremendous amount of it is luck, but persistence and putting yourself in the way of possibility has worked.”

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Seriously, Peter Kuper’s a legend in cartooning, and this wide-ranging conversations covers a lot of territory, including his revelations about murals in Mexican art, the wide variety of art-styles he employs, the economics of cartooning, the sink-or-swim experience his parents subjected him to in Israel (and why that led him to do the same to his kid in Mexico), the devaluation of political humor, the GOP candidate he fears the most, and the historical knowledge of comics his students at Harvard and SVA have (or don’t have), so go listen to our conversation and then go buy Ruins!

“We all draw. Every kid draws. For whatever reason, we give it up. I encourage people to keep it there. Why not sketch for pleasure? Turning it into a career is a whole other bag.”

We talk about some books in this episode. Here’s a list of them:

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Kuper has created over a dozen graphic novels, including The System, Sticks and Stones, and an adaptation of Franz Kafka’s The Metamorphosis. He is co-founder of the political graphics magazine World War 3 Illustrated and since 1997 has written and drawn “Spy Vs Spy” for MAD Magazine. He has been teaching comics courses for over 25 years in New York City and is a visiting professor at Harvard University. His new book is RUINS.There’s a more extensive bio at his site.

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Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Kuper’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Kuper by Holly Kuper.