“I’m not a foodie, but I love other people’s obsessions about food. I love watching Kings of Pastry and seeing two men carefully bisecting a pastry and sharing it. They’ve got the most serious looks own their faces.”
Rising comics star — don’t blame me, that’s what Publishers Weekly just called her — Andrea Tsurumi joins the show to talk about her new collection, Why Would You Do That? (Hic & Hoc Publications). We get into her off-kilter sense of humor and why I love it, why she chose that title, the most sadistic children’s book ever written and why she adapted it, the comics industry’s saving grace (it’s too small to fail), staged photos during the Civil War, the challenge of teaching comics, her attempt at a work/art/life balance, the comics, cartoons and picture books that influenced/warped her, why she left New York, the truth about cakes vs. pies, and more! Give it a listen! And buy Why Would You Do That?!
“The problem with freelance illustration and comics is just that there’s not enough money, especially if you’re living in New York City. If you don’t have enough money, you don’t have enough time. And if you don’t have enough money or time, you have to make hard choices, and you’ll never have enough wiggle room to have a healthy balance.”
This episode was recorded at the School of Visual Arts, where Andrea studied and where she does some teaching nowadays (that’s her standing next to a print by Jim Rugg). Past guest Nathan Fox, chair of the MFA Visual Narrative Department at SVA, offered us a space to record. SVA’s low-residency MFA Visual Narrative Program includes two years online and three summers in NYC. The program focuses on the growing need for original content creators in advertising, video games, picture books, graphic novels, film, comic arts, illustration and animation, and it prepares artists and authors to become innovators in the ever-evolving art of visual storytelling. Now go listen to the show!
“You know when you’re growing up and you have these moments of dramatic realization of the obvious? That’s what the growing up is.”
About our Guest
Andrea Tsurumi is an illustrator and cartoonist who likes history, absurdity, dogs and monsters (in no particular order). Her first book, Why Would You Do That? is out now from Hic & Hoc. A lifelong book nerd, she received an English BA from Harvard and an MFA in illustration from the School of Visual Arts. She now lives in Philadelphia and likes her ice cream angry.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the School of Visual Arts on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of Ms. Tsurumi by me, portrait of her drawing by … someone else.
“A lot of how I draw comes from Greek vases. They’re like ancient comics.”
Glynnis Fawkes joins the show to talk about archeology, comics, dig romances, Homer and more! We celebrate her award-winning new comic, Alle Ego, figure out how to make art while raising a family (hint: mine your family to make the art), explore the correlation of Greek vases to comics, lament the savage history of Troy and Gallipoli, while embracing the comics-centric world of Angouleme, and more! Give it a listen! And buy Alle Ego, the new installment of her book, from her store.
“We’re here now, but human experience goes so far back. Relationships, love, death: this has all gone on so long.”
We also get into her journey from the Pacific Northwest to the Middle East, her senior thesis on satyrs & maenads, the demands of drawing urns based on fragments, the best way to learn drawing comics, her move away from fine art, her life-changing experience at the Maison des Auteurs, and bumping into Alison Bechdel at the supermarket. Give it a listen!
About our Guest
Glynnis Fawkes is a cartoonist, painter, and archaeological illustrator. Her current project is a memoir about working as illustrator on digs in Greece and the Middle East. She drew many of the pages for this book at a residency at La Maison des Auteurs in Angouleme, France in the summer of 2015. She recently completed 50 illustrations and cover for John Franklin’s Kinyras: The Divine Lyre (Center for Hellenic Studies Press, 2016). Glynnis’ background is in art and art history: a BA from University of Oregon, a BFA from the Pacific NW College of Art, and MFA from the School of the Museum of Fine Arts in Boston and Tufts University. During a Fulbright fellowship to Cyprus, she published a book of paintings, Archaeology Lives in Cyprus, and a book of cartoons, Cartoons of Cyprus. She spent almost 10 years working as an illustrator on archaeological projects and excavations in Cyprus, Turkey, Syria, Israel, and Lebanon, and continues to work in Greece. She began a doctorate at the University of Wollongong in Australia, but instead of finishing, married the famous archeo-musicologist John Franklin and had some children (now in school). She has exhibited paintings in Boston, London, Nicosia, Wollongong, at the Laura Russo Gallery in Portland, OR, and in Burlington, VT, where she now lives. She teaches a course in Comics at the University of Vermont and drawing at Champlain College. Glynnis is a member of the NY-based web comic collective Activatecomix.com and publishes on Muthamagazine.com.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. B/w photo of Glynnis by me. Not sure who to credit with the color pic at the top.
“I’m not looking for artists to actually be able to draw everything perfectly and accurately, but I want them to understand how the body works enough so that within the context of their own style they can create a set of rules that will work for them.”
If I was still doling out titles for each episode, I’d call this one The Anatomy Lesson. Kriota Willberg joins the show to talk about her work teaching anatomy, pathology, drawing, and massage, and her focus on keeping cartoonists from suffering work-related injuries (or art-related injuries, I suppose) through her minicomics and exercise programs. The conversation veers into the challenges of delivering pathology gags, making needlepoint of medical images, becoming a dancer and becoming an ex-dancer, learning not to let the perfect be the enemy of the good, growing up nerd in central Washington, and why it’s not good to tell jokes when you’re in the middle of surgery (okay, that last bit is one of my anecdotes). Give it a listen!
“People don’t realize they need to pay attention to their bodies when they’re drawing, until they have an injury.”
BONUS: Science fiction writer/critic Paul Di Filippo comes in to talk about The Black Mill: Issue Zero Kickstarter that he just launched with Orion Zangara and Derek L. Chase. It finishes March 8, 2016, so check it out and help launch an innovative, gorgeous SF graphic novel!
Also, if you want to find out who Kriota’s reading nowadays and get a list of the books we talked about, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of February, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Kriota’s reading lately and why.
About our Guest
Through graphic narratives, writing, performance, and needlework, Kriota Willberg focuses on the intersection between body sciences and creative practice. In addition to body/science narratives, she makes self-care comics for artists ((NO) PAIN!, and First Aid for Drawing Injuries) and a minicomic series of little educational value, called Pathology Laffs. One of her blogs, thecinematologist.blogspot.com examines medical themes through the lens of Hollywood films. Willberg keeps her past as a dancer/choreographer alive by teaching anatomy in the dance department at Marymount Manhattan College. She is also a massage therapist working in the Integrative Medicine Service at Memorial Sloan Kettering Cancer Center. Her projects and opinions do not reflect the views of MSKCC. Kriota is working on a project called Pathographics, a soon-to-be-posting blog exploring the body, medicine, and history, through comics, and other visual narratives. This project is a collaboration between Cathy Leamy, Andrea Tsurumi, and Kriota.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Willberg’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Willberg by me.