Tag Roz Chast

Episode 232 – Gordon Van Gelder

Virtual Memories Show 232:
Gordon Van Gelder

“For years, my basic rejection letter would use ‘alas,’ and the SF community picked up on that and started calling them ‘alas-o-grams.'”

Editor/publisher Gordon Van Gelder joins the show to talk about his career in the science fiction and fantasy fields. We get into publishing F&SF Magazine, coping with burnout, balancing the demands of art and business, exploring the differences between editing for magazines vs. anthologies, trying to avoid disruption, handling diversity issues without implementing a quota, figuring out the dystopian theme of his current run of anthologies, dealing with the cultural, um, norms of stories of past decades, avoiding the perils of chasing “name” authors and rejecting a story by Ray Bradbury, making the shift from print to online, watching new writers develop a strong voice, working with the necessary egotism of writers, explaining how the internet has wrecked SF/F criticism, and more! Give it a listen! And go buy his new anthology, Go Forth And Multiply: Twelve Tales of Repopulation (Ramble House)!

“The best stories transcend race and gender. . . . On the page, everyone is black and white.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Gordon Van Gelder published his first story in 100 Great Fantasy Short, Short Stories in 1984 but the majority of his career has been spent as an editor. After a brief internship at Bluejay Books in 1986, he began working at St. Martin’s Press in July 1988. He worked there for 12 years, during which time he worked with such authors as J. G. Ballard, Jack Cady, Bradley Denton, George Pelecanos, and Kate Wilhelm. In 1997, he succeeded Kristine Kathryn Rusch as editor of The Magazine of Fantasy & Science Fiction. He spent 18 years as the magazine’s editor before handing the reins to C. C. Finlay at the start of 2015. He lives in New Jersey with his family and continues to publish F&SF.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Boston Marriott Quincy during Readercon weekend on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of GVG in a tie, by Leslie Howle, and photo of GVG in a blue Yankees t-shirt, by Al Bogdan, so they’re not on my instagram.

Episode 228 – Ellen Forney

Virtual Memories Show 228: Ellen Forney

Marbles was in many respects was the senior thesis in psychology that I never did as an undergrad.”

The great Seattle cartoonist Ellen Forney joins the show to talk about comics, civic art, being bipolar, and the challenges of maintaining! We get into her 2012 graphic memoir, Marbles: Mania, Depression, Michelangelo, and Me, finding a graphic representation of her depressive states, the evolution in her drawing style, the letter she stole from Michael Dougan, the process of going from comics panels to enormous murals for a light-rail station in Seattle, the influence of the Moosewood Cookbook, the importance of a psychology stats class she took in college, how she learned to teach comics, the moment when she felt she was using all her artistic tools, and why she needed Kaz to design her back-tattoo! Give it a listen! And go buy Marbles!

“Knowing statistics doesn’t prepare you for the experience of the person in front of you.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Cartoonist Ellen Forney is the author of NYT bestseller Marbles: Mania, Depression, Michelangelo, and Me: A Graphic Memoir, and the 2012 “Genius Award” winner in Literature from Seattle’s The Stranger. She collaborated with Sherman Alexie on the National Book Award-winning novel The Absolutely True Diary of a Part-Time Indian, created the Eisner-nominated comic books I Love Led Zeppelin and Monkey Food: The Complete “I Was Seven in ’75” Collection, and has taught comics at Cornish College of the Arts since 2002. She grew up in Philadelphia and has lived in Seattle, Washington since 1989. Ellen swims and does yoga, and fixes things with rubber bands and paper clips.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Forney’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Promo photo of Ms. Forney by Jacob Peter Fennell. Back-at-her-desk photo of Ms. Forney by me. It’s on my instagram.

Episode 226 – Joyce Farmer

Virtual Memories Show 226: Joyce Farmer

“The ’60s were a time of explosive interaction and learning of radical ideas. The thing was, I thought they were sensible, not radical.”

Joyce Farmer joins the show to talk about her transition from housewife to underground comics legend, the adventure of disposing of 40,000 copies of her comic when the state of California was trying to pinch her and her partner, traveling the world and landing in Greece, making Special Exits (Fantagraphics), the heartbreaking comic memoir about the death of her folks after a decade or two away from cartooning, and why she could swear and curse just as much as her male underground peers. Give it a listen! And go buy Special Exits!

“I’m not interested in doing something if it isn’t groundbreaking.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Joyce Farmer, born in 1938 in Los Angeles, is a pioneering underground comics cartoonist. She and Lyn Chevli wrote and drew controversial feminist humor, starting in 1972, publishing the titles Pandora’s Box, Abortion Eve, and Tits and Clits Comix. Farmer has also been published in Wimmen’s Comix, Mama! Dramas, Itchy Planet, Energy Comics, Zero Zero, and the notorious women’s sex comic Wet Satin. Her work has been exhibited internationally, including Austria and Italy. Her most recent book is Special Exits.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Farmer’s house on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Farmer by me. It’s on my instagram.

Episode 219 – Keiler Roberts

Virtual Memories Show 219: Keiler Roberts

“My drawing is as close as it can be to my handwriting. It’s what comes out without too much thought.”

Cartoonist Keiler Roberts joins the show to talk about her new book, Sunburning (Koyama Press). Oh, and parenthood, bipolar disorder, the avoidance of style, learning art while teaching art, making snap judgements about parents, having the world’s worst wedding photos, the temptation of shaping real life to generate a good story, trimming a 150-page memoir down to 12 pages, and why she cried when she got a blurb from Roz Chast! Give it a listen! And go buy Sunburning!

“My parenting advice is: lower your expectations for your kids and don’t make them feel special.” (I think she was joking.)

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Keiler Roberts’ autobiographical comic series Powdered Milk has received an Ignatz Award for Outstanding Series and was included in the The Best American Comics 2016. Her work has been published in The Chicago Reader, Mutha Magazine, Nat. Brut, Darling Sleeper, Newcity, and several anthologies. Her new book is Sunburning, from Koyama Press.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Toronto Marriott on Bloor during TCAF 2017 weekend on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Keiler and Summer Pierre by me. It’s on my instagram.

Episode 195 – Thanksgiving 2016

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For Thanksgiving this year, I decided to eschew the regular interview-based podcast and ask all of my past guests what they’re thankful for. Since it’s a mere couple of weeks from the 2016 U.S. Presidential election, responses were all over the spectrum. Give it a listen by MP3 download or iTunes. Here’s everyone who participated (with links to their episodes of the podcast):

A few guests sent along material in addition to their written or recorded responses. Liz Hand sent a link to this video about Lincolnville, ME’s Move It! Project:

Bob Eckstein (who you oughtta follow on Twitter at @bobeckstein) sent two of his cartoons, including the one at the top of this page:

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Jonathan C. Hyman’s contribution is the most involved, and requires a little unpacking. In the podcast, he says, “Despite the 2016 presidential election and the myriad social, environmental, and economic issues that have fractured our society, I am thankful that we are, and hopeful we will remain, a vibrant culture where people are free to speak openly and publicly.”

Background information and narrative: Known for his decade-long project which documents the vernacular public art, public speech, and memorial language that emerged across the United States in response to the 9/11 attacks, documentary photographer and past Virtual Memories guest Jonathan C. Hyman photographed the signage, displays, and public dialogue surrounding the 2016 presidential election.

His work on the election — including the seven images he contributed to this Thanksgiving podcast — is not meant to endorse or disparage Hillary Clinton, Donald Trump, or their supporters. As a photographer with an interest in public expression — visual and speech — and in “things by the side of the road,” Hyman traveled within an approximate 150-mile radius from his home in Sullivan County, NY to areas in New Jersey, New York, and Pennsylvania.

Here, Hyman presents a sampling of the images in this series as they appeared when he came upon them. He photographed each display keeping in mind his interest in handmade objects, the American flag, and the houses, buildings, and neighborhoods people live and work in. The majority of the signs he saw, many handmade, were supportive of Donald Trump. The large majority of the handmade signs he encountered were displayed by Trump supporters on their own property. Realizing that his findings are anecdotal, Hyman says, “I have no doubt others have seen things I have not and that there were signs supporting Hillary Clinton in areas I have both visited and not traveled to. Nonetheless, it was clear to me that where pro-Hillary Clinton signs did exist, they tended to be of the more pre-fabricated, generic lawn sort and generally less likely to be on front lawns.”

