Episode 220 – Seth

Virtual Memories Show 220: Seth

“The world of the studio is where my interest is now. . . . It’s the world of exploring ideas you don’t have to show to anybody.”

Seth returns to the show to talk about Palookaville, making a living, his changing relationship to comics and cartoonists, his retrospection on the ’90s cohort he came up with, the creative sanctity of the studio and the creation of art no one will see, finishing his Clyde Fans serial after 20 years (and what he wants to work on next), being the subject of a documentary, seeing his work animated, doing collaborative work, taking up photography, a key lesson he learned about marriage, the disadvantages of being a people pleaser, why Kickstarter may be like an IQ test, and more! Plus, he asks me some questions! Give it a listen! And go buy the new the new Palookaville and the documentary, Seth’s Dominion!

“I’m over that hump, where I’m no longer as engaged with the medium of comics as I used to be.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Seth is the cartoonist behind the long-running comic-book series Palookaville. His books include Wimbledon Green, George Sprott, and It’s a Good Life, If You Don’t Weaken, all published by Drawn & Quarterly. He is the designer for The Complete Peanuts, The Portable Dorothy Parker, The John Stanley Library, and The Collected Doug Wright. From 2014 to 2016 he partnered with Lemony Snicket on the young readers series All The Wrong Questions. He is the subject of the recent award-winning NFB documentary Seth’s Dominion, and was the winner in 2011 of the Harbourfront Festival Prize. In 2017, he collaborated with the musician Mark Haney for the musical performance Omnis Temporalis, and his cardboard city installation was featured in the Art Gallery of Ontario’s sesquicentennial group show Every. Now. Then: Reframing Nationhood.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Toronto Marriott Bloor on a Zoom H2n digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Seth by me from 2014. It’s on my instagram.

Episode 180 – Leslie Stein

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Virtual Memories Show #180: Leslie Stein

“I’m able to be what people want me to be when I’m behind the bar or playing music, but I’m not a performer by nature, so it’s not an easy transition. With comics, the joy I feel when I’m drawing comes through.”

EOTMC3_Cover_FINALCartoonist Leslie Stein joins the show to celebrate her new book, Time Clock (Fantagraphics)! We talk about her amazing diary comics (recently collected in Bright-Eyed At Midnight), why she picked a really weird name for her ongoing comics project (Eye of the Majestic Creature), the artistic benefits of boredom, finding her style(s), drawing for online vs. print (and color vs. b/w), her strategy for surviving comic cons and festivals, how she got a gig publishing comics at VICE, the disconcerting discovery that she had an audience, and how she strikes a balance of cartooning, being in a band, and tending bar! Give it a listen! And buy her newest books, Time Clock and Bright-Eyed At Midnight (my personal fave of all her work)!

“I’ve been thinking about this one project for five years, and that’s been keeping me from starting it. I feel like it could be amazing or it could be terrible, and I just have to spend a few years on it to figure that out.”

This episode was recorded at the School of Visual Arts, where Leslie studied. Past guest Nathan Fox, chair of the MFA Visual Narrative Department at SVA, offered us a space to record. SVA’s low-residency MFA Visual Narrative Program includes two years online and three summers in NYC. The program focuses on the growing need for original content creators in advertising, video games, picture books, graphic novels, film, comic arts, illustration and animation, and it prepares artists and authors to become innovators in the ever-evolving art of visual storytelling. Now go listen to the show!

“I started diary comics on a whim, which is how I approach everything.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Leslie Stein is a cartoonist and musician living in Brooklyn, New York. She is the author of the comic book series Eye of the Majestic Creature, as well as the author of Bright-Eyed At Midnight, a collection of diary comics, both published by Fantagraphics Books. She regularly contributes comics to VICE. She plays music with Prince Rupert’s Drops.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the School of Visual Arts on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup, inside a closet in Des Allemands, LA. Processing was done in Audacity and Logic Pro. Photo of Ms. Stein by me.

Episode 158 – Glenn Head

Virtual Memories Show #158:
Glenn Head

“I’d always been really wowed by the idea of artistic freedom, but that was all just an idea and not a reality. Actually being on the street and talking about artistic integrity is a joke. It’s a joke that’s laughing at you.”

chicagocoverIn his new comix memoir, Chicago (Fantagraphics), Glenn Head follows Orwell’s maxim, “Autobiography is only to be trusted when it reveals something disgraceful.” We talk about how he approached his first long-form comic after decades in the field, what prompted him to chronicle his mid-’70s self, the allure of underground comix, how his next work may mirror another bit of Orwelliana, why it’s always good to delate your heroes, what he’s working on next, and more! Give it a listen, and go buy Glenn’s new book!

“I think fools are always sympathetic, because they don’t know better.”

