Virtual Memories Show:
Lorenzo Mattotti – Laboratory of Imagination
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“In my work, I always try to arrive at a new level of capacity. To do that, you must be ready spiritually. When I arrive at that level, there is a fear. You have to break your knowledge to arrive at that level.”
Lorenzo Mattotti is one of my favorite artists (and cartoonists and illustrators), so it was a thrill to sit down to record with him during Toronto Comic Arts Festival! We talked about his newest book, Hansel and Gretel
“I’m always curious to look back at my early work, because sometimes I’m so depressed and so lost that I need to go back and say, ‘Look at this! You were able to do that! Go on!’ And sometimes I look at my work and think it was another person who did that.”
We talk about the interaction between his comics, paintings, and commercial illustration work, the thread of transformation myths in his comics, how he’s learned to improvise after mastering a controlled style, why he prefers working with writers over writing stories by himself, what fashion taught him about technique and glamour, his “poor parents'” reaction to his comics, his need to find new artistic challenges, how he does those amazing New Yorker covers, who he’s reading, and more!
“[Pinocchio] became a laboratory of imagination. I see how I can return to it year after year and make new interpretations of it.”
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About our Guest
Lorenzo Mattotti is a highly sought-after illustrator (with frequent appearances in and on The New Yorker) and acclaimed graphic novelist. His books include Fires
Credits: This episode’s music is Optical Sound by Human Expression. The conversation was recorded at the Toronto Marriott Bloor Yorkville on a pair of Blue enCORE 200 microphones
(2012, English translation, MacLehose 2013), which imagines Hitler returning to life in present-day Berlin is the latest example of this shift in German memory and what appears to be a collective desire for a normalized relationship to the country’s troubled past. The author will be in conversation with New York Times book critic and author 
(2015). The panel will be moderated by Gil Roth, host of 
(New York Review Books), which profiles Lionel Triling, Dwight Macdonald, Alfred Kazin, William Maxwell, Saul Bellow, Norman Mailer, WH Auden, Frank O’Hara. We discuss the role of individuals in mass culture, the intellectual’s temptation to be a leader, the outdated figure of the Beloved Professor, Orwell’s misinterpretation of Auden, the writer he was terrified to meet, the failures of identity politics, the purpose of Columbia University’s Core Curriculum, his lack of nostalgia for the era of public intellectuals, the way certain books need a year off from teaching in order to recharge, and more. 
is a study in self-pity, and more! Go listen!
(1999) is a sequel to his 
(1981). His book, 
, was published by Pantheon in 2006. His new book is 
. He has prepared editions of novels by Hardy, Bennett, Meredith, Wells, and Trollope, the first five volumes of a complete edition of Auden, and selections of Auden’s poems and prose. His essays and reviews have appeared in the New York Review of Books, London Review of Books, TLS, the New York Times Book Review, and many other journals and collections, and he wrote an introduction for a new edition of Gravity’s Rainbow. He has also written about computers, music, and the visual arts. He is a Fellow of the Royal Society of Literature and was the first Isabel Dalhousie Fellow at the Institute for Advanced Studies in the Humanities at the University of Edinburgh.
, and talks about that humanist approach to buildings, the problems with Brutalist architecture, the importance of having a canon of great buildings, the ways that digital technology are changing the practice of architecture, why there’s no such thing as a ‘theory of architecture’, the reasons Philadelphia has such marvelous buildings, what it means to ‘review’ a building, why the ‘Starchitect’ phenomenon doesn’t make for better buildings, and whether it’s possible to improve the appearance of malls. 
, 
, 
, 
, and 
.
(Other Press). We also discuss the confluence and divergence of love and happiness, her surprise when 
(Knopf, 2008). Her newest book is 
Educator (and high school pal) 
. We talk about edutainment’s bad rep, developing good games for students, getting getting buy-in from faculty, administration and — most importantly — students, the subjects that benefit most from game-based learning, and why Pandemic is the best game he’s ever used to teach. I also vent about how primitive the technology was when Matt & I were in school, compared to having 3-D printers in the classroom nowadays. Oh, and we get around to dismissing Roger Ebert’s claim that games are not art! 