Photographs © 2016 Jonathan C. Hyman All rights Reserved

Click to enlarge each picture:

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In addition to being featured on the PBS NewsHour, Hyman’s work has been featured in Time Magazine, The New York Times, the Journal of American History, and several well-known European newspapers and magazines in print and online. In the fall of 2008 Hyman toured Europe as a U.S. State Department Cultural Envoy (as part of a program organized by the American embassy in Vienna and the University of Graz, Austria.), lecturing at universities in Berlin and Tuebingen, Germany, Vienna and Graz Austria, Brno, Czech Republic, and Zagreb, Croatia about his 9/11 related photographs. In addition to lecturing publicly since 2002 at well known academic institutions, from 2008-2016 Hyman was Associate Director for Conflict and Visual Culture Initiatives at Bryn Mawr College’s Solomon Asch Center for Study of Ethnopolitical Conflict, where he also supervised the Center’s online gallery.

For More Information:

Jonathan C. Hyman can be reached at arthoops55@gmail.com


Late addition! Glenn Head writes in:

I really apologize for the delay, I just got married (something I’m deeply thankful for!) there’s been a lot on the plate, but then isn’t that true for everyone? Anyway, sorry.

At the moment I’m more hopeful than thankful, but one hope is that the people who voted in Trump actually did it for the reasons that they say (the economy, basically) and that what we saw at the rallies was a more a raucous party and letting off of steam then a sign of future mayhem. I hope that maybe things will calm down. Trump was a pitchman and a loudmouth for professional wrestling. He’s always said crazy shit for effect. Maybe — just maybe — things won’t go to hell. The tone in today’s NYTimes showed a guy who wasn’t hell-bent on being a hell-raiser. Of course being hopeful isn’t easy at a time like this. But maybe — just maybe — we’ll survive all of this.

I’m really thankful to be married. I found a good woman who loves me and I love in return, we shared our vows in front of friends and family at a great ceremony in a Brooklyn hotel and restaurant (the Whythe). It was a great party and I’m grateful for all of it.

I’m thankful as a comic book artist to be doing what I believe is the best work of my career….and I’m 58 years old too, so that feels miraculous! Very much so…

And even though I don’t read comics much these days I’m grateful for the medium itself, specifically underground comics, and even more specifically their greatest progenitor: R. Crumb. By never selling out he paved the way for others to do the same, and to focus on the art itself. He raised the bar for everyone — all cartoonists (who aren’t hacks!) owe him for that — Big Time!

I’m also thankful for the comix project I’m deep into right now: another memoir about childhood. It’s entitled “Chartwell Manor, a memoir in comics”. It’s about a boarding school I attended in Mendham, NJ in the early 1970s and the effect it’s had on my life. It’s shaping up really well and should be done in hopefully another year!


The thing I’m most thankful for is having such wonderful guests who are willing to pitch in to projects like this (and otherwise help keep me sane)!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The episode was recorded primarily at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Portions by Summer Pierre, Zachary D. Martin and Scott Edelman were recorded separately and shared by e-mail. All processing and editing was done in Adobe Audition CC. Cartoons by Bob Eckstein, photos by Jonathan C. Hyman.

Episode 193 – Ed Koren

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Virtual Memories Show #193: Ed Koren

“I’ve mined this little world that may or may not be exclusive to me, but it’s something that I’m interested in: the interface between country and city, between older and younger, between lifestyles. It’s an emotional and intellectual world I like probing.”

Ed Koren‘s cartoons and covers have graced The New Yorker for more than 50 years, so it was honor to record with him during CXC about his career, his perspective on generations of cartoonists, the development of his unique style (he has a good answer to my question, “Why so hairy?”), the persistence of his middle-class work ethic, his first encounter with the Undergrounds, his lithography “uptown” art, the advantages of having small ambitions, and more! Give it a listen!

“I still take enormous delight in starting and finishing and going through the uncharted seas of getting from here to there. There’s no map to get from an idea to a final culmination. (That’s what Dorothy Parker called single-panel cartoons: culminations.)”

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Well also talk about why he avoids Look Day, why he left NY for the country, the challenges of satire, the significance of The New Yorker in his household, the influence of Alley Oop and the Schmoo on his work, the shrinking economics of cartooning, his “ah, animals!” moment, his interest in long novels and single-panel comics, what he had to learn and what was innate, the benefits of being an outsider, and why he pined to join the Columbus Marathon outside our hotel. Now go listen to the show!

“I keep learning new things about color, and density, and structure. With each problem that I have to deal with comes and epiphany: ‘This is how it works!’ It may be self-renewing, but each time I move ahead.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, Instagram, and RSS!

About our Guest

Edward Koren has long been associated with the The New Yorker magazine, where he has published over 1000 cartoons, as well as numerous covers and illustrations. He has also contributed to many other publications, including The New York Times, Newsweek, Time, G.Q., Esquire, Sports Illustrated, Vogue, Fortune, Vanity Fair, The Nation and The Boston Globe. His illustrated books include How to Eat Like a Child, Teenage Romance and Do I Have to Say Hello (all by Delia Ephron), A Dog’s Life by Peter Mayle, Pet Peeves by George Plimpton, and The New Legal Seafoods Cookbook by Roger Berkowitz and Jane Doerfer. Thelonius Monster’s Sky-High Fly Pie was published in 2006, Oops by Alan Katz in 2008, How to Clean Your Room in 2010 and Poems I Wrote When No One Was Looking by Alan Katz in 2011. He has also written and illustrated books for children, Behind the Wheel, and Very Hairy Harry. He has also published six collections of cartoons which first appeared in The New Yorker, the most recent being The Hard Work of Simple Living.

Born in New York City, Koren attended the Horace Mann School and Columbia University. He did graduate work in etching and engraving with S.W. Hayter at Atelier 17 in Paris, and received an M.F.A. degree from Pratt Institute. He was on the faculty of Brown University for many years.

Koren’s cartoons, drawing and prints have been widely exhibited in shows across the United States as well as in France, England and Czechoslovakia. He has exhibited at the Middlebury College Museum of Art, the Washington Art Association, Terry Dintenfass Gallery, the Virginia Lynch Gallery, The Luise Ross Gallery, and Big Town Gallery. His work is also in the permanent collections of the Fogg Museum, the Rhode Island School of Design Museum, the Princeton University Museum, The Fitzwilliam Museum at Cambridge University, and in the Swann Collection at the Library of Congress. A major retrospective of his work was shown at Columbia University’s Wallach Gallery in 2010, and at the University of Vermont’s Fleming Museum in the summer of 2011.

Edward Koren has received a Doctor of Humane Letters Degree from Union College, and been a John Simon Guggenheim Fellow. He was Distinguished Visitor at The American Academy in Berlin, Germany in 2003.In 2007 he received The Vermont Governor’s Award for Excellence in the Arts. He has been a member of the Brookfield, VT Volunteer Fire Department for 24 years. He lives in Vermont with his family.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Westin Columbus on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Koren by me.

Episode 190 – Liza Donnelly

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Virtual Memories Show #190: Liza Donnelly

“Frank Modell told me, ‘For the New Yorker, you have to draw better than you know how to.'”

Liza Donnelly joins the show to talk about her careers as a New Yorker cartoonist, women’s rights activist and live-drawing legend! We get into the weird overlap of respectability, responsibility and cartooning, as well as her work for Cartooning for Peace, the joys of drawing on the subway, how she benefited from Tina Brown’s love of snarky women, why she’s considering (but is daunted by) making a long-form comic, the evolution of her feminist consciousness, her trouble drawing George Clooney, and more! BONUS: my interminable intro takes up the first 13 minutes! Give it a listen!

“Social media is an extension of what drew me to cartooning initially; I was shy and I didn’t like to talk, and I was drawing to make my mother laugh. Drawing was communication, and sharing.”

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We also get into the significance of The New Yorker (and New York), her book on the magazine’s women cartoonists, the TED swag that changed her life, the mentor/mentee relationship, the contradictions of meticulously developing a carefree style, how the internet has given her a platform, and more. Now go listen to the show!

