Episode 171 – Jim Ottaviani

jim-ottovianni-03-750Virtual Memories Show #171: Jim Ottaviani

“My willingness to pick and choose and throw out stuff that doesn’t work for the story may be part of my engineering background.”

Jim Ottaviani51Fl8DiRoyL._SX355_BO1,204,203,200_ joins the show to talk about his new graphic biography, The Imitation Game: Alan Turing Decoded, drawn by Leland Purvis (Abrams ComicArts). We get into how Jim went from nuclear engineering to writing comics about scientists, the amazing life of Alan Turing, why emotional truth plus factual truth must be greater than 100%, the challenge of conveying hard concepts and theories to lay-readers, the difference between ordinary geniuses and extraordinary geniuses, how his engineering background feeds his storytelling mode, and more! Give it a listen! And buy The Imitation Game (Abrams ComicArts)!

“I work pretty hard to understand things so that I can convey the ‘Eureka!’ moment.”

We also talk about how he learned not to over-write his scripts and trust his artists, his method for keeping up with hard science news, his progression from short stories to 200-page books, the perils of writing about people smarter than himself, his own “Eureka!” moment, and whether Alan Turing was the most tragic figure in science in the 20th century (I stump for Nikolai Vavilov).

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

26454556594_c0015a3f73_mJim Ottaviani has worked in news agencies and golf courses in the Chicago area, nuclear reactors in the U.S. and Japan, and libraries in Michigan. He still works as a librarian by day, but stays up late writing comics about scientists. When he’s not doing these things, he’s spraining his ankles and flattening his feet by running on trails. Or he’s reading. He reads a lot. Elsewhere on the web you can find him at www.gt-labs.com. He’s the writer of a number of comics about science and scientists, including Two-Fisted Science, Dignifying Science: Stories About Women Scientists, the New York Times bestseller Feynman, and the recently published The Imitation Game: Alan Turing Decoded, from Abrams ComicArts.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. B/w photo of Jim by me. I can’t find a credit for the top picture, but it ran in Concentrate Ann Arbor.

Episode 111 – Time, Memory, Friendship, Poetry, Art

Virtual Memories Show:
Prue Shaw – Time, Memory, Friendship, Poetry, Art

“It’s a cliche to say that the whole of medieval civilization is there in one book, but that’s true, and you get to understand that more and more as you read it.”

WhenAmericaMetChina5 J2.inddScholar Prue Shaw joins the show to discuss Reading Dante: From Here to Eternity (Liveright Press). We talk about our favorite parts of the Dante’s Commedia, the poem’s transformation for her over the decades, Dante’s challenge of expressing the inexpressible (especially in Paradiso), the fate of Jews in Dante’s afterworld, and the reasons why we all — poets and non-poets, believers and non-believers — should be reading Dante. Give it a listen!

“I think it’s very indicative that our strongest word of disapprobation in the present moment is ‘inappropriate’. We don’t say anything is wrong or bad, but inappropriate.”

We also talk about readers’ reticence toward starting the Commedia, why the Paradiso is the most difficult of the three books, the strange role of Ulysses in the poem, Dante’s “mercy rule,” why she chose the structure and themes for Reading Dante, the perfect epigraph to her book, which she discovered too late for inclusion, and why I need to get to the Uffizi!

Prue Shaw w/Gianfranco Contini

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Prue Shaw is Emeritus Reader in Italian Studies at University College London, and the editor of the edizione nationale of Dante’s Monarchia and of a digital edition of the Commedia. Her latest book is Reading Dante: From Here to Eternity (Liveright Press). She lives in Cambridge, England. You can find her extensive bio at her site.

Credits: This episode’s music is Hell by Squirrel Nut Zippers. The conversation was recorded at Ms. Shaw’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Shaw by me.