“There are certain things that come up when you age, the abandonment of some old things and the incredible opportunity to do new things. . . . I discovered at the age of 80 I could do what I couldn’t do at 16, 20 or 30.”
Jules Feiffer’s professional cartooning career began in 1945 and he’s still going strong. He achieved Mt. Rushmore status as a cartoonist, satirist, playwright and screenwriter, and his new book, the 150-page graphic novel Kill My Mother: A Graphic Novel (Liveright/WW Norton), signals both a new phase in his body of work and a return to the films noir (and comics and romans noir) that first inspired him. We talked about the new book, why he left political satire behind, how it felt to ‘learn to draw’ in his 80s, why we both hate the term “graphic novel”, how Waiting for Godot made him reconsider the possibilities of a 6-panel comic strip, what he learned about storytelling while working on a long-form comic, and more! Give it a listen!
“People like Lenny Bruce and William Steig gave me permission. And once they give you permission you walk through that door that they opened and then it’s up to you to go further. If I’ve played a role doing that, that’s great.”
Credits: This episode’s music is Retrospective (Duke Ellington), Passionella Prelude, and I Yam What I Yam (Robin Williams). The conversation was recorded at Mr. Feiffer’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photos of Mr. Feiffer (and Lynda Barry) by me.