Episode 150 – Molly Crabapple

Virtual Memories Show #150: Molly Crabapple

“I always like smart, rebellious young people who feel like the world has done them bad.”

enhanced-23675-1436538713-1Artist Molly Crabapple joins the show to talk about writing her new memoir, Drawing Blood (Harper), making illustrated journalism from Syria, Guantanamo and Abu Dhabi, translating Nizar Qabbani, growing into her parents’ legacy of art, Marxism and argumentation, finding her soul in the Damascus Room at the Met, balancing community and competition, stepping back from the idea that we’re in an “Age of Outrage” and more! Give it a listen!

“The world hates refugees. I’m convinced that if there was a major crisis in Canada and we had 10 million white refugees, we’d still think of some reason to keep them out. People hate impoverished people fleeing over borders.”

23669253074_31e22ac28f_zWe also talk about Charlie Hebdo, the Occupy movement, Molly’s success at bypassing the gallery model and whether her path is replicable, the scariest place she’s ever visited as a journalist, her biggest artistic, literary and journalistic influences, and more! (And if you want to find out who she’s reading nowadays, join our Patreon and become a monthly contributor to The Virtual Memories Show!)

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Molly Crabapple is an artist and writer in New York. She is a contributing editor for VICE, and has written for The New York Times, Paris Review, and the Guardian, among other publications. Her work is in the permanent collection of the Museum of Modern Art. Follow her on Twitter and Tumblr.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Crabapple’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Crabapple by me.

Episode 140 – Dylan Horrocks

Virtual Memories Show #140:
Dylan Horrocks, Straight Outta Hicksville

“When you love an art form passionately, it can get complicated. It’s not a simple, clean, pure love that constantly enriches your life. It can also break your heart.”

samzabelcoverLive from CXC! Dylan Horrocks, the NZ cartoonist behind Hicksville (Drawn & Quarterly) and Sam Zabel And The Magic Pen (Fantagraphics), joins the show for a live podcast to talk about his fear of comics, our responsibility for our fantasies, the way he built a fruitful career around creative block, the influence of Maori culture on white New Zealanders’ perspectives, the way his backup stories keep becoming his major projects, his take on Charlie Hebdo and how it ties into his experience with the fatwa on Salman Rushdie, and the idea that America is a story we tell ourselves. This episode is part of our Cartoon Crossroads Columbus series of live podcasts. Give it a listen!

“Part of what I was trying to do was to explore what it means to be marginal. Comics were seen as marginal to the literary world and the art world, and New Zealand is seen as being at the bottom of the world. Instead of saying, ‘We’re on the edges of these two worlds, so let’s travel to the center,’ I decided that there is no center. Wherever you are on the surface of the world, that’s the center of the world.”

dylmebyamyDylan also talks about backing into mainstream comics without a vision for what to do when he got there, his parents’ history in a Trotskyist revolutionary cell, the literary aspect of his work, and whether comics really will break your heart. BONUS: you get my story about how Hicksville led me travel to the other side of the planet (and make this jump). Go listen!  (And go buy Hicksville and Sam Zabel And The Magic Pen!)

“I have the idea that America is a narrative, a fiction, in the same way that every nation is kind of a fictional construction. . . . America is a story we tell ourselves.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

hicksvilledylanDylan Horrocks is from New Zealand, where he lives near the city of his birth, Auckland, with his wife and their two sons. He published 10 issues of his legendary comic book series Pickle through Canada’s Black Eye Press in the mid-1990s. A collected version of his Hicksville serial was first published in 1998, and quickly became one of the cartoon works of its generation. Hicksville‘s vision of a small town where comics are so valued that, even those comics that never got to be created somehow exist, is a thrilling, yet human vision for the art form, and one which cartoonists and audiences have rallied to ever since. Horrocks has since drawn the comic book Atlas for Drawn And Quarterly, spent time working for DC Comics, and has become an educator and advocate for the art form in New Zealand and abroad. His newest book is Sam Zabel And The Magic Pen, a new graphic novel published by Fantagraphics about the act of creation and the pernicious qualities of being creatively blocked. His Incomplete Works will be published in the U.S. any time now. You can follow Dylan on Twitter at @dylanhorrocks.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Cultural Arts Center in Columbus, OH during Cartoon Crossroads Columbus in October 2015 on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of me & Mr. Horrocks by Amy Roth.