“It becomes a matter of paring back your style, learning how to let go of detail, learning how to draw simply, making it look like you just whipped this drawing off, even if it took 25 attempts.”

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Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

liza-avatarLiza Donnelly is a writer and cartoonist with The New Yorker magazine. She is also a sought after public speaker and also does live drawings of events, covering the 2016 Democratic National Convention for CBS News and the presidential debates. She recently joined CBS This Morning as contributing cartoonist. She is a columnist and cartoonist for Forbes.com, specializing in politics and women’s rights. Donnelly draws a political cartoon for Politico and Medium, and she is a contributor to many other national publications. Donnelly was a finalist for the 2014 Thurber Prize, the only award for written humor in the United States.

Donnelly is a Cultural Envoy for the US State Department, traveling around the world speaking about freedom of speech, cartoons and women’s rights. As a public speaker, Donnelly has also spoken at TED (Technology Entertainment and Design), the United Nations, and The New Yorker Festival, as well as colleges, universities and corporate venues, among other places.

Donnelly was profiled on CBS Sunday Morning, NBC and BetterTV, and has been interviewed on radio and in numerous magazines, newspapers and online. Donnelly’s cartoons and commentary can be seen on various websites: the NewYorker.com; Politico.com, CNN.com; HuffingtonPost.com; Salon.com; DailyBeast.com; NarrativeMagazine.com. Her work has appeared in print publications, including The New York Times, Glamour, Cosmopolitan, The Nation and The Harvard Business Review.

Donnelly is the author/editor of sixteen books. Her most recent book is titled Women on Men, published by Narrative Magazine. Some of her other books are When Do They Serve the Wine?: The Folly, Flexibility, and Fun of Being a Woman, Funny Ladies: The New Yorker’s Greatest Women Cartoonists And Their Cartoons, a history of the women who drew cartoons for the magazine, Sex and Sensibility: Ten Women Examine the Lunacy of Modern Love…in 200 Cartoons and Cartoon Marriage: Adventures in Love and Matrimony by The New Yorker’s Cartooning Couple (with Michael Maslin). Donnelly’s book, When Do they Serve the Wine? was optioned by Mark Gordon Studios for an hour long comedy for television; and the book she wrote with her husband, Cartoon Marriage, has been optioned by Jennifer Garner for ABC Studios. Donnelly has written and illustrated numerous children’s books for Scholastic and Holiday House.

She is the New York Director of the international project, Cartooning for Peace, helping to promote understanding through humor; and is president and co-founder of USA FECO, the US chapter of the international cartoonists’ organization. Her work has been in numerous exhibitions globally, and she has curated exhibits of international cartoonists, here and abroad. Donnelly taught at Vassar College and the School of Visual Arts and is a member of PEN and the Authors Guild. She is the recipient of an honorary degree from the University of Connecticut, and received a Ruben Award, the Salon St. Just International Prize, AAUW Women of Distinction Award. Liza was a member the jury of the World Press Cartoon Prize in Lisbon, the Cartooning for Peace Prize in Geneva and the Aydin Dogan Cartoon Competition in Turkey.

She can be found on twitter and Instagram at @lizadonnelly. She lives in Rhinebeck and New York City with her husband, New Yorker cartoonist Michael Maslin. They have two daughters.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in Ms. Donnelly’s kitchen on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Blurry photo of Ms. Donnelly by ???.

Episode 186 – Michael Maslin

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Virtual Memories Show #186: Michael Maslin

“Arno is as close to the founder of The New Yorker cartoon as you can get.”

91yv3wzg8zl Michael Maslin joins the show to talk about his new book, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist (Regan Arts). We talk about his own career at The New Yorker, marrying a fellow cartoonist, becoming a cartoon detective, the allure of Arno and the days when cartoonists were cited in gossip mags, why it took him 15 years to write this biography, and more! Give it a listen! And go buy his book on Peter Arno!

“There have been all kinds of changes, but it’s still The New Yorker.”