We also talk about our favorite comic stores, what he discovered about storytelling in the process of making Chicago, how he balanced the joys (and hassles) of editing comics anthologies, what he learned studying under Art Spiegelman at SVA, who his toughest (and best) critics are, how becoming a dad revised his understanding of his old man, and what it was like living in NYC through the AIDS years! Go listen!

“I learned that I’m not going to do my best work unless I risk vulnerability and putting myself out there.”

Also, if you want to find out who Glenn is reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who he’s reading and why.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

24723331364_f216d7967f_zGlenn Head was born in 1958 in Morristown, NJ, and began drawing comics when he was fourteen. His work has appeared in many places—from The Wall Street Journal to Screw. Others include The New York Times, Playboy, New Republic, Sports Illustrated, Advertising Age, Interview and Entertainment Weekly. Glenn’s fine art has been exhibited in New York and across the country: Exit Art’s travelling cartoon art show, “Comic Power”; “Art and Provocation: Images from Rebels” at the Boulder Museum of Fine Art; and “The New York Press Illustrator Show” at CBGB’s Gallery. His editorial cartooning appeared in the Inx show at Hofstra University. In the early ‘90s Glenn co-created (with cartoonist Kaz) and edited Snake Eyes, the Harvey Award-nominated cutting-edge comix anthology series. His solo books include Avenue D and Guttersnipe – underground urban comix that capture the intense, gritty underbelly of streetlife. Head was a frequent contributor to the Fantagraphics’ comix anthology quarterly Zero Zero. The Simon & Schuster’s comic book anthology Mind Riot featured Glenn’s work – a collection of personal stories depicting teenage angst. His project, Head Shots, a sketchbook of cartoon art, followed. From 2005 to 2010 Glenn edited and contributed to the Harvey and Eisner-nominated anthology Hotwire (three issues). Over the past six years Glenn created his graphic epic, Chicago. This coming-of-age memoir centers around a starry eyed 19-year-old with dreams of underground comics glory as he encounters his heroes, faces homelessness, despair, insanity . . . and somehow survives.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Virtual Memories Headquarters on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. Photo of Mr. Head by me.

Episode 143 – Jennifer Hayden and Summer Pierre

Virtual Memories Show #143:
Jennifer Hayden and Summer Pierre LIVE!

“Middle age is such a perfect term. You’re right in the middle of life. You could not be more in the middle of everything. Your parents are old, your kids are little. Life is just swirling around you.”
–Jennifer Hayden

titscoverTime for another LIVE episode of the Virtual Memories Show! Jennifer Hayden (The Story of My Tits) and Summer Pierre (Paper Pencil Life) join us at Labyrinth Books in Princeton, NJ to talk about comics, cancer, middle age, art vs. work, learning compassion through memoir, and more! Give it a listen!

“With my mom dying, I thought, ‘Oh, I’m gonna die? Great, I work well with deadlines!'”
–Summer Pierre

summerjencropAccording to Labyrinth Books’ promo for the event, “Art is not something we create in isolation. Art happens between the diaper change and the trip to the vet. Between the car accident and the roast chicken. Every day we fight to seize a little more art from the jaws of this wild existence.  And if we’re lucky we catch the spark while it’s rising. Autobiographical cartoonists and graphic novelists Jennifer Hayden, and Summer Pierre discuss their graphic lives with moderator Gil Roth of the Virtual Memories Show.” It’s a great conversation about making art in the interstices of life, so go listen! (And go buy The Story of My Tits!)

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guests

jenniferpromopicJennifer Hayden came to comics from fiction-writing and children’s book illustration. Her new book, The Story of My Tits (Top Shelf, 2015), is a 352-page graphic memoir and breast cancer narrative. Her previous book, the autobiographical collection Underwire (Top Shelf, 2011), was excerpted in the Best American Comics 2013 and named one of “the best comics by women” by DoubleX. She is a member of Activate (the premier webcomics collective in New York City), where she posts her webcomic S’crapbook, which earned a Notable listing in the Best American Comics 2012. Jennifer currently posts the daily diary strip Rushes at thegoddessrushes.blogspot.com. Her comics have appeared in print anthologies such as The Activate Primer, Cousin Corrine’s Reminder, and The Strumpet. After hours, Jennifer plays electric fiddle with The Rocky Hill Ramblers and The Spring Hill Band. She lives in Central New Jersey with her husband, their two college-age children, two cats, and the dog.

summerilloSummer Pierre is a cartoonist, illustrator, writer, and teacher living in the Hudson Valley, NY. She makes an autobiographical comic called Paper Pencil Life, and is the author of The Artist in the Office: How to Creatively Survive and Thrive Seven Days a Week (which the Boston Globe called, “A virtual bible for artists and day jobs”) and Great Gals: Inspired Ideas for Living a Kick-Ass Life. Her writing and art have appeared in The Rumpus, Hobart, The Nashville Review & Booth Literary Journal, among other places.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Labyrinth Books in Princeton on a pair of Blue enCORE 200 microphones and a Blue enCORE 100 microphone feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro.