Tag James Thurber

Episode 193 – Ed Koren

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Virtual Memories Show #193: Ed Koren

“I’ve mined this little world that may or may not be exclusive to me, but it’s something that I’m interested in: the interface between country and city, between older and younger, between lifestyles. It’s an emotional and intellectual world I like probing.”

Ed Koren‘s cartoons and covers have graced The New Yorker for more than 50 years, so it was honor to record with him during CXC about his career, his perspective on generations of cartoonists, the development of his unique style (he has a good answer to my question, “Why so hairy?”), the persistence of his middle-class work ethic, his first encounter with the Undergrounds, his lithography “uptown” art, the advantages of having small ambitions, and more! Give it a listen!

“I still take enormous delight in starting and finishing and going through the uncharted seas of getting from here to there. There’s no map to get from an idea to a final culmination. (That’s what Dorothy Parker called single-panel cartoons: culminations.)”

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Well also talk about why he avoids Look Day, why he left NY for the country, the challenges of satire, the significance of The New Yorker in his household, the influence of Alley Oop and the Schmoo on his work, the shrinking economics of cartooning, his “ah, animals!” moment, his interest in long novels and single-panel comics, what he had to learn and what was innate, the benefits of being an outsider, and why he pined to join the Columbus Marathon outside our hotel. Now go listen to the show!

“I keep learning new things about color, and density, and structure. With each problem that I have to deal with comes and epiphany: ‘This is how it works!’ It may be self-renewing, but each time I move ahead.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Edward Koren has long been associated with the The New Yorker magazine, where he has published over 1000 cartoons, as well as numerous covers and illustrations. He has also contributed to many other publications, including The New York Times, Newsweek, Time, G.Q., Esquire, Sports Illustrated, Vogue, Fortune, Vanity Fair, The Nation and The Boston Globe. His illustrated books include How to Eat Like a Child, Teenage Romance and Do I Have to Say Hello (all by Delia Ephron), A Dog’s Life by Peter Mayle, Pet Peeves by George Plimpton, and The New Legal Seafoods Cookbook by Roger Berkowitz and Jane Doerfer. Thelonius Monster’s Sky-High Fly Pie was published in 2006, Oops by Alan Katz in 2008, How to Clean Your Room in 2010 and Poems I Wrote When No One Was Looking by Alan Katz in 2011. He has also written and illustrated books for children, Behind the Wheel, and Very Hairy Harry. He has also published six collections of cartoons which first appeared in The New Yorker, the most recent being The Hard Work of Simple Living.

Born in New York City, Koren attended the Horace Mann School and Columbia University. He did graduate work in etching and engraving with S.W. Hayter at Atelier 17 in Paris, and received an M.F.A. degree from Pratt Institute. He was on the faculty of Brown University for many years.

Koren’s cartoons, drawing and prints have been widely exhibited in shows across the United States as well as in France, England and Czechoslovakia. He has exhibited at the Middlebury College Museum of Art, the Washington Art Association, Terry Dintenfass Gallery, the Virginia Lynch Gallery, The Luise Ross Gallery, and Big Town Gallery. His work is also in the permanent collections of the Fogg Museum, the Rhode Island School of Design Museum, the Princeton University Museum, The Fitzwilliam Museum at Cambridge University, and in the Swann Collection at the Library of Congress. A major retrospective of his work was shown at Columbia University’s Wallach Gallery in 2010, and at the University of Vermont’s Fleming Museum in the summer of 2011.

Edward Koren has received a Doctor of Humane Letters Degree from Union College, and been a John Simon Guggenheim Fellow. He was Distinguished Visitor at The American Academy in Berlin, Germany in 2003.In 2007 he received The Vermont Governor’s Award for Excellence in the Arts. He has been a member of the Brookfield, VT Volunteer Fire Department for 24 years. He lives in Vermont with his family.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Westin Columbus on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Koren by me.

Episode 190 – Liza Donnelly

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Virtual Memories Show #190: Liza Donnelly

“Frank Modell told me, ‘For the New Yorker, you have to draw better than you know how to.'”

Liza Donnelly joins the show to talk about her careers as a New Yorker cartoonist, women’s rights activist and live-drawing legend! We get into the weird overlap of respectability, responsibility and cartooning, as well as her work for Cartooning for Peace, the joys of drawing on the subway, how she benefited from Tina Brown’s love of snarky women, why she’s considering (but is daunted by) making a long-form comic, the evolution of her feminist consciousness, her trouble drawing George Clooney, and more! BONUS: my interminable intro takes up the first 13 minutes! Give it a listen!

“Social media is an extension of what drew me to cartooning initially; I was shy and I didn’t like to talk, and I was drawing to make my mother laugh. Drawing was communication, and sharing.”

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We also get into the significance of The New Yorker (and New York), her book on the magazine’s women cartoonists, the TED swag that changed her life, the mentor/mentee relationship, the contradictions of meticulously developing a carefree style, how the internet has given her a platform, and more. Now go listen to the show!