We also get into Michael’s cartooning influences & anxieties, the website he built to chronicle the doings of New Yorker cartoonists, the time Robert Gottlieb had to shield William Shawn from paparazzi outside the Algonquin Club, the recent Sam Gross gag that made him bust a gut, the incredible apartment building he lived in in on West 11th St. (and why so many New Yorker cartoonists wind up leaving New York). BONUS: I have a two-minute catch-up with one of my favorite cartoonists, Roger Langridge, at last weekend’s Small Press Expo! (pictured below) Now go listen to the show!

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“It took 15 years because I’d never done it before. I think I wrote a paper in high school that was a page and a half, so I had to learn how to do all this.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Born in New Jersey, Michael Maslin was raised in Bloomfield, a bedroom community a half hour due west of Manhattan. In high school, he drew a short-lived comic strip “Our Table” which followed the imaginary exploits of fellow students. Readership was limited to those sitting around him in the lunchroom. About this time, he first submitted work to The New Yorker, and soon received his first rejection.

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In August of 1977 the magazine purchased one of his ideas. It was given to and executed by veteran cartoonist Whitney Darrow Jr. (the drawing, of a fortune teller saying to a customer, “Nothing will ever happen to you” appeared in the issue of December 26, 1977). He began contributing regularly to The New Yorker in 1978 – his first drawing appeared in the April 17th issue. In 1988 he married fellow New Yorker cartoonist, Liza Donnelly. They have two children. Simon & Schuster published four collections of his work, including The More the Merrier, and The Crowd Goes Wild. With Ms. Donnelly he co-authored Cartoon Marriage: Adventures in Love and Matrimony by The New Yorker’s Cartooning Couple, Husbands and Wives and Call Me When You Reach Nirvana. They also co-edited several cartoon anthologies. Maslin’s work has appeared in numerous magazines and cartoon anthologies.

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In August of 2007 he began Ink Spill, a website dedicated to news of New Yorker Cartoonists, past and present. Ink Spill is comprised of six sections: News & Events, The New Yorker Cartoonists A-Z (a listing of bare bone bios of all cartoonists who have contributed to the magazine), Links, Posted Notes (essays on New Yorker cartoonists), From the Attic (artifacts related to New Yorker cartoons/cartoonists) and The New Yorker Cartoonists Library. Maslin’s biography of Peter Arno, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist was published by Regan Arts in April of 2016

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Maslin’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. The segment with Mr. Langridge was recorded on a Zoom H2n digital recorder. Photos of Mr. Maslin and Mr. Langridge by me. Live-drawing of me and Mr. Maslin by Liza Donnelly.

Episode 177 – MK Brown

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Virtual Memories Show #177:
MK Brown

“I have a folder of work that I can never print, but you just have to get them out.”

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Legendary cartoonist MK Brown joins the show to talk about her lifetime in comics and art, her years with B. Kliban and how they worked out opposite work/sleep schedules, the ups and downs of The National Lampoon, the balancing act of motherhood and art, her trepidation at organizing a multi-decade collection of her work (and her idiosyncratic chapter headings for the book), her love of westerns, her favorite political comic, her secret stash of unprintable comics and gags, working in animation, the future of Aunt Mary’s Kitchen, and why she goes by “MK”. Give it a listen! And buy MK’s collection, Stranger Than Life: Cartoons and Comics 1970-2013 (Fantagraphics)!

“If you look through a microscope, you can get lost.”

bystander_biggerThis episode is sponsored by The American Bystander, a new, quarterly, print-only humor magazine featuring a mind-blowing lineup of humor writers and artists. Visit their site, order the first two issues, and find out how to support this fantastic project (seriously: go check out that list of contributors). There was a great New York Times piece last week about The American Bystander‘s second issue on July 12 —

The American Bystander . . . does not just belong to the tradition of defunct magazines like The National Lampoon and Spy. Its nostalgic, lightly witty style evokes influences that have been dead even longer, like the raconteur Jean Shepherd and the sophisticated stylist Robert Benchley. In an era when so much comedy is boisterous and engaged with the world, The American Bystander’s humor is understated and escapist, steering clear of topicality and political jokes.

