Episode 202 – Karen Green

Virtual Memories Show 202: Karen Green

“My plan is to make this a research destination for comics studies, especially as they relate to comics in New York City.”

Karen Green, Curator of the Comics and Cartoons collection at Columbia University, joins the show to talk about her secret origin! How did she go from bartender to medieval scholar to comics librarian? We get into the evolution of the library and comics scholarship, her proudest acquisitions, her love of NYC and being a bartender there in the ’80s, reading Playboy for the cartoons, the experience of having a portrait done by Drew Friedman, her Venn diagram with Mimi Pond, and the one cartoonist she’s still speechless around. Give it a listen! And go buy Drew Friedman’s More Heroes Of The Comics: Portraits Of The Legends Of Comic Books; Karen wrote the intro!

“Things that were throwaway materials for the medieval or early modern period are now priceless artifacts in museums and libraries around the world. Who’s to say that the things we see as disposable culture today are not going to be given the same valence?”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Karen Green serves as Curator for Comics and Cartoons at Columbia University. She founded the graphic novels collection in the Columbia University Libraries, while working as the Ancient and Medieval History librarian. She has acquired the papers of Chris Claremont, Wendy and Richard Pini, Al Jaffee, and the Kitchen Sink Press for Columbia’s Rare Book and Manuscript Library, as well as items from the estate of Jerry Robinson and research materials from Larry Tye’s history of Superman. A former bartender, Green holds graduate degrees from Columbia University and Rutgers University. For four-and-a-half years, she wrote the “Comic Adventures in Academia” column for Comixology. She served as a Will Eisner Comics Industry Awards judge in 2011, a member of the jury for the Pulitzer Prize in Editorial Cartooning in 2014, serves as vice-president of the board of directors of the Society of Illustrators–and former trustee of the Museum of Comic and Cartoon Art, before its transfer to the Society–has taught and lectured on comics in academia, and curated the Fall 2014 exhibition, “Comics at Columbia: Past, Present, Future,” in Columbia’s Rare Book & Manuscript Library.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded in a meeting room in Columbia University’s Butler Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karen Green by me. It’s on my instagram.

Episode 196 – Myke Cole

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Virtual Memories Show #196: Myke Cole

“I feel like the soul of writing is character, and the writers I admire the most are those who can evoke characters who are nothing like themselves.”

shadowopscoverMyke Cole joins the show to talk about military fantasy and his fantasies about the military, his journey from IT to CIA to merc to Coast Guard to fantasy writer, his biggest nerd-out author moments, how he came up with his “Black Hawk Down Meets The X-MenShadow Ops series, what PTSD feels like, the importance of having a plan for crisis management, reconciling his art, politics, job, and readership, and more! Give it a listen! And go buy his Shadow Ops books, starting with Control Point!

“I take a tremendous amount of pride in being a difficult person to kill.”

Unfortunately, before you can get to it, you’ve gotta wade through nearly 15 minutes of intro! It’s almost Marc Maron-like! If you wanna get past me talking about getting stood up by a publisher and discovering that I’ve become an anecdote in a business book (as well as my Myke intro), then skip to the 14:30 mark! Now go listen to the show!

“Intelligence, at its root, is breaking the laws of other countries and stealing their shit. I understand it’s necessary, but it’s not nice and it’s not ethical.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

As a security contractor, government civilian and military officer, Myke Cole’s career has run the gamut from Counterterrorism to Cyber Warfare to Federal Law Enforcement. He’s done three tours in Iraq and was recalled to serve during the Deepwater Horizon oil spill.

All that conflict can wear a guy out. Thank goodness for fantasy novels, comic books, late night games of Dungeons and Dragons and lots of angst-fueled writing.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Myke Cole by me.

Episode 183 – Jeff Gomez

Virtual Memories Show #183: Jeff Gomez

“The reason we enjoy these finely-tooled story-worlds is because we love dollhouses. We love miniatures. We love to see a universe that is created in such a way that they convince us somehow, even for a moment, that they’re real.”

