“This book has three things I love: bookstores, painting and name-dropping.”
Artist, writer, humorist and cartoonist Bob Eckstein joins the show to talk about his wonderful new book, Footnotes from the World’s Greatest Bookstores: True Tales and Lost Moments from Book Buyers, Booksellers, and Book Lovers. We get into the origins of the project, how he survived the sheer volume of bookstore-cat stories, how he once got dirty in the back of the Strand Bookstore, getting introduced to art by Sports Illustrated, a great lesson in comic timing, getting a late start in cartooning but making up for lost time, marrying his biggest enemy from art school (and eloping to Iceland), becoming a champion of bookstore culture, and more! Give it a listen! And go buy Footnotes from the World’s Greatest Bookstores!
“I got paid the same amount of money doing pieces for the New York Times in 1982 and 1983 as I get paid now.”
We also talk about the collapsing economics of illustration, cartooning, and pretty much every other field Bob pursues, doing seven years of research on The History of the Snowman (in which he discovered some amazing stuff) and accidentally shooting down a TV project based on it, how Footnotes taught him that people’s real story isn’t always the one they think they’re telling you, his exultation at selling his very first submission to The New Yorker and his puzzlement when he didn’t sell another one there for a year, what makes for a good bookstore, the benefits of eavesdropping, and more! Now go listen to the show!
“Every bookstore is thousands of peoples’ dreams, either fulfilled or unfulfilled. Everyone’s life project is on the shelf. And it’s where people’s dreams are going to get triggered.”
About our Guest
Bob Eckstein is an illustrator, writer and cartoonist. His work has appeared in The New Yorker, The New York Times, and The Wall Street Journal, among many other publications. He is also known as the world’s leading snowman expert and is the author of the holiday classic, The History of the Snowman. He lives in New York City.
There’s a much more extensive (and funny) bio of him at bobeckstein.com.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at stately Virtual Memories Manor on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Eckstein & Rufus T. Firefly Roth by me.
“How can you keep experimenting within your own work? When they say people reinvent themselves, they just mean they put on new clothes or something.”
Ben Katchor rejoins the show to talk about the 25th anniversary edition of Cheap Novelties: The Pleasures of Urban Decay (Drawn & Quarterly)! We talk about those aforementioned pleasures, the boredom of the modern flaneur, his evolution from genre fandom to “literary comics” (my awful term, not his), the danger in comics becoming over-academic, the challenges of writing a world history, and more! Give it a listen! And go buy Cheap Novelties!
“You spend the first 20 years of your life figuring out how the culture works, another 20 years figuring out how to make a living in that culture, and maybe the last part you’re in oblivion, saying, ‘What did I do?'”
We also get into the tedium of the latest iteration of New York City, the experience of capitalism’s end-game, why his comics are a product of a unique moment, his discovery of Undergrounds, the challenges of making anything new, how he found a readership that isn’t interested in comics, and more! Now go listen to the show!
“All these people who weren’t born or were babies when Cheap Novelties came out, now they’re going to look at it and say, ‘What does this mean? How does this even relate to us?'”
About our Guest
Ben Katchor lives in New York, where he is an Associate Professor at Parsons School of Design—The New School. As director of Parsons’ Illustration program, he runs The New York Comics & Picture-story Symposium, a weekly lecture series for the study of text-image work. He has been the recipient of both a Guggenheim Fellowship and a MacArthur Fellowship.
Along with his long-running comic-strip work — Julius Knipl, Real-Estate Photographer, The Cardboard Valise, Hotel & Farm, The Jew of New York, and a monthly strip for Metropolis magazine—Katchor has also collaborated with musician Mark Mulcahy on a number of works for musical theatre. These works include The Rosenbach Company (a tragi-comedy about the life and times of Abe Rosenbach, the preeminent rare-book dealer of the 20th century); The Slug Bearers of Kayrol Island, or, The Friends of Dr. Rushower, an absurdist romance about the chemical emissions and addictive soft-drinks of a ruined tropical factory-island; A Checkroom Romance, about the culture and architecture of coat-checkrooms; and Up From the Stacks, about a page working the stacks of the New York Public Library in 1975. Katchor is the only cartoonist to have won an Obie for Best New American Work, for his libretto and drawings for The Carbon Copy Building, a collaboration with Bang on a Can. His TED Talk is titled Comics of Bygone New York. He is on Twitter at benkatchor.
His books include the 25th anniversary edition of Cheap Novelties: The Pleasures of Urban Decay, Hand-Drying in America: And Other Stories, The Cardboard Valise, Julius Knipl, Real Estate Photographer: Stories, Julius Knipl, Real Estate Photographer: The Beauty Supply District, and The Jew of New York.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in the garden at the rear of the Columbus Metropolitan Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloud Microphones Cloudlifter CL-1 and then into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Katchor at his drawing desk by Keetja Allard, photo from his Twitter avatar by ???.
