Podcast: Not the camera but the eye

Virtual Memories – season 2 episode 16
Kyle Cassidy: Not the camera but the eye

It’s time for the last Virtual Memories Show podcast of the year! This time around, we interview Kyle Cassidy, an amazing photographer based in west Philadelphia.

As he puts it in his bio, “Kyle Cassidy has been documenting American culture since the 1990’s. He has photographed Goths, Punks, Cutters, Politicians, Metalheads, Dominatrices, Scholars, and Alternative Fashion, in addition to less prosaic subjects. In recent years his projects have extended abroad to Romania, where he captured the lives of homeless orphans living in sewers; and to Egypt, where he reported on contemporary archaeological excavations.”

Kyle’s work has appeared in the New York Times, Vanity Fair (DE), the Sunday Times of London, Marie Claire, Photographers Forum, Asleep by Dawn, Gothic Beauty and a ton of other publications. He recently published War Paint: Tattoo Culture & the Armed Forces. In 2007, he published Armed America: Portraits of Gun Owners in Their Homes. We spoke one day after the Sandy Hook Elementary School massacre, so our conversation began with a discussion of gun culture(s) in America.

“Guns are a huge part of many people’s lives, and have been from the beginning. I think it’s going to be very difficult for someone to convince lots of Americans that this is something they need to stop.”

Trust me: the conversation moves on to lighter topics after that, including how he discovered his next big project, Where I Write: Fantasy & Science Fiction Authors in Their Creative Spaces. We also talk about roller derby, fan cultures, the breakdown of discourse, how he got started in photojournalism, his most hated digital photography tricks, and whether he owns a gun, among other topics.

There are a lot more bad pictures out there, but there are a lot more good pictures out there, and there are a lot more things being covered that weren’t covered before. It’s a very good thing.

(Also, you may notice a certain vibrating noise that rises and falls during the show. That would be the purring of Kyle’s cat, Roswell, who joined us for several stretches of the episode. She also horked up something like a hairball at one point. I found it difficult not to break out laughing when she crawled into Kyle’s wife’s microphone box to watch us.)

 Enjoy the conversation!

KyleCassidy

The Virtual Memories Show is on iTunes! If you’d like to subscribe, visit our iTunes page!

If you’d like to check out past episodes, you can find us on iTunes or visit the Podcast page for all our back episodes, as well as e-mail signup and tip jar! And why don’t you friend the Virtual Memories Show at our Facebook page? It’d make my mom happy.

As I wrote at the top, this is the last episode of 2012. I’ve got some good guests planned for next year, and I’m hoping to get the show up to a reliable twice-monthly schedule. Thanks for supporting the show, and drop me a line if you have any suggestions for guests or topics you’d like to see me cover.

Credits: This episode’s music is Gun by The Golden Palominos. I recorded the intro on a Blue Yeti mic into Audacity, and the conversation was recorded in Mr. Cassidy’s home in Philadelphia, on a pair of AT2020 mics, feeding into a Zoom H4N recorder. All editing and processing was done in Garage Band. Photo courtesy of Valya Dudycz Lupescu.

Podcast: Hassling The Hoff

Virtual Memories – season 2 episode 15
Scott Hoffman – Hassling The Hoff

“When people talk about the death of books, they couldn’t be more wrong. Physical books may exist the way vinyl records do, for collectors or fanatics, but people read more today than they have at any time in history.”

It’s time for a new episode of The Virtual Memories Show!

“I think that the New York publishing industry has missed a large section of readership. For a long time, they always thought ‘those people’ didn’t read books.”

Our latest episode features a conversation with Scott Hoffman, co-founder of Folio Literary Management, about his transition from Washington, DC lobbyist to New York literary agent, the fate of the mid-list author, why zombies are hot, his agency’s e-publishing initiatives, the importance of globalization and developing markets for authors, the likelihood that the Random House / Penguin merger will go through, the diminishing relevance of publishing’s gatekeepers, the explosion of the YA market, and why he now reps much more non-fiction than novels.

“You get stabbed in the back just as often in publishing as in Washington, DC, but in publishing it’s with a cocktail toothpick.”

We also talk about the most important books in Scott’s past, and how some of his adolescent faves did or didn’t hold up.

Enjoy the conversation!

Scott Hoffman on The Virtual Memories ShowPhoto by Amy Roth.

About Our Guest

Scott Hoffman co-founded Folio Literary Management in 2006. Scott has served as Vice-chairman of the board of SEARAC (the only nationwide advocacy agency for Southeast Asian-Americans), a board member of Fill Their Shelves, Inc., a charitable foundation that provides books to children in sub-Saharan Africa, and a member of the Metropolitan Opera’s Young Associates Steering Committee. Before entering the world of publishing, he was one of the founding partners of Janus-Merritt Strategies, a Washington, DC strategic consulting firm. He holds an MBA from New York University’s Leonard N. Stern School of Business, and a BA from the College of William and Mary.

The Virtual Memories Show is on iTunes! If you’d like to subscribe, visit our iTunes page!

If you’d like to check out past episodes, you can find us on iTunes or visit the Podcast page for all our back episodes, as well as e-mail signup and tip jar! And why don’t you friend the Virtual Memories Show at our Facebook page? It’d make my mom happy.

Credits: This episode’s music is the end credits for 28 Days Later by John Murphy. The conversation was recorded in Mr. Hoffman’s home in New York City on a pair of Blue Encore 100 mics, feeding into a Zoom H4N recorder, and I recorded the rest on a Blue Yeti mic into Audacity. All editing and processing was done in Garage Band.