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Transmedia producer Jeff Gomez joins the show to talk about the evolution of storytelling. We get into how the internet is driving communal narrative, the role of fandom in our culture, the way every new media is touted as the Destroyer of Worlds, the outgrowth of “canonical” storytelling and his one-time role as Keeper of the Canon at a comic company, the parallels between sports-nerds and fantasy-nerds, the old entertainment properties he really wishes he could work on, and just what it was in his childhood that led him into this role! Give it a listen!

“Story existed in one form from the dawn of human history until just a couple of hundred years ago, when it was disrupted. The disruption is ending.”

We also get into the impact of fan fiction, the economics of the IP feeder system, playing D&D as a way to connect with people, why the Fantastic Four movies didn’t work, the transition from The Hero’s Journey to The Collective Journey, and how it feels to get criticized today for comics he made in 1996. Plus, I ask the nerdiest closing question in the history of the show. Now go listen to the show!

“I saw a lot of violence growing up, but everyone got along when they were in the movie theater.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Jeff Gomez, CEO of Starlight Runner Entertainment, has the greatest job in the universe: he designs, expands, and defends the integrity of some of the biggest blockbuster worlds in all of pop culture! Jeff served as a creator for the story worlds of Magic: The Gathering, Turok Dinosaur Hunter N64, Hot Wheels World Race, and Coca-Cola Happiness Factory.

As the most renowned Transmedia Producer in the entertainment industry, Jeff takes blockbuster movies, hit videogames, and major toy brands, and develops and extends their fictional worlds across multiple media platforms. He also serves as an advisor and consultant on global trends in technology, youth culture, and social media to studio heads, publishers, licensing agencies, C-suite executives, and government leaders.

Jeff has worked on such exciting franchises as Disney’s Pirates of the Caribbean, James Cameron’s Avatar, Hasbro’s Transformers, Sony Pictures’ Spider-Man, 343 Studios’ Halo, and Nickelodeon’s Teenage Mutant Ninja Turtles. He also teaches transmedia storytelling for social good to non-profits, educational institutions and non-government organizations across the globe, including Mexico, Colombia, Australia, and the Middle East and North Africa region.

Growing up on the rough streets of New York City, Jeff has always championed the causes of young people. His Never Surrender! seminars teach kids how to deal with bullies, and he regularly provides career counseling to imaginative teens and young adults who are facing challenges in life.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Gomez’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Gomez by me.

Episode 182 – Virginia Heffernan

Virtual Memories Show #182: Virginia Heffernan

“It’s very, very weird to do something along with three billion other people.”

magic-and-loss-9781439191705_hrCultural critic Virginia Heffernan joins the show to talk about her new book, Magic and Loss: The Internet as Art (Simon & Schuster)! We talk about what’s behind the screen, why the internet is bigger than the Industrial Revolution, her first experience online in 1979, what it’s like to be in a piece of performance art with half the world’s population, her crushing defeat at meeting Joan Didion, why she’s nostalgic for landline phones, the motive motive of Pokemon Go, asking The New York Times to host a shred-guitar competition, and why there’s value in Reading The Comments! Give it a listen! And buy Magic and Loss!

“The Magic is the part of the internet that is delightful, that moves you to a new space, that is the Mystery of existence. The Loss is that sick feeling you have when you’ve been online all the time.”

We also get into the karmic hassle of filing expense reports, the necessity of having an online avatar, balancing her virtual and physical presences, the Talmudic ferocity of language-correctors online, the long history of selfies, what goes wrong every time she tries to write fiction, being a fiction fact-checker for The New Yorker, why people should read upthread, and the miracle of her author picture and the uncanny valley. Now go listen to the show!

“Absolute banality is not good, but babbling eccentricity is dangerous, too.”

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About our Guest

vheffavatarVirginia Heffernan (a.k.a. @page88) is a journalist, critic and author, most recently, of Magic and Loss: The Internet as Art (Simon & Schuster, 2016). Heffernan has been called “America’s preeminent cultural critic,” “a public intellectual for the 21st century,” and among the “finest living writers of English prose.” Edward Mendelson in The New York Review of Books called Magic and Loss, “surprisingly moving…an ecstatic narrative of submission.” Kevin Kelly, the co-founder of WIRED, writes, “Heffernan is a new species of wizard. It is a joy and a revelation to be under her spell.”