Podcast: Great Vengeance and Furious Anger

Thane Rosenbaum on The Virtual Memories Show

Virtual Memories – season 3 episode 19 –
Great Vengeance and Furious Anger

“It’s not natural to forgive without some sense of evening the score. It’s intolerable to know that someone gets away with something, and there’s no sense of avenging the act.”

Thane Rosenbaum talks revenge in the second episode of our two-part 9/11 special! An author and law professor, Thane recently published Payback: The Case for Revenge(University of Chicago Press), an exploration of how the American judicial system has excluded vengeance from justice, to the detriment of the polity and the moral universe.

“I’m not advocating that people go seek revenge as self-help; I am advocating that the legal system has to do a better job to do it on our behalf.”

We discuss why the American legal system has a problem with emotion, how victims have been trivialized, what to do about suicide bombers, how western man split justice and revenge (and why it was a huge mistake), how Aeschylus’ Oresteia creates a perfect model for the justice system, how to make better lawyers (and better people), how The Godfather demonstrates the rule of proportionality, and a whole lot more.

“Let’s stop pretending that we don’t believe in vengeance. Because if you believe in justice, you believe in vengeance. It’s a false distinction between them.”

Bonus: You get to hear about the time I had to decide whether to have someone killed!

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Enjoy the conversation! Then check out the archives for more great episodes!

Related conversations:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Thane Rosenbaum is an essayist, law professor, and the author of the novels, The Stranger Within Sarah Stein, The Golems of Gotham, Second Hand Smoke, and Elijah Visible. His articles, reviews and essays appear frequently in The New York Times, Wall Street Journal, Los Angeles Times, Washington Post, and The Huffington Post, among other national publications. He moderates an annual series of discussions on Jewish culture and politics at the 92nd Street Y. He is the John Whelan Distinguished Lecturer in Law at Fordham Law School, where he teaches courses in human rights, legal humanities, and law and literature, and also directs the Forum on Law, Culture & Society. He is the author of The Myth of Moral Justice: Why Our Legal System Fails to Do What’s Right. He is the editor of the anthology, Law Lit: From Atticus Finch to The Practice: A Collection of Great Writing About the Law. His newest book is Payback: The Case for Revenge.

Credits: This episode’s music is The Knife Feels Like Justice by Brian Setzer. The conversation was recorded at Thane’s home in NYC on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. There was some trouble with mic placement, so I apologize for all the plosives. I tweaked the EQ to try to reduce them without damaging the overall quality of the conversation. Also, there was a fan on at the other end of the room, so there’s a light fuzz throughout the conversation, but I think that makes it more homey. The intro and outro were recorded in my home office on a Blue Yeti USB microphone. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Top photo by Zofii K., bottom photo by me.

Unrequired Reading: Junebug

Just in time for July 4th, it’s a collection of my tweeted links and retweets, for those of you too lazy to get on Twitter and follow me @groth18!

First up, the retweets!

RT @MoCCAnyc (MoCCA): Kirby vs Marvel in the NY Times

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RT @KenTremendous (Ken Tremendous): Wow. RT (@parksandrecnbc) The Ron Swanson Mosaic. Be sure to grab our free hi-res poster! #ParksandRec

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RT @tnyCloseRead (Amy Davidson): David Remnick on the Big Man: Bloodbrother: Clarence Clemons, 1942-2011

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RT @kylevanblerk (Kyle Van Blerk): Need. This. Bookcase.

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RT @simonpegg (Simon Pegg): Memorable ink from the US book tour: 1 and 2

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RT @kylevanblerk (Kyle van Blerk): animalsbeingdicks.com That is all. Have a good weekend.

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RT @MarylandMudflap (Scotty L.): Etch-a-Sketch was really onto something. I wish I could shake the shit out of everything in my life when I need a fresh start.

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RT @scottmccloud (Scott McCloud): OMG OMG OMG http://llamafont.com

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RT @normmacdonald (Norm Macdonald): I’d have to be pretty hammered to see “Thor”.

