Podcast: The Whimsical Barracuda

Virtual Memories – season 3 episode 31 –
The Whimsical Barracuda

“With my brothers, it was like ‘Resistance is futile! You will enjoy horror movies! You will go to comic book conventions! You will learn to love B-movies and worship Tor Johnson and Plan 9 from Outer Space! Shemp Howard must be worshipped!’”

Kipp Friedman is the latest member of a comedic dynasty (so says the subtitle of his new memoir, Barracuda in the Attic). The son of novelist, journalist, playwright and screenwriter Bruce Jay Friedman and brother of cartoonist Drew Friedman and writer/musician Josh Alan Friedman, Kipp has tossed his hat into the ring with a book filled with tales of New York City in the 1960’s and ‘70s, of pop culture education, of living with his divorced dad during his days writing “The Lonely Guy” columns, and more!

“My father was so prolific for so many years as a writer, people would wonder why he never seemed to be working. And yet his stuff kept on being published. I think making it seem effortless rubbed off on his kids. We agonize over everything.”

While in NYC for a series of book readings, Kipp sat down to talk with me about Barracuda in the Attic (Fantagraphics Books), the joys of “growing up Friedman,” hunting for comics and Mad magazines with his brothers, what he misses about New York, what he’ll never forgive the Knicks for, how he ended up with a “real job,” and what it felt like to add a volume to the bookshelf of works by his family. It’s a wonderful perspective on the most creative family any of us will likely ever see!

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Kipp Friedman is a native New Yorker who holds B.A.s in history and journalism from the Universit of Wisconsin-Madison. He began his career as a reporter for several newspapers in south Florida before moving to Wisconsin, where he worked in PR for GE Medical Systems, as marketing and PR director at the Harry & Rose Samson Family Jewish Community Center, and as a PR consultant for Jewish Family Services of Milwaukee. He is also a professional photographer and has shot more than 300 bar and bat mitzvahs (despite not having been bar mitzvah’d himself). He currently resides in Milwaukee with his wife, Anne. They have a grown son, Max, who is studying to be an architect. Barracuda in the Attic is his first book.

Credits: This episode’s music is When I Write a Book by Rockpile. The conversation was recorded at a hotel in SoHo on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded at home on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Kipp Friedman by me.

Podcast: The Guy Who Drew the Liver Spots

Drew Friedman & Brisket on The Virtual Memories Show

Virtual Memories – season 3 episode 21 –
The Guy Who Drew the Liver Spots

“I don’t like drawing young people, attractive people. I used to get assigned drawings of the cast of ‘Friends’ for Entertainment Weekly, and it was painful. I would finish a drawing of Jennifer Aniston, and to reward myself, I’d draw Shecky Greene.”

It’s the Vermeer of the Borscht Belt! Drew Friedman, the great painter, cartoonist, chronicler of modern fame (and infamy), and Howard Stern’s favorite artist, invited me out to 2nd Ave. Deli in NYC one Saturday morning to record a conversation about art, leaving New York, show biz, R. Crumb, Joe Franklin, Tor Johnson, the Friars Club, Howard Stern, Abe Vigoda, the gallery show commemorating his books on Old Jewish Comedians, and his upcoming book of portraits on comic-book legends (as in ‘artists, writers and publishers’). We also talk about how Harry Einstein died during a roast for Lucy and Desi, trade Gilbert Gottfried stories, discuss the state of the illustration market, explore why he used stippling effects and why he stopped, and more. This one’s a lot of fun. Go listen!

“There’s a theory about why there were so many Jewish comedians: the smile behind the pain, the haunted smile. I don’t buy into it. I think they’re all just a bunch of hams. They like to be up there, telling jokes, being funny, and meeting women.”

by Jay Ruttenberg Photo of Drew Friedman and Jerry Lewis courtesy of Jay Ruttenberg

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Drew Friedman is an award-winning illustrator, cartoonist and painter. His work has appeared in Raw, Weirdo, SPY, National Lampoon, Snarf, The New York Times, MAD, The New Yorker, BLAB!, The New York Observer, The Wall Street Journal, HONK!, Rolling Stone, Field & Stream, TIME, The Village Voice, Entertainment Weekly, and more. His comics and illustrations have been collected in several volumes, the latest, Too Soon?, published by Fantagraphics in 2010. His collection of portraits, Drew Friedman’s Sideshow Freaks, was published by Blast books in 2011. He has published three collections of paintings of Old Jewish Comedians (1, 2 and 3), but none of Old Episcopal Comedians. He also raises champion beagles with his wife, K. Bidus. You can find his full bio and buy his art at his fine art prints site and you really should read his blog.

Credits: This episode’s music is Dinner Music for a Pack of Hungry Cannibals by Raymond Scott. The conversation was recorded at the 2nd Ave. Deli in Manhattan on a Zoom H4n recorder. The intro and outro were recorded in my home office on a Blue Yeti USB microphone. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Photo by a waiter at 2nd Ave. Deli.