“Satire is the art of exaggerating for humorous emphasis and to make a point, but how do you exaggerate Trump?”
Last July, I talked to Dan Perkins (aka Tom Tomorrow) as he was launching a Kickstarter to produce 25 Years of Tomorrow, a massive quarter-century collection of his This Modern World comic strip. It was way more successful than he anticipated (356% overfunded!), so at his book launch party at Mark Twain House in March, we recorded an on-stage followup conversation, plus audience Q&A! Give it a listen! And buy 25 Years of Tomorrow!
“Does political humor date? Sure, but I was writing about gun control and healthcare reform 25 years ago.”
Dan & I talk about the challenge of satire in this day and age, the benefits of operating under a pseudonym, the ways his life and work have changed as a result of the Kickstarter process, the ongoing labor of his production partners, Topatoco and Make That Thing!, looking back at 25 Years of Tomorrow, the mixed blessing of the internet, the doors that opened when he published a 1,000-page collection, whose hatred cheers him the most, why the internet is like Soylent Green, and more! Go listen and then order a copy of 25 Years of Tomorrow!
“It’s all fun and games until the crazy man is in the Oval Office.”
This episode is also the launch of our new monthly feature, #NJPoet’s Corner, where we’ll talk with philosopher-historian-zen-monk-poet Charles Bivona! (That starts around the 50:00 mark)
Also, if you want to find out who Dan and Chuck are reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who they’re reading and why.
About our Guest
Dan Perkins, better known as Tom Tomorrow, is the creator of the weekly political cartoon, This Modern World, which appears in approximately 80 newspapers across the U.S., and on websites such as Daily Kos, and The Nation. His work has appeared in publications including The New York Times, The New Yorker, Spin, Mother Jones, Esquire, The Economist, The Nation, U.S. News and World Report, and The American Prospect, and has been featured on Countdown with Keith Olbermann. In 2013 he was awarded the prestigious Herblock Prize in a ceremony at the Library of Congress, and in 2015 he was a finalist for the Pulitzer Prize. He received the first place Robert F. Kennedy Award for Excellence in Journalism in 1998 and 2003, and has also received the Media Alliance Meritorious Achievement Award, the James Madison Freedom of Information Award from the Society of Professional Journalists, the Professional Freedom and Responsibility Award from the Association for Education in Journalism, and the James Aronson Award for Social Justice Journalism. In 2009, he collaborated with Pearl Jam to create artwork for their album “Backspacer“. Dan has published 9 anthologies of his work, and one mega-sized 15-pound, two-volume slipcased edition of 25 Years of Tomorrow.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Mark Twain House. I recorded the intro and outro on a Blue enCORE 200 microphone feeding into a Zoom H5 digital recorder. Processing was done in Audacity and Logic Pro. Photos of me and Dan by Beverly Gage.
Summer’s nearly over, but there are plenty of oddball links to carry you through another week! Just click more!
Now that Obama has crossed the delegate finish-line for the Democratic nomination . . . it’s time for the finger-pointing! Today’s WSJ has a fun article that details the mismanagement, backbiting and strategic idiocy of the Clinton campaign.
For a while now, I’ve been marveling over the Clinton camp’s contention that the Obama has had a free ride, what with his, um, being, half-black and having middle and last names that are markedly similar to those of America’s recent public enemies #1a and #1b.
Even more audacious, I thought, was the complaint that sexism was holding Sen. Clinton back. This was utter BS, as the candidate actually benefited from the lowered expectations the public has for women. Think back to the days before the New Hampshire primary in January, when Sen. Clinton cried on camera. It’s clear to me that if a male candidate had done such a thing, he’d be laughed off the campaign trail as a weakling (I deleted several much harsher terms before settling on that one).
(Oh, and her crying-jag lament of, “I have so many opportunities for this country. I just don’t want to see us fall backwards,” struck me as a really chilling choice of words.)
The WSJ article is a hoot, because it explores what a mixed-up organization Sen. Clinton assembled, in concert with her lack of understanding of the nomination process. One of my favorite lines was about the campaign’s chief strategist, Mark Penn (dutifully put through the Drew Friedmanizer, below):
Critics’ bigger complaint was that from the campaign’s start Mr. Penn had been its only pollster. Other campaigns typically use many pollsters to provide alternative views; Sen. Obama has had up to four. Ms. Solis Doyle says that throughout 2006 and 2007, she urged Sen. Clinton to add more. Sen. Clinton told advisers Mr. Penn is “brilliant,” and multiple pollsters would slow consensus on strategy.
But top aides chafed that Mr. Penn used his control of “the numbers” to win most disagreements. “He could go straight to the [former] president of the United States, who in turn got to Hillary,” says a senior strategist. “After a while, people just shrugged their shoulders and said, ‘Hey, look, this is how she wants her campaign run.'”
Mr. Penn defends his polling analyses, and counters that others were responsible for budgets and field operations. “The misleading thing here is, the title of chief strategist connotes that I was in charge of things,” he said. “It was a much more complex structure than any title connotes.”
Anyway, congrats are in order to Sen. Obama and his campaign. As Eddie Griffin recently put it (according to Page 6), “Barack Obama is about to get the Democratic nomination. It’ll be the first time in history that a black man beat a white woman and didn’t go to jail for it.”
Last November, I wrote about how the Wall Street Journal’s infamous headshot illo-style — which I like to call The Drew Friedmanizer — had a vested interest in, well, portraying Hilary Clinton a bit unflatteringly:
Nowadays, I think they’re more concerned about derailing Sen. Obama’s campaign. Why, in today’s article about how both Democratic candidates are pandering sacks of shit reframing their messages on free trade as they campaign in Indiana and North Carolina, Sen. Clinton has been transformed:
Maybe she visited Glamour Shots by Deb.
(I like the carefully placed flag pin, although I think giving her a pearl necklace is a bit cruel.)