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RT @DwightGarner (Dwight Garner): Daniel Okrent (I think) said it in Esquire (I think) in the 80s: “John Coltrane & Johnny Hartman” = best LP ever recorded. I’m a believer.

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Anyone know where #ProfessorZoom got his doctorate? #justwondering

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Cover story: #magouflage

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Nazis tend not to design great synagogues? I prefer #BattlestarJudaica! #FrankLloydWrong 26 Jun

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Is #Cars a vehicle (ha-ha) for Intelligent Design?

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Blind drunk: #notreally

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Neat #PhilipRoth interview: #idontreadcontempofictioneither

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If I ever have to move again, I have no idea what I’ll do with all the books. #unpackingtheshelves

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Long-ass @BobMould conversation on wrestling, Catholicism, breakups and more: #seealittlelight

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@SimonDoonan: wildly pro-Jew. #yay!

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I am SO glad I didn’t watch the last six episodes of @TheKilling_AMC: http://bit.ly/mEhcSL #stillsevenhoursiwillnevergetback

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I wish it hadn’t taken me so long to think of #WeAllKilledRosieLarsen. Still, glad I didn’t watch the last 7 episodes of @TheKilling_AMC

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First, only time #AnnaNicoleSmith will be compared to #BleakHouse.

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#SalmanRushdie offers up seven wonders (those Goya paintings the Prado are creepy as all get-out)

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The Girl with the Caffeine Addiction? #TMCM

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NYT sez: Life could be better if we blow off property rights, the environment, consumer safety, etc.: #highspeedrail

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Introvert Myth #11: they don’t get Twitter.

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Time-Traveling Male Sea Monkeys Make Bad Mates

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Great moments in terrible casting, via @fuggirls (No #JessicaAlba as geneticist and/or blonde in #FantasticFour?)

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Accidental Chinese hipsters: #umm

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Bust 2.0? “If you squint just right, our business is actually booming!”

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Do we expect too much of books? #iknowido #ralphwaldoemerson

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(Un)happy Bloomsday.

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Krypto’s got quite a pedigree: #superdog #legionofsuperpets

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Rockin’ the GTH turban: #sikhandyoushallfind

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Mandelbrot, P.I.?

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No Mexican in Paris? WTF? I can’t even call this #firstworldproblems

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Why I never took up smoking: #cheapjew

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The Enhancer: “Yeah, but have you ever Disneyed . . . HIGH?” #weed

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#Masa loses one star for F-U (by @samsifton)

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Haberdashed!

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“Not only is it okay to hate #LeBron, but it’s a fucking character flaw on your part if you do not.” #nbafinals

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Anybody know what this is? #snakeonahike #herpetology

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My hometown: a toxic mess that CAN’T be cleaned up, after multiple Superfund attempts: #ringwoodnj #eatlead

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#JoeJackson & #TheRoots do #SteppinOut on @latenightjimmy

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Apparently, I need to alternate my annual Toronto trip with some Montreal action.

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i found my thrill on N***** Hill? #plaqueremoval

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Never trust your parents, especially when you’re home for the holidays: #drugdeal

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#Seth’s lovely eulogy for his father: #nosethdoesnothaveatwitteraccount

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Every mall should have a bomb shelter: #shoptillthebombdrops

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Puyehue makes an ash of itself: #underthevolcano #alsooverthevolcano

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I’ll get to these right after I finish #ADancetotheMusicofTime. #johnswartzelder #simpsons

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Sunfart: #justsunfart

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Greatest pwnage ever? #nadal #federer #toughcall

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To prize integrity is to fear disintegration” (via @asymmetricinfo)

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Escapistism.

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It’s a Mad, Mad, Mad, Mad World: Greatest. Cast. Ever.

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@comicsreporter on his hoped-for DC relaunches. #bwahhaha

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Kirby. Gods. Watercolor. #nuffsaid

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@michaelbierut on comedic design (sorta): #talkingfunny

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We will be like birds.

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#GeneHackman: “He tried”

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#UmbertoEco on reading and not reading: http://bit.ly/jFXAQZ

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#Francesa = #Jeter?

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“You cook?” “I’m French.” #MelanieLaurent #aurevoirshoshana!

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No one said, “I wish I kept up on Twitter more”? #regretsofthedying