Podcast: Theory and Practice

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Virtual Memories: Katie Skelly – Theory and Practice

“I’m never gonna be a parent, but if I were, I’d be like, ‘We’re skippin’ this Goodnight, Moon thing; you’re goin’ to Pale Fire.'”

cov175Cartoonist Katie Skelly joins the show to talk about her new book, Operation Margarine (AdHouse Books), which is really just an opportunity for us to talk about Barthes, Edie Sedgwick, and The Maxx, before getting to the moment when she was 15 and read the least “YA”-friendly book ever for all the wrong reasons. Along the way, we also talk about how she manages to work on her comics while holding down a (respectable) full-time job, why she’d rather hunt for a rare comic than buy something new, what it was like to belong to a high school anime club that only had two members. Go listen!

“6 o’clock hits, it’s time to leave the office; what are you going to do with the four or five hours you have before going to sleep?”

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Katie Skelly lives and works in Queens, NY. Her first graphic novel, Nurse Nurse, was published by Sparkplug Books in 2012. Her latest book, Operation Margarine, was published by AdHouse Books in 2014. You can find her on her website, on Tumblr, and on Twitter.

Credits: This episode’s music is Katie’s Been Gone by The Band. The conversation was recorded in my hotel room during the 2014 Toronto Comic Arts Festival on a Zoom H2n (I had some weird distortion/flutter on my usual Blue enCORE 200 microphones feeding into a Zoom H4n recorder, so I went with my backup recording). The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Skelly by Amy Roth.

Podcast: Semper Fido

Sheila Keenan and Nathan Fox talk Dogs of War on The Virtual Memories Show

Virtual Memories – season 4 episode 9 – Semper Fido

“We move through a human-centric world as if that is reality, but we’re surrounded by other species, and their species is centric to their world. I’m interested in how that works, not in humanizing other animals.”

In honor of K-9 Veterans Day, our guests are Sheila Keenan and Nathan Fox, the writer and the artist behind Dogs of War, a YA graphic novel about dogs on the battlefield. We talk about their collaborative process and how it developed over the course of this project, as well as the challenges of writing about war for a YA audience, how the trajectory of dog use parallels the development of military technology, and the ways that our empathy for animals can help us better understand the cost of conflict.

“I want the power of time and imagination that resides in the white space between panels.”

Also, find out about their circuitous paths to comics, the alchemy of a writer’s vision interpreted by an artist, why Nathan launched an MFA program at the School of Visual Arts, and how Sheila’s husband wooed her with a page of Love & Rockets!

Praise for Dogs of War

  • Starred reviews in Publishers Weekly, School Library Journal, and The Bulletin of the Center for Childrens’ Books
  • School LIbrary Journal Top Ten Graphic Novels
  • YALSA Top Ten Great Graphic Novels (Young Adult Library Services Association, a division of ALA/American Library Association)
  • ALA Quick Picks for Reluctant Young Adult Readers

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guests

Sheila Keenan is an established author of books for young people, including As The Crow Flies, a picture book she did in collaboration with her husband artist Kevin Duggan, and Animals in the House: A History of Pets and People. Dogs of War is her first graphic novel.

Nathan Fox was born in 1975 in Washington D.C. Raised from the age of five on the suburban outskirts of Houston, an early addiction to cartoons, commercials and video games led to a lifelong exploration of Narrative Art and the over-stimulation associated with his generation. In the hopes of making such an addiction his full time job, Nathan left Texas for Missouri, where he attended the Kansas City Art Institute. After graduating in 1997, Nathan pursued Illustration from Milwaukee, WI for the next two years with little result. Frustrated with pursuing editorial illustration and working as an offset pressman, he and his wife moved to New York City in 2000 where Nathan attended The School of Visual Arts (SVA) Illustration As Visual Essay Graduate Program. His work has appeared in The New York Times Newspaper and Magazine, Interview, The New Yorker, Rolling Stone, Wired, ESPN Magazine, Print, Entertainment Weekly, Mother Jones, Spin, Mad Magazine, MTV Store Windows and Tshirts, Burton US Open 2009, Instant Winner and REAL Skateboards, DC Comics, Vertigo, Dark Horse Comics, Marvel and many other publications and mediums. In 2011, Nathan designed the curriculum for a new low-residency graduate program in visual storytelling and is now chair of SVA’s MFA Visual Narrative program.

Credits: This episode’s music is Atomic Dog by Parliament. The conversation was recorded at Mr. Fox’s office at the School of Visual Arts on a Blue enCORE 200 microphone (for me) and an Audio-Technica AT2020 Cardioid Condenser microphone (for them), feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Fox and Ms. Keenan by me.

