Episode 350 – Ed Ward

Virtual Memories Show 350: Ed Ward

“I don’t like nostalgia. I consider it destructive to a rational understanding of history.”

From the Sex Pistols’ last show to the backseat of Elvis’ gold Cadillac, Ed Ward has had a front-row seat to the history of rock & roll. He returns to the show to talk about The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock (Flatiron Books), and we get into the challenges of chronicling the form in that that era (both narratively and chronologically), his novelistic approach to history, the destructive nature of nostalgia, and how glad he was to get corroboration on the circumstances of Jim Morrison’s death. Along the way, we get into his oft-quoted but misunderstood review of the first Stooges record (and how Iggy validated him), how Woodstock predicted the collapse of the music industry, why he thought (incorrectly) that the ‘70s were a nostalgia-proof generation, why he doesn’t listen to music anymore, and his answer to the key question of the era: Beatles or Stones? Give it a listen (and check out our 2016 podcast)! And go buy The History of Rock & Roll, Volume 2: 1964–1977!

“I was there and I know how the story of rock & roll ends.”

“Music is no longer central to youth culture.”

“Disco was rhythm & blues by other means.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Ed Ward was the rock-and-roll historian on Fresh Air for more than thirty years, reaching fourteen million listeners. Currently he is the cohost of the Let It Roll podcast. His writing has appeared in The New York Times, The Wall Street Journal, and countless music magazines. He is the author of The History of Rock & Roll, Volume 1 and of Michael Bloomfield: The Rise and Fall of an American Guitar Hero. His new book is The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock. He lives in Austin, Texas.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Fairfield Inn near Penn Station in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Ward by me. It’s on my instagram.

Podcast – Our Lady of Organized Vituperation

Virtual Memories Show:
Mary Fleener –
Our Lady of Organized Vituperation

“I was so excited to get an issue of Weirdo in the mail. I ran up my driveway and saw my neighbor and said, ‘Look! I got a letter from Robert Crumb!’ And he said, ‘Who’s that?’ And I thought, ‘Here’s my introduction to the mainstream appreciation of underground comics.'”

lotpViva Cubismo! Mary Fleener joins the show to talk about her career in cartooning, her love/hate relationship with LA (mostly hate now, but there was a little love in the early days), the Zora Neale Hurston story that made a cartoonist out of her, the story of how Matt Groening accidentally derailed her career, her past-life regression while attending the King Tut exhibition in 1978, the roots of her Cubismo comics style, the joys of simplifying her life, the new book she’s working on, the horrors of The Comics Journal‘s message board, and more! Give it a listen!

“When I was going to college, you’d pass the guys selling ‘Muhammad Speaks,’ then you’d run into the Hare Krishnas, then there’d be the La Raza guys, then the Jesus freaks. Everything was in flux. Everybody was getting in cults. Everyone was either asking you for money or trying to convert you.”

FLEENER!

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Mary Fleener was born in Los Angeles when smog was at an all time high, Hollywood was still glamorous, and every woman’s ambition was to own a mink coat. Inherited good art genes from her mother and never wanted to do anything else. A collection of her comics was published in 1994 by Fantagraphics as Life of the Party. Her Illustration work has appeared in The SD Reader, OC Weekly, The Village Voice, SPIN, Guitar Player, Musician, and Entertainment Weekly, as well as projects like The Guitar Cookbook, Weird Tales of the Ramones (CD box set), Star Time (the James Brown CD box set), Carlsbad Museum of Making Music – “Hands on the Future” exhibit, and CD covers for The Insect Surfers and Buddy Blue. Her paintings have been exhibited at La Luz de Jesus Gallery, Track 16, David Zapt Gallery, Laguna Beach Art Museum Annex, LACE (Los Angeles), COCA (Seattle), Southwestern College, Patricia Correia Gallery, Sushi Gallery and Ducky Waddle’s Emporium. She also enjoys making hand-built ceramics and wheel thrown functional pieces that she glazes and fires in her own kiln. She enjoys painting on velvet, that which we all consider the King of Kitsch, but which also makes her color and “cubismo” style of drawing even more dramatic and mysterious on the plush background of black velvet. She lives is in Encinitas, CA, with her husband, a dog, a cat, and lots of stringed instruments. They have a band called The Wigbillies.

Credits: This episode’s music is Boomcubism by Brian Eno. The conversation was recorded at Ms. Fleener’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photos of Ms. Fleener by me.

Vote with soul

I haven’t finished loading up my new iPod yet, so I wasn’t able to play James Brown’s Living in America during the drive down to the polling station this morning. I fell back on Prince’s Sign o’ the Times (should’ve gone with America from Around the World in a Day). To make up for it, I offer up some JB:

To provide some more Obamatude, I’ll only play funk, soul and R&B in my office stereo today. Up first, Sly & the Family Stone – Anthology!

Now go vote! And then dance like there’s ass in your pants!

Update! Next up: the soundtrack to Brown Sugar.

Vote Lando!

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