“I’m able to be what people want me to be when I’m behind the bar or playing music, but I’m not a performer by nature, so it’s not an easy transition. With comics, the joy I feel when I’m drawing comes through.”
Cartoonist Leslie Stein joins the show to celebrate her new book, Time Clock (Fantagraphics)! We talk about her amazing diary comics (recently collected in Bright-Eyed At Midnight), why she picked a really weird name for her ongoing comics project (Eye of the Majestic Creature), the artistic benefits of boredom, finding her style(s), drawing for online vs. print (and color vs. b/w), her strategy for surviving comic cons and festivals, how she got a gig publishing comics at VICE, the disconcerting discovery that she had an audience, and how she strikes a balance of cartooning, being in a band, and tending bar! Give it a listen! And buy her newest books, Time Clock and Bright-Eyed At Midnight (my personal fave of all her work)!
“I’ve been thinking about this one project for five years, and that’s been keeping me from starting it. I feel like it could be amazing or it could be terrible, and I just have to spend a few years on it to figure that out.”
This episode was recorded at the School of Visual Arts, where Leslie studied. Past guest Nathan Fox, chair of the MFA Visual Narrative Department at SVA, offered us a space to record. SVA’s low-residency MFA Visual Narrative Program includes two years online and three summers in NYC. The program focuses on the growing need for original content creators in advertising, video games, picture books, graphic novels, film, comic arts, illustration and animation, and it prepares artists and authors to become innovators in the ever-evolving art of visual storytelling. Now go listen to the show!
“I started diary comics on a whim, which is how I approach everything.”
About our Guest
Leslie Stein is a cartoonist and musician living in Brooklyn, New York. She is the author of the comic book series Eye of the Majestic Creature, as well as the author of Bright-Eyed At Midnight, a collection of diary comics, both published by Fantagraphics Books. She regularly contributes comics to VICE. She plays music with Prince Rupert’s Drops.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the School of Visual Arts on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup, inside a closet in Des Allemands, LA. Processing was done in Audacity and Logic Pro. Photo of Ms. Stein by me.
“A lot of how I draw comes from Greek vases. They’re like ancient comics.”
Glynnis Fawkes joins the show to talk about archeology, comics, dig romances, Homer and more! We celebrate her award-winning new comic, Alle Ego, figure out how to make art while raising a family (hint: mine your family to make the art), explore the correlation of Greek vases to comics, lament the savage history of Troy and Gallipoli, while embracing the comics-centric world of Angouleme, and more! Give it a listen! And buy Alle Ego, the new installment of her book, from her store.
“We’re here now, but human experience goes so far back. Relationships, love, death: this has all gone on so long.”
We also get into her journey from the Pacific Northwest to the Middle East, her senior thesis on satyrs & maenads, the demands of drawing urns based on fragments, the best way to learn drawing comics, her move away from fine art, her life-changing experience at the Maison des Auteurs, and bumping into Alison Bechdel at the supermarket. Give it a listen!
About our Guest
Glynnis Fawkes is a cartoonist, painter, and archaeological illustrator. Her current project is a memoir about working as illustrator on digs in Greece and the Middle East. She drew many of the pages for this book at a residency at La Maison des Auteurs in Angouleme, France in the summer of 2015. She recently completed 50 illustrations and cover for John Franklin’s Kinyras: The Divine Lyre (Center for Hellenic Studies Press, 2016). Glynnis’ background is in art and art history: a BA from University of Oregon, a BFA from the Pacific NW College of Art, and MFA from the School of the Museum of Fine Arts in Boston and Tufts University. During a Fulbright fellowship to Cyprus, she published a book of paintings, Archaeology Lives in Cyprus, and a book of cartoons, Cartoons of Cyprus. She spent almost 10 years working as an illustrator on archaeological projects and excavations in Cyprus, Turkey, Syria, Israel, and Lebanon, and continues to work in Greece. She began a doctorate at the University of Wollongong in Australia, but instead of finishing, married the famous archeo-musicologist John Franklin and had some children (now in school). She has exhibited paintings in Boston, London, Nicosia, Wollongong, at the Laura Russo Gallery in Portland, OR, and in Burlington, VT, where she now lives. She teaches a course in Comics at the University of Vermont and drawing at Champlain College. Glynnis is a member of the NY-based web comic collective Activatecomix.com and publishes on Muthamagazine.com.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. B/w photo of Glynnis by me. Not sure who to credit with the color pic at the top.