Cartoonist & illustrator Karl Stevens rejoins the show to celebrate his new book, Penny: A Graphic Memoir (Chronicle Books), in which Karl explores the inner life of his eponymous cat Penny. We get into the challenges of realistically drawing a tortoiseshell cat (and writing her existentialist thoughts), the book’s origins in his Village Voice strip, and how he avoided plenty of cartoon cat cliches while crafting a book that can appeal to non-comics readers. We also get into his new work adapting another writer’s script for a comic, the experiments he’s doing with different drawing styles, his productive pandemic, and how he’s trying to create book about his father’s Vietnam experience. And we talk about our respective running habits, the virtues of Transcendental Meditation, his learning curve with New Yorker comic submissions, and his deep-dive into back issues of Heavy Metal. Give it a listen! And go read Penny: A Graphic Memoir!
About our Guest
Karl Stevens is a graphic novelist and painter whose comics have appeared regularly in the New Yorker, Village Voice (where Penny premiered), and Boston Phoenix. Stevens’ graphic novels include Whatever, The Lodger, Failure, and The Winner. He lives in Boston with his wife and their
overlords cats, Penny and Pepper. His new book is Penny: A Graphic Memoir.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karl by someone else. It’s on my instagram.
“Cartooning for The New Yorker is like being in a jazz club, and you don’t go into a jazz club and play the Ramones.”
It’s late-night podcast-action with cartoonist Shannon Wheeler! We get into the history of his Too Much Coffee Man comics and his new book, Sh*t My President Says: The Illustrated Tweets of Donald J. Trump (Top Shelf), learning the language of cartooning at The New Yorker (and learning to work with a new editor there), the ways his architecture training informs his storytelling, his discovery of the Fabulous Furry Freak Brothers at WAY too young an age, the cartooning trick that made him want to draw, his dream project on the history of northern California, and the redemption of the guy who used to dress up as TMCM at conventions! It’s coffee-fueled! Give it a listen! And go buy Sh*t My President Says!
“Liberals can be some of the most conservative people you’ll ever meet.”
About our Guest
Shannon Wheeler is the Eisner Award-winning creator of Too Much Coffee Man, who has appeared internationally in newspapers, magazines, comic books and opera houses. He has contributed to a variety of publications, including The Onion newspaper and The New Yorker magazine. Wheeler currently lives in Portland, OR with his cats, chickens, bees, girlfriend and children. He publishes a comic every day at tmcm.com.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at an undisclosed location on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Wheeler by me. They’re on my instagram.