— so, yeah, I’m awfully glad to have them as a sponsor of The Virtual Memories Show!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

M.K.Brown is an artist whose work has appeared in most national magazines and collections since the 70’s, and in many forms such as cartoons, animation and illustration. MK grew up in Darien, CT and New Brunswick, Canada, and attended art schools in New Canaan, CT, GTO, Mexico, and San Francisco, CA. After selling cartoons to small publications like The Realist, her work was published in Playboy Magazine, then in National Lampoon, where her cartoons were featured for several decades.

Aside from Playboy and National Lampoon, Brown’s cartoons and illustrations were published in Mother Jones Magazine, The Atlantic Monthly, Women’s Sports, Arcade Comics, The New Yorker and many other magazines both mainstream and underground. She collaborated with Brian McConnachie, Bill Murray, Peter Elbling and Brian Doyle Murray to write TV’s first scripted comedy hour for NBC, and later created an animated series for the first season of the Tracy Ullman Show. She also wrote and illustrated several children’s books which were featured on Reading Rainbow, and received a Junior Literary Guild award.

MK Brown’s cartoons have been reproduced in dozens of collections over the years from Twisted Sisters: A Collection of Bad Girl Art, to The New Yorker 75th Anniversary Cartoon Collection. Her own collection of cartoons, Stranger Than Life: Cartoons and Comics 1970-2013, is available from Fantagraphics and better bookstores.

Recently, she’s been at work on cartoons for the third issue of The American Bystander. Another project was a short animation called “Aliens,” about distracted driving, for Ford Motor Co. produced by J.J.Sedelmaier. It tied for 1st place with Bill Plympton in the public service category at the ASIFA/SF Summer Screening. Her next project is to finish a new website with the help of Stan Jarin in Australia.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at MK’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of MK by me.

Episode 172 – Glynnis Fawkes

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Virtual Memories Show #172:
Glynnis Fawkes

“A lot of how I draw comes from Greek vases. They’re like ancient comics.”

AlleEgoCover_400wGlynnis Fawkes joins the show to talk about archeology, comics, dig romances, Homer and more! We celebrate her award-winning new comic, Alle Ego, figure out how to make art while raising a family (hint: mine your family to make the art), explore the correlation of Greek vases to comics, lament the savage history of Troy and Gallipoli, while embracing the comics-centric world of Angouleme, and more! Give it a listen! And buy Alle Ego, the new installment of her book, from her store.

“We’re here now, but human experience goes so far back. Relationships, love, death: this has all gone on so long.”

We also get into her journey from the Pacific Northwest to the Middle East, her senior thesis on satyrs & maenads, the demands of drawing urns based on fragments, the best way to learn drawing comics, her move away from fine art, her life-changing experience at the Maison des Auteurs, and bumping into Alison Bechdel at the supermarket. Give it a listen!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

27026892976_7bb45c8368_mGlynnis Fawkes is a cartoonist, painter, and archaeological illustrator. Her current project is a memoir about working as illustrator on digs in Greece and the Middle East. She drew many of the pages for this book at a residency at La Maison des Auteurs in Angouleme, France in the summer of 2015. She recently completed 50 illustrations and cover for John Franklin’s Kinyras: The Divine Lyre (Center for Hellenic Studies Press, 2016). Glynnis’ background is in art and art history: a BA from University of Oregon, a BFA from the Pacific NW College of Art, and MFA from the School of the Museum of Fine Arts in Boston and Tufts University. During a Fulbright fellowship to Cyprus, she published a book of paintings, Archaeology Lives in Cyprus, and a book of cartoons, Cartoons of Cyprus. She spent almost 10 years working as an illustrator on archaeological projects and excavations in Cyprus, Turkey, Syria, Israel, and Lebanon, and continues to work in Greece. She began a doctorate at the University of Wollongong in Australia, but instead of finishing, married the famous archeo-musicologist John Franklin and had some children (now in school). She has exhibited paintings in Boston, London, Nicosia, Wollongong, at the Laura Russo Gallery in Portland, OR, and in Burlington, VT, where she now lives. She teaches a course in Comics at the University of Vermont and drawing at Champlain College. Glynnis is a member of the NY-based web comic collective Activatecomix.com and publishes on Muthamagazine.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. B/w photo of Glynnis by me. Not sure who to credit with the color pic at the top.

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