Podcast: From Billiards to Bach

Peter Kalkavage on The Virtual Memories Show

Virtual Memories: Peter Kalkavage – From Billiards to Bach

“No one can be deeply affected by this course of study and not want to go beyond it. It gets you excited about ideas, questions and authors. To read one author is to lead you to another.”

hegelshrunkHow does a man go from being a ne’er-do-well in a Pennsylvania mining town to a tutor at St. John’s College? Peter Kalkavage joins the show to talk about his path to that Great Books institution, what he’s learned going into his 38th year as a tutor, how he fell in love with the college’s music program, what his study of Hegel taught him, what he’d add to the St. John’s curriculum, and more! (Also: Iliad or Odyssey, which offsets the question of “Luther or Calvin?”)

“In my time here, the one change that has irked me the most has been the shift from Luther to Calvin in the sophomore seminar. There were understandable problems with Luther . . . on the other hand, he deals in a blunt and powerful way with questions of freedom, secular authority, and faith-vs.-works. Calvin seems too relentlessly negative and too obsessed with the question of predestination.”

We also discuss his upbringing, The Big Lebowski, the teacher who got him to turn himself around, his favorite area to teach, how Dante taught him the possibilities of poetry, the question of whether we’re ever mature enough to read the curriculum, and the recent move to rebrand St. John’s College.

“We have to be very careful not to present ourselves in what we think might be an attractive way which misrepresents what we most have to offer our students, the country and the world: our curriculum. That’s the most important thing. Not our location, not our extracurricular activities, but the program. ‘The following teachers are returning to St. John’s next year. . . .'”

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Kalkavage has been a tutor at St. John’s College in Annapolis, Md., since 1977. He is director of the St. John’s Chorus. Dr. Kalkavage is the author of The Logic of Desire: An Introduction to Hegel’s Phenomenology of Spirit, and has produced translations of Plato’s Timaeus and Statesman for Focus Philosophical Library. He is also author of two texts that have been used in the St. John’s music program, On the Measurement of Tones and Elements: A Workbook for Freshman Music.

Credits: This episode’s music is the opening credits to Miller’s Crossing by Carter Burwell. The conversation was recorded in Peter Kalkavage’s office during the St. John’s College 2014 Piraeus seminar on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Peter Kalkavage by me.

Podcast: Sound Before Story

Virtual Memories – season 3 episode 5
Greg Gerke – Sound Before Story

To celebrate the publication of Middle C, the new novel by literary legend William Gass, I sat down with writer Greg Gerke, who interviewed Gass for Tin House literary magazine. We talked about Gass’ position in the postmodern literary tradition (as it were), what Greg learned over the course of reading much of Gass’ writings and interviewing The Great Man, what it’s like to construct a literary monument to horror, which authors Greg discovered through Gass’ essays over the years, how you can’t judge a man by his (roommate’s) bookshelf, why Gass holds self-publishing in disdain, and how one can build a powerful literary career by putting Sound Before Story.

 

Enjoy the conversation! Then check out our archives for more great talks! And buy the issue of Tin House with Greg’s interview with Gass, while you’re at it!

Follow The Virtual Memories Show on iTunesFacebookTumblr, and RSS!

About our Guest

Greg Gerke‘s fiction and non-fiction have appeared in Tin House, The Kenyon Review Online, Denver Quarterly, and Mississippi Review. He’s the author of the short story collection, There’s Something Wrong with Sven. You can read his work and find links to his criticism at greggerke.com and Big Other.

Credits: This episode’s music is Life’s a Gas by T-Rex. The conversation was recorded at Greg Gerke’s apartment in New York City, on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Samson Meteor Mic USB Studio Microphone into Audacity. All editing and processing was done in Garage Band.

Follow

Get every new post delivered to your Inbox

Join other followers: