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Episode 177 – MK Brown

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Virtual Memories Show #177:
MK Brown

“I have a folder of work that I can never print, but you just have to get them out.”

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Legendary cartoonist MK Brown joins the show to talk about her lifetime in comics and art, her years with B. Kliban and how they worked out opposite work/sleep schedules, the ups and downs of The National Lampoon, the balancing act of motherhood and art, her trepidation at organizing a multi-decade collection of her work (and her idiosyncratic chapter headings for the book), her love of westerns, her favorite political comic, her secret stash of unprintable comics and gags, working in animation, the future of Aunt Mary’s Kitchen, and why she goes by “MK”. Give it a listen! And buy MK’s collection, Stranger Than Life: Cartoons and Comics 1970-2013 (Fantagraphics)!

“If you look through a microscope, you can get lost.”

bystander_biggerThis episode is sponsored by The American Bystander, a new, quarterly, print-only humor magazine featuring a mind-blowing lineup of humor writers and artists. Visit their site, order the first two issues, and find out how to support this fantastic project (seriously: go check out that list of contributors). There was a great New York Times piece last week about The American Bystander‘s second issue on July 12 —

The American Bystander . . . does not just belong to the tradition of defunct magazines like The National Lampoon and Spy. Its nostalgic, lightly witty style evokes influences that have been dead even longer, like the raconteur Jean Shepherd and the sophisticated stylist Robert Benchley. In an era when so much comedy is boisterous and engaged with the world, The American Bystander’s humor is understated and escapist, steering clear of topicality and political jokes.

— so, yeah, I’m awfully glad to have them as a sponsor of The Virtual Memories Show!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

M.K.Brown is an artist whose work has appeared in most national magazines and collections since the 70’s, and in many forms such as cartoons, animation and illustration. MK grew up in Darien, CT and New Brunswick, Canada, and attended art schools in New Canaan, CT, GTO, Mexico, and San Francisco, CA. After selling cartoons to small publications like The Realist, her work was published in Playboy Magazine, then in National Lampoon, where her cartoons were featured for several decades.

Aside from Playboy and National Lampoon, Brown’s cartoons and illustrations were published in Mother Jones Magazine, The Atlantic Monthly, Women’s Sports, Arcade Comics, The New Yorker and many other magazines both mainstream and underground. She collaborated with Brian McConnachie, Bill Murray, Peter Elbling and Brian Doyle Murray to write TV’s first scripted comedy hour for NBC, and later created an animated series for the first season of the Tracy Ullman Show. She also wrote and illustrated several children’s books which were featured on Reading Rainbow, and received a Junior Literary Guild award.

MK Brown’s cartoons have been reproduced in dozens of collections over the years from Twisted Sisters: A Collection of Bad Girl Art, to The New Yorker 75th Anniversary Cartoon Collection. Her own collection of cartoons, Stranger Than Life: Cartoons and Comics 1970-2013, is available from Fantagraphics and better bookstores.

Recently, she’s been at work on cartoons for the third issue of The American Bystander. Another project was a short animation called “Aliens,” about distracted driving, for Ford Motor Co. produced by J.J.Sedelmaier. It tied for 1st place with Bill Plympton in the public service category at the ASIFA/SF Summer Screening. Her next project is to finish a new website with the help of Stan Jarin in Australia.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at MK’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of MK by me.

Episode 175 – Paul Mavrides

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Virtual Memories Show #175:
Paul Mavrides

“My parents thought comics lowered your intelligence and ruined your chances in life. They were absolutely right, as it turned out.”

mavides_shelton_amstLegendary artist and cartoonist Paul Mavrides joins the show to talk about Underground Comix, the Church of the SubGenius, the Zapruder film, black mold, Idiots Abroad, Richard Nixon’s threat on his life, and the time he traded an issue of Zap Comix for a copy of Awake! Give it a listen!

“These jam comics we did were like every cartoonist shining a thousand-watt light all at once into the reader’s brain.”

We also talk about how he became a late addition to the Zap lineup, where his interest in conspiracy theories began, the time he and Gilbert Shelton tried to convince the manager of a Fabulous Furry Freak Brothers-themed Amsterdam bar that they were the cartoonists behind it, what 40+ years in San Francisco has been like, the time someone named-dropped him to himself, and more! Give it a listen! And become a patron of this podcast via Patreon or Paypal to get access to bonus conversation with Paul and a list of all the books we talked about.

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Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

27635796185_b0dfd97ca0_zLong-time resident of San Francisco’s Mission, ground zero of the underground comics scene, Paul Mavrides is a member of the ZAP Comix collective, as well as a founding associate of the Church of the SubGenius, a rogue psychotronic religious cult, which he still serves as official apostate. His many collaborators have included Gilbert Shelton, Robert Crumb, film directors Alex Cox and Ron Mann, Survival Research Laboratories and The Residents, and he successfully fought a high-profile taxation and free speech case on behalf of cartoonists and comic book readers against the State of California.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Paul’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photos of Paul by me.

Episode 147 – Peter Kuper

Virtual Memories Show #147:
Peter Kuper

Photo by Holly Kuper

“The things we were seeing on the lamppost that would wash away, the art on the walls that would get painted over: we wanted to codify that in World War 3 Illustrated.”

ruinscoverAlt-comix lifer Peter Kuper joins the show to talk about his new graphic novel, RUINS (Self-Made Hero), a beautiful book about American expats in Oaxaca, Mexico during last decade’s political upheaval. Peter also talks about co-creating World War 3 Illustrated and the legacy that anthology has left since its inception in 1979 (!), how surprised he finds himself to be teaching at Harvard, how he fights despair over the fight against climate change, the need to build one’s own artistic scene, what it’s like to be one of the only people who actually followed through on the “if Bush/Cheney are re-elected, I’m leaving America” pledge, and more! Give it a listen!

“For me, the safest thing has been doing things I love. I’m an atheist, but I’ve had the experience of putting in the love and the effort and have come to believe that it’ll work out. I know a tremendous amount of it is luck, but persistence and putting yourself in the way of possibility has worked.”

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Seriously, Peter Kuper’s a legend in cartooning, and this wide-ranging conversations covers a lot of territory, including his revelations about murals in Mexican art, the wide variety of art-styles he employs, the economics of cartooning, the sink-or-swim experience his parents subjected him to in Israel (and why that led him to do the same to his kid in Mexico), the devaluation of political humor, the GOP candidate he fears the most, and the historical knowledge of comics his students at Harvard and SVA have (or don’t have), so go listen to our conversation and then go buy Ruins!

“We all draw. Every kid draws. For whatever reason, we give it up. I encourage people to keep it there. Why not sketch for pleasure? Turning it into a career is a whole other bag.”

We talk about some books in this episode. Here’s a list of them:

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Kuper has created over a dozen graphic novels, including The System, Sticks and Stones, and an adaptation of Franz Kafka’s The Metamorphosis. He is co-founder of the political graphics magazine World War 3 Illustrated and since 1997 has written and drawn “Spy Vs Spy” for MAD Magazine. He has been teaching comics courses for over 25 years in New York City and is a visiting professor at Harvard University. His new book is RUINS.There’s a more extensive bio at his site.

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Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Kuper’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Kuper by Holly Kuper.

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