“I think I made three cartoons about Jane Austen before I got around to reading a Jane Austen novel. And then I thought, ‘Oh, this is really good!'”
Cartoonist & illustrator Tom Gauld joins the show to talk about his new book, Mooncop (Drawn & Quarterly), and developing a post-optimistic view of the future. We get into his drawing and storytelling influences, how he got a weekly gig doing literary gags at The Guardian, why he likes doing illustration work, the time he melted down when he met his comics-idols, how he got his first New Yorker cover, the two key elements of productivity for all artists and writers (coffee & walking) and more! Give it a listen! And go buy Mooncop! (and his other books, Goliath and You’re All Just Jealous of My Jetpack!)
“I never tailored my work to an audience, other than just trying to make what I think is funny.”
We also get into the importance of the hand-drawn line, the question of collaborating with a writer, the balance of long-form comics and weekly assignments, his schoolteacher’s rapprochement with his compulsive cartooning, the challenge of doing literary comics while trying not to read too deeply, the scope-creep of doing the cover for the Drawn & Quarterly 25th anniversary collection, why weaknesses are as important as strengths to one’s style, and why he REALLY needs to learn to draw hands. Now go listen to the show!
“The constraints of illustration work are actually liberating. . . . I think I’d go crazy if I had to draw comics all the time.”
About our Guest
Tom Gauld was born in 1976 and grew up in Aberdeenshire, Scotland. He is a cartoonist and illustrator and his work is regularly published in The Guardian, The New York Times, and The New Scientist. His comic books, Mooncop, Goliath, and You’re All Just Jealous of My Jetpack, are published by Drawn & Quarterly. He lives in London with his family.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in the Bethesda North Marriott home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Gould by me.