“I’m not a foodie, but I love other people’s obsessions about food. I love watching Kings of Pastry and seeing two men carefully bisecting a pastry and sharing it. They’ve got the most serious looks own their faces.”
Rising comics star — don’t blame me, that’s what Publishers Weekly just called her — Andrea Tsurumi joins the show to talk about her new collection, Why Would You Do That? (Hic & Hoc Publications). We get into her off-kilter sense of humor and why I love it, why she chose that title, the most sadistic children’s book ever written and why she adapted it, the comics industry’s saving grace (it’s too small to fail), staged photos during the Civil War, the challenge of teaching comics, her attempt at a work/art/life balance, the comics, cartoons and picture books that influenced/warped her, why she left New York, the truth about cakes vs. pies, and more! Give it a listen! And buy Why Would You Do That?!
“The problem with freelance illustration and comics is just that there’s not enough money, especially if you’re living in New York City. If you don’t have enough money, you don’t have enough time. And if you don’t have enough money or time, you have to make hard choices, and you’ll never have enough wiggle room to have a healthy balance.”
This episode was recorded at the School of Visual Arts, where Andrea studied and where she does some teaching nowadays (that’s her standing next to a print by Jim Rugg). Past guest Nathan Fox, chair of the MFA Visual Narrative Department at SVA, offered us a space to record. SVA’s low-residency MFA Visual Narrative Program includes two years online and three summers in NYC. The program focuses on the growing need for original content creators in advertising, video games, picture books, graphic novels, film, comic arts, illustration and animation, and it prepares artists and authors to become innovators in the ever-evolving art of visual storytelling. Now go listen to the show!
“You know when you’re growing up and you have these moments of dramatic realization of the obvious? That’s what the growing up is.”
About our Guest
Andrea Tsurumi is an illustrator and cartoonist who likes history, absurdity, dogs and monsters (in no particular order). Her first book, Why Would You Do That? is out now from Hic & Hoc. A lifelong book nerd, she received an English BA from Harvard and an MFA in illustration from the School of Visual Arts. She now lives in Philadelphia and likes her ice cream angry.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the School of Visual Arts on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of Ms. Tsurumi by me, portrait of her drawing by … someone else.
“Fatherland is really about who my father was, getting to understand him, and also an attempt to explain how politics can tear a family apart, just like they tore apart the people of Yugoslavia in the 1990s.”
Nina Bunjevac‘s new book, Fatherland, explores her family’s fractured history against the backdrop of 20th century Yugoslavia. We talk about how she left her country in 1990 only to find that it wasn’t there when she went back. We also explore the risks and challenges of researching a terrorist organization, the comics tradition in Yugoslavia and her own comics history, Serbia’s culture of friendship, why the Toronto Comic Arts Festival is the best comics event in North America, how I discovered her first book, Heartless, the perils of too much stippling, why it was controversial to publish Fatherland in Serbian dialect in Croatia, and more.
“When I got to Canada when I was 16, I saw an issue of Raw, and that pretty much did it.”
About our Guest
Nina Bunjevac started her art training in Yugoslavia, at the Djordje Krstic School for Applied Arts; in 1990 she moved to Toronto, Canada, where she continued her studies in art at the Art Centre of Central Technical School; in 1997 she graduated from OCAD in the Drawing and Painting department. Formerly a painter, a sculptor and an art teacher, Nina found her calling in sequential arts, a form that seemed to naturally evolve out of the narrative component in her sculpture installation work. Pen and ink became her medium of choice.
Nina’s comics have appeared in a number of local and international publications: Komikaze (Croatia), Black (Italy), GIUDA (Italy), Stripburger (Slovenia), Zone 5300 (Netherlands), Stripolis (Serbia), ArtReview (UK), Asiatroma/Le Dernier Cri (France), Broken Pencil, Exile, Taddle Creek (Canada) and Mineshaft (USA). Her debut collection of comics, Heartless, came out in September 2012 with the Nova Scotia-based publisher Conundrum Press, and was translated and published in France in 2013 by Ici-même Editions. In 2011 Nina received The Golden Pen of Belgrade at the 11th International Biennale of Illustration in Belgrade for the cover image of Balkan Women in Comics (Fibra/Croatia); in 2013 she received The Doug Wright Award in the Spotlight category, also known as The Nipper, for Heartless.
Fatherland: A Family History comes out this month in Canada from Cape Graphic/Random House and will be released in the U.S. in January 2015.
Photo of Nina Bunjevac by David Hawe.
Credits: This episode’s music is Bomba by King Africa (I make no apologies). The conversation was recorded at the Marriott Bloor in Toronto on a Zoom H2n digital recorder (because there was a power supply problem that caused a weird reverb on my main recorder). The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Bunjevac and me by Amy Roth.