Podcast: The Realm of the Possible

Bean Gilsdorf talks art on The Virtual Memories Show

Virtual Memories – season 4 episode 6 – The Realm of the Possible

“Being an artist and talking about being an artist is a lot about trying to suss out your audience: how much do they know about art, how much do they care, is a casual question, or are they deeply invested in the answer?”

How did Bean Gilsdorf go from studying linguistics to becoming an artist, critic and curator? While in NYC for the opening of her three-person show, Dead Ringer, Bean joined us to talk about making the decision to be an artist, building a career without mass-marketing her art, escaping the tautology of process, the value of getting an MFA, the most asked question at her Help Desk column at the Daily Serving, the difference between the fictional and the imaginary, and more!

“I want to be the kind of artist who amuses myself. . . . I reserve the right to have the last laugh.”

We also talk about her current work — including her Borgesian Exhibition That Might Exist (in Portland), and the Bean Gilsdorf Living History Museum (in San Francisco), which has transformed her apartment into the world’s smallest living history museum — as well as her process of understanding her audience(s), her discovery that sometimes the problem is you and not your materials, and how she reconciles all of her past selves and muses over her future ones.

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Bean Gilsdorf is an artist and writer. Her recent art projects compare systems of history that appear as both individual accounts and as unified public narratives. Her performances explore history through appropriation and improvisation, while more material works — objects, videos, and installations — investigate archived historical records by manipulating images from mass-market history books. Her projects have been supported by grants from the Puffin Foundation and the NW Film Center of the Portland Art Museum, and included in exhibitions at the Wattis Institute for Contemporary Arts, the American Textile History Museum, and the Holter Museum of Art, as well as exhibition spaces in Poland, England, Italy, China, and South Africa. She is the Managing Editor of Daily Serving, an international publication for the contemporary fine arts, and her critical writing and interviews have also been published in online and print magazines such as Textile: the Journal of Cloth and Culture, Fiberarts Magazine (2007-2011), and Art Practical. Bean received her MFA from the California College of the Arts in 2011 and was a 2011-2012 Fellowship Resident at the Headlands Center for the Arts. She currently lives in San Francisco, where she operates the Bean Gilsdorf Living History Museum.

Credits: This episode’s music is Blues for Art by Chick Corea. The conversation was recorded at the home of friends of Bean in Brooklyn on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Bean Gilsdorf by A. Discenza.

Podcast: The Consolation of Poetry

 

Virtual Memories – season 4 episode 3 – The Consolation of Poetry

“Poetry chose me at an early age. I think it was connected to the fact that poetry is emotional, pretty, and short.”

Rachel Hadas, author of Strange Relation: A Memoir of Marriage, Dementia and Poetry (Paul Dry Books), lost her husband to early onset dementia. We talk about how poetry — hers and others’ — gave her solace during this years-long process. We also talk about poetry is a way for the poet to both release and identify emotions, why it was easier to publish collections of poetry in the 1980s and 1990s, the benefits of poetry memorization, and why the Furies looked the other way when Agamemnon sacrificed his daughter Iphigenia.

“Writing helps us to live through something and then it helps us remember it, if we want to.”

BONUS: You get to hear me record an intro after 35 hours with no sleep, and find out about the huge, life-changing thing I did last week!

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Rachel Hadas studied classics at Harvard, poetry at Johns Hopkins, and comparative literature at Princeton. Between college and graduate school she spent four years in Greece, an experience that surfaces variously in much of her work. Since 1981 she has taught in the English Department of the Newark (NJ) campus of Rutgers University, and has also taught courses in literature and writing at Columbia and Princeton, as well as serving on the poetry faculty of the Sewanee Writers’ Conference and the West Chester Poetry Conference. She has received a Guggenheim Fellowship in Poetry, an Ingram Merrill Foundation grant in poetry, and an award in literature from the American Academy and Institute of Arts and Letters. Rachel Hadas is the author of many books of poetry, prose, and translations. Most recently, she her memoir about her husband’s illness, Strange Relation, was published by Paul Dry Books (2011) and a new book of her poems, The Golden Road, was published by Northwestern University Press (2012).

Credits: This episode’s music is Strange Conversation by Ted Hawkins. The conversation was recorded at the home of Ms. Hadas on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded in a hotel room in London on the same gear. Processing was done in Audacity and Garage Band. Photo of Rachel Hadas by me.