“It becomes a matter of paring back your style, learning how to let go of detail, learning how to draw simply, making it look like you just whipped this drawing off, even if it took 25 attempts.”

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Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

liza-avatarLiza Donnelly is a writer and cartoonist with The New Yorker magazine. She is also a sought after public speaker and also does live drawings of events, covering the 2016 Democratic National Convention for CBS News and the presidential debates. She recently joined CBS This Morning as contributing cartoonist. She is a columnist and cartoonist for Forbes.com, specializing in politics and women’s rights. Donnelly draws a political cartoon for Politico and Medium, and she is a contributor to many other national publications. Donnelly was a finalist for the 2014 Thurber Prize, the only award for written humor in the United States.

Donnelly is a Cultural Envoy for the US State Department, traveling around the world speaking about freedom of speech, cartoons and women’s rights. As a public speaker, Donnelly has also spoken at TED (Technology Entertainment and Design), the United Nations, and The New Yorker Festival, as well as colleges, universities and corporate venues, among other places.

Donnelly was profiled on CBS Sunday Morning, NBC and BetterTV, and has been interviewed on radio and in numerous magazines, newspapers and online. Donnelly’s cartoons and commentary can be seen on various websites: the NewYorker.com; Politico.com, CNN.com; HuffingtonPost.com; Salon.com; DailyBeast.com; NarrativeMagazine.com. Her work has appeared in print publications, including The New York Times, Glamour, Cosmopolitan, The Nation and The Harvard Business Review.

Donnelly is the author/editor of sixteen books. Her most recent book is titled Women on Men, published by Narrative Magazine. Some of her other books are When Do They Serve the Wine?: The Folly, Flexibility, and Fun of Being a Woman, Funny Ladies: The New Yorker’s Greatest Women Cartoonists And Their Cartoons, a history of the women who drew cartoons for the magazine, Sex and Sensibility: Ten Women Examine the Lunacy of Modern Love…in 200 Cartoons and Cartoon Marriage: Adventures in Love and Matrimony by The New Yorker’s Cartooning Couple (with Michael Maslin). Donnelly’s book, When Do they Serve the Wine? was optioned by Mark Gordon Studios for an hour long comedy for television; and the book she wrote with her husband, Cartoon Marriage, has been optioned by Jennifer Garner for ABC Studios. Donnelly has written and illustrated numerous children’s books for Scholastic and Holiday House.

She is the New York Director of the international project, Cartooning for Peace, helping to promote understanding through humor; and is president and co-founder of USA FECO, the US chapter of the international cartoonists’ organization. Her work has been in numerous exhibitions globally, and she has curated exhibits of international cartoonists, here and abroad. Donnelly taught at Vassar College and the School of Visual Arts and is a member of PEN and the Authors Guild. She is the recipient of an honorary degree from the University of Connecticut, and received a Ruben Award, the Salon St. Just International Prize, AAUW Women of Distinction Award. Liza was a member the jury of the World Press Cartoon Prize in Lisbon, the Cartooning for Peace Prize in Geneva and the Aydin Dogan Cartoon Competition in Turkey.

She can be found on twitter and Instagram at @lizadonnelly. She lives in Rhinebeck and New York City with her husband, New Yorker cartoonist Michael Maslin. They have two daughters.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in Ms. Donnelly’s kitchen on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Blurry photo of Ms. Donnelly by ???.

Episode 186 – Michael Maslin

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Virtual Memories Show #186: Michael Maslin

“Arno is as close to the founder of The New Yorker cartoon as you can get.”

91yv3wzg8zl Michael Maslin joins the show to talk about his new book, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist (Regan Arts). We talk about his own career at The New Yorker, marrying a fellow cartoonist, becoming a cartoon detective, the allure of Arno and the days when cartoonists were cited in gossip mags, why it took him 15 years to write this biography, and more! Give it a listen! And go buy his book on Peter Arno!

“There have been all kinds of changes, but it’s still The New Yorker.”

We also get into Michael’s cartooning influences & anxieties, the website he built to chronicle the doings of New Yorker cartoonists, the time Robert Gottlieb had to shield William Shawn from paparazzi outside the Algonquin Club, the recent Sam Gross gag that made him bust a gut, the incredible apartment building he lived in in on West 11th St. (and why so many New Yorker cartoonists wind up leaving New York). BONUS: I have a two-minute catch-up with one of my favorite cartoonists, Roger Langridge, at last weekend’s Small Press Expo! (pictured below) Now go listen to the show!

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“It took 15 years because I’d never done it before. I think I wrote a paper in high school that was a page and a half, so I had to learn how to do all this.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Born in New Jersey, Michael Maslin was raised in Bloomfield, a bedroom community a half hour due west of Manhattan. In high school, he drew a short-lived comic strip “Our Table” which followed the imaginary exploits of fellow students. Readership was limited to those sitting around him in the lunchroom. About this time, he first submitted work to The New Yorker, and soon received his first rejection.

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In August of 1977 the magazine purchased one of his ideas. It was given to and executed by veteran cartoonist Whitney Darrow Jr. (the drawing, of a fortune teller saying to a customer, “Nothing will ever happen to you” appeared in the issue of December 26, 1977). He began contributing regularly to The New Yorker in 1978 – his first drawing appeared in the April 17th issue. In 1988 he married fellow New Yorker cartoonist, Liza Donnelly. They have two children. Simon & Schuster published four collections of his work, including The More the Merrier, and The Crowd Goes Wild. With Ms. Donnelly he co-authored Cartoon Marriage: Adventures in Love and Matrimony by The New Yorker’s Cartooning Couple, Husbands and Wives and Call Me When You Reach Nirvana. They also co-edited several cartoon anthologies. Maslin’s work has appeared in numerous magazines and cartoon anthologies.

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In August of 2007 he began Ink Spill, a website dedicated to news of New Yorker Cartoonists, past and present. Ink Spill is comprised of six sections: News & Events, The New Yorker Cartoonists A-Z (a listing of bare bone bios of all cartoonists who have contributed to the magazine), Links, Posted Notes (essays on New Yorker cartoonists), From the Attic (artifacts related to New Yorker cartoons/cartoonists) and The New Yorker Cartoonists Library. Maslin’s biography of Peter Arno, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist was published by Regan Arts in April of 2016

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Maslin’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. The segment with Mr. Langridge was recorded on a Zoom H2n digital recorder. Photos of Mr. Maslin and Mr. Langridge by me. Live-drawing of me and Mr. Maslin by Liza Donnelly.

Episode 177 – MK Brown

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Virtual Memories Show #177:
MK Brown

“I have a folder of work that I can never print, but you just have to get them out.”

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Legendary cartoonist MK Brown joins the show to talk about her lifetime in comics and art, her years with B. Kliban and how they worked out opposite work/sleep schedules, the ups and downs of The National Lampoon, the balancing act of motherhood and art, her trepidation at organizing a multi-decade collection of her work (and her idiosyncratic chapter headings for the book), her love of westerns, her favorite political comic, her secret stash of unprintable comics and gags, working in animation, the future of Aunt Mary’s Kitchen, and why she goes by “MK”. Give it a listen! And buy MK’s collection, Stranger Than Life: Cartoons and Comics 1970-2013 (Fantagraphics)!

“If you look through a microscope, you can get lost.”

bystander_biggerThis episode is sponsored by The American Bystander, a new, quarterly, print-only humor magazine featuring a mind-blowing lineup of humor writers and artists. Visit their site, order the first two issues, and find out how to support this fantastic project (seriously: go check out that list of contributors). There was a great New York Times piece last week about The American Bystander‘s second issue on July 12 —

The American Bystander . . . does not just belong to the tradition of defunct magazines like The National Lampoon and Spy. Its nostalgic, lightly witty style evokes influences that have been dead even longer, like the raconteur Jean Shepherd and the sophisticated stylist Robert Benchley. In an era when so much comedy is boisterous and engaged with the world, The American Bystander’s humor is understated and escapist, steering clear of topicality and political jokes.

— so, yeah, I’m awfully glad to have them as a sponsor of The Virtual Memories Show!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

M.K.Brown is an artist whose work has appeared in most national magazines and collections since the 70’s, and in many forms such as cartoons, animation and illustration. MK grew up in Darien, CT and New Brunswick, Canada, and attended art schools in New Canaan, CT, GTO, Mexico, and San Francisco, CA. After selling cartoons to small publications like The Realist, her work was published in Playboy Magazine, then in National Lampoon, where her cartoons were featured for several decades.

Aside from Playboy and National Lampoon, Brown’s cartoons and illustrations were published in Mother Jones Magazine, The Atlantic Monthly, Women’s Sports, Arcade Comics, The New Yorker and many other magazines both mainstream and underground. She collaborated with Brian McConnachie, Bill Murray, Peter Elbling and Brian Doyle Murray to write TV’s first scripted comedy hour for NBC, and later created an animated series for the first season of the Tracy Ullman Show. She also wrote and illustrated several children’s books which were featured on Reading Rainbow, and received a Junior Literary Guild award.

MK Brown’s cartoons have been reproduced in dozens of collections over the years from Twisted Sisters: A Collection of Bad Girl Art, to The New Yorker 75th Anniversary Cartoon Collection. Her own collection of cartoons, Stranger Than Life: Cartoons and Comics 1970-2013, is available from Fantagraphics and better bookstores.

Recently, she’s been at work on cartoons for the third issue of The American Bystander. Another project was a short animation called “Aliens,” about distracted driving, for Ford Motor Co. produced by J.J.Sedelmaier. It tied for 1st place with Bill Plympton in the public service category at the ASIFA/SF Summer Screening. Her next project is to finish a new website with the help of Stan Jarin in Australia.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at MK’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of MK by me.

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