Podcast: The Guest List: 2013

Virtual Memories – season 3 episode 32 – The Guest List: 2013

The year is over! I exceeded my podcast goal of getting a new episode out every other week! And rather than eke out one more interview for the final podcast of the year, I decided to make my life more difficult by hitting up this past year’s guests to find out the favorite books they read in 2013.

At the time, I thought this episode would make a nice companion to my Another Year, In the Books post, but now I realize it’s just another symptom of my Need To Create Giant Organization-Oriented Projects. Regardless, you get the fruits of my obsessive-compulsive labor! This year-end episode features selections from nearly 2 dozen of our recent guests! Go give it a listen! (And visit this cheat sheet if you’d like to see which guests responded and which books they picked.)

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About our Guests

The guests who contributed their favorite book from the past year — and that’s “favorite book I read in 2013,” not “favorite book that came out in 2013” — are Charles Blackstone, Lisa Borders, Scott Edelman, Drew Friedman, Kipp Friedman, Craig Gidney, Ed Hermance, Nancy Hightower, Jonathan Hyman, Maxim Jakubowski, Ben Katchor, Ian Kelley, Roger Langridge, Philip Lopate, Hooman Majd, Zach Martin, Ron Rosenbaum, David Rothenberg, Willard Spiegelman, Peter Trachtenberg, Wallis Wilde-Menozzi, and Matt Wuerker. Check out their episodes at our archives!

Credits: This episode’s music is Ho Renomo by Cluster/Brian Eno. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. Some segments were recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. Some segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Garage Band.

2013 Podcast Countdown: Lucky #7

Merry Christmas! The podcast countdown continues! The 7th most downloaded episode from 2013 was my conversation with Willard Spiegelman, but it’s an episode that almost didn’t happen!

#7 – The Magnificent Seven – Reading, walking, looking, dancing, listening, swimming, and writing: these are the activities organizing the life of Willard Spiegelman, author of Seven Pleasures: Essays on Ordinary Happiness! We talk about his wonderful book (go read it!), his addiction to ballroom dancing, how to find joy in the day-to-day world, why he hates book clubs, how he turned me on to one of my favorite novels, who his Desert Island Poets are, and, again, Harold Bloom (sigh). (1/22/13) – mp3

Here’s the story of the one that (nearly) got away. I interviewed Willard on his birthday in late December 2012 at his apartment in NYC. He was going to head up to Connecticut earlier in the day, but stayed on to record our conversation. We had a great time talking about his recent book and all sorts of topics. About 20 minutes into the recording, I noticed that my backup recorder’s battery was dying and the recorder was about to shut off, but what did that matter? After all, the main recorder was going just fine.

It began to snow heavily while we talked, and my drive back to NJ was a bit of an adventure — largely because of the other drivers. Willard had a tougher go of it, as . . . well, here it is in his words:

It has been a memorable birthday. First you. Then, I got on a train at Grand Central. The plan was for Ken to pick me up at Old Saybrook and take me to a wonderful CT country restaurant. We ditched that. First, it started to snow. So we agreed to cancel the reservation. Instead he would pick me up and bring me home for a delicious dinner. He called when I was on the train to announce that the street had not been plowed and he wouldn’t be able to get me. So I got off at Old Saybrook. Fortunately, an Amtrak train was late, so I hopped on that for New London, 20 minutes away, where I planned to take a cab up to the house. No cabs. No buses. No nothing. So I did when any self-respecting child of the ’60s would do. (First I tried to walk, but that was too loony even for me.) I hitchhiked. First time in 40 years. Within three minutes a nice young man who works as an engineer at Electric Boat picked me up and dropped me off at the top of the hill. I walked down and found Ken who had lost his cell phone in the snow. We found it. Then we helped to push some hapless neighbors whose car had drifted into a snowbank. Now I am enjoying a martini and understanding why people move to Florida.

So you can imagine my embarrassment/humiliation when I had to tell him that the main recorder managed NOT TO RECORD OUR CONVERSATION. No, seriously. The memory card had no sign of that file anywhere. I spent $100 on a data recovery program to scan the crap out of that SD card, but it was to no avail. The conversation was lost. And, as I mentioned, my backup recorder conked out maybe 20 minutes into our 70-minute conversation.

And THAT news is what Willard got when he finally got to their home in CT that night. Happy birthday.

Lucky for me, he was a good sport about it, and willing to record another talk. But with the ephemeral nature of great conversation, many of the topics we touched on that first time could never be recreated. That’s Virtual Memories for ya!

Now go listen to our #7 most downloaded episode from 2013!

Check back tomorrow for #6, Boxing Day fans! I give thanks to all my guests for the great conversations, and I thank you, dear listeners, for each and every download! Have a merry Christmas, if that’s your thing!

And remember, you can find all our episodes at the podcast archive or by visiting iTunes!

Podcast: The Whimsical Barracuda

Virtual Memories – season 3 episode 31 –
The Whimsical Barracuda

“With my brothers, it was like ‘Resistance is futile! You will enjoy horror movies! You will go to comic book conventions! You will learn to love B-movies and worship Tor Johnson and Plan 9 from Outer Space! Shemp Howard must be worshipped!’”

Kipp Friedman is the latest member of a comedic dynasty (so says the subtitle of his new memoir, Barracuda in the Attic). The son of novelist, journalist, playwright and screenwriter Bruce Jay Friedman and brother of cartoonist Drew Friedman and writer/musician Josh Alan Friedman, Kipp has tossed his hat into the ring with a book filled with tales of New York City in the 1960’s and ‘70s, of pop culture education, of living with his divorced dad during his days writing “The Lonely Guy” columns, and more!

“My father was so prolific for so many years as a writer, people would wonder why he never seemed to be working. And yet his stuff kept on being published. I think making it seem effortless rubbed off on his kids. We agonize over everything.”

While in NYC for a series of book readings, Kipp sat down to talk with me about Barracuda in the Attic (Fantagraphics Books), the joys of “growing up Friedman,” hunting for comics and Mad magazines with his brothers, what he misses about New York, what he’ll never forgive the Knicks for, how he ended up with a “real job,” and what it felt like to add a volume to the bookshelf of works by his family. It’s a wonderful perspective on the most creative family any of us will likely ever see!

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Kipp Friedman is a native New Yorker who holds B.A.s in history and journalism from the Universit of Wisconsin-Madison. He began his career as a reporter for several newspapers in south Florida before moving to Wisconsin, where he worked in PR for GE Medical Systems, as marketing and PR director at the Harry & Rose Samson Family Jewish Community Center, and as a PR consultant for Jewish Family Services of Milwaukee. He is also a professional photographer and has shot more than 300 bar and bat mitzvahs (despite not having been bar mitzvah’d himself). He currently resides in Milwaukee with his wife, Anne. They have a grown son, Max, who is studying to be an architect. Barracuda in the Attic is his first book.

Credits: This episode’s music is When I Write a Book by Rockpile. The conversation was recorded at a hotel in SoHo on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded at home on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Kipp Friedman by me.

Podcast: The Least Insane of Cartoonists

Virtual Memories – season 3 episode 22 –
Pete Bagge: The Least Insane of Cartoonists

“I was asking not to be taken seriously, but I was also getting annoyed that I wasn’t being taken seriously.”

WrebPeter Bagge, the comics legend behind Hate!, Neat Stuff, Apocalypse Nerd and Everybody is Stupid Except for Me, joins us to talk about his new book, Woman Rebel: The Margaret Sanger Story. We have a great conversation about why he chose to write about the founder of Planned Parenthood, how he made the shift from fiction to nonfiction comics, who his favorite “pre-feminist feminists” are, why he decided to stick with comic books over paperback books (and why he came around on the latter), what the strangest sketchbook request he ever received is, and how he feels about being a comics convention prostitute.

We also talk about how he never got a word of approval from his dad or his editor, how his libertarian politics got him ostracized after the 2008 election (and how some people seem to be coming around on that), why he doesn’t draw elbows, and what it felt like to be considered the “least insane of cartoonists” by R. Crumb.

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Peter Bagge‘s newest book is Woman Rebel: The Margaret Sanger Story. He is best known for the 1990s comic book series Hate!, which followed the exploits of slacker ne’er-do-well Buddy Bradley (collected vols. 1, 2, and 3). He is a contributor to Reason magazine, which led to the collection Everybody Is Stupid Except For Me, and Other Acute Observations, and his work has appeared in Weirdo (where he served as managing editor), The Stranger, New York Press, Entertainment Weekly, Details, Seattle Weekly, Screw, and more. He is also the author of Peter Bagge’s Other Stuff, Reset, Apocalypse Nerd, Other Lives, and Bat Boy: The Weekly World News Comic Strips, among other works.

Credits: This episode’s music is Hateful Notebook by the Descendents. The conversation was recorded at the Bethesda North Marriott during SPX 2013 on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. The intro and outro were recorded in my home office on a Blue Yeti USB microphone. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Photo by me.