From 2008 to 2012, Heffernan wrote “The Medium,” a weekly column about Internet culture, for The New York Times Magazine. Before introducing the column, Heffernan spent four years as a television critic at the daily New York Times, where, in addition to writing reviews and features, she chronicled the convergence of television and the Internet. In 2002, she received a Ph.D. in English and American literature from Harvard, where her dissertation was on financial dynamics in American novels. Before that, she served as articles editor at Talk Magazine, senior editor at Harper’s Magazine, and television critic for Slate. From 2012 to 2014, she was the national correspondent at Yahoo! News. From 2015-2016, she was a Visiting Scholar in the department of Media, Culture and Communications at NYU, and editorial director of West, a venture-capital firm in San Francisco. She still consults with VCs and startups.

Heffernan has also written for The New Yorker, Mother Jones, New York Magazine, Salon, MTV, Politico, VICE, WIRED, The Wall Street Journal, Marie Claire, Glamour, The Message, Matter, and many other publications. She has appeared on The Open Mind, 20/20, CNBC, MSNBC, and regularly on NPR. As an academic and a journalist, Heffernan has lectured and keynoted at Google, The Library of Congress, The New York Public Library, Princeton, Dartmouth, Ohio University, Harvard, Union College, NYU, The Savannah College of Art and Design, The National Gallery of the Arts, and Boston College, among many other institutions, universities, and corporations. Her essays have been widely anthologized, including in Extreme Exposure (1999), Unholy Ghost (2002), and Prime Times (2004), Is the Internet Changing the Way You Think?: The Net’s Impact on Our Minds and Future (2014), What to Think About Machines That Think: Today’s Leading Thinkers on the Age of Machine Intelligence (2015). In 2005, Heffernan (with co-writer Mike Albo) published the comic novel, The Underminer (Bloomsbury).

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded Ms. Heffernan’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Ms. Heffernan by Francis Hill.

Episode 174 – Ann Patty

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Virtual Memories Show #174:
Ann Patty

“I’m an enthusiast. I think that’s why I was a good editor. I fall in love with things and I get very enthusiastic and I boost them. Now I’m a Latin enthusiast.”

9781101980224Why did former publisher and book editor Ann Patty start studying Latin at age 58? Find out in our conversation about her book, Living with a Dead Language: My Romance with Latin (Viking). We talk about her deep dive into a dead language, the “Living Latinist” revival, her unceremonious exit from the NY publishing world, the terror of the blank page, the perils of groupthink, how her pursuit of Latin reconciled her to the memory of her mother, and more! Give it a listen! And go buy Living with a Dead Language!

“This is going to sound grandiose, but I’m going to say it: I identified with Aeneas because I had to find a new homeland just like he did. My homeland was the publishing world and I was exiled.”

We also talk about where mainstream book publishing has gone wrong, what it was like to be the oldest student in the room by 40 years, how her experience as a publisher and editor helped and hurt her as a first-time author, how Abigail Thomas tricked her into writing a book, the benefits of inflection, her new career goal of Girl Latin Reporter, and more! Give it a listen! And become a patron of this podcast via Patreon or Paypal to get access to bonus conversation with Ann and a big ol’ list of all the books we talked about.

“Editors have been disempowered in favor of groupthink, and there’s nothing more horrible than groupthink. Any book I was ever successful with would not have been bought if it had been subject to groupthink. I include Life of Pi.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Ann Patty worked in New York trade publishing for more than 30 years. She was the founder and publisher of The Poseidon Press and an executive editor at Crown Publishers and Harcourt. Her first discovery as an editor was V. C. Andrews’ Flowers in the Attic. Other highlights of her career include the US hardcover debuts of: George R. R. Martin, Graham Swift, Mary Gaitskill, Patrick McGrath, Clive Barker, Frank Zappa, Michael Moore, Siri Hustvedt, and Kristin Hannah. She was the editor of Steven Millhauser’s Pulitzer Prize-winning Martin Dressler, and Yann Martel’s Booker Prize-winning Life of Pi. In 2008 she became a freelance editor and began studying Latin, which she continues to do. She teaches Latin to teenagers at her local library in Red Hook, New York. Living with a Dead Language: My Romance with Latin is her first memoir.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ann’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of Ann by me.

Episode 165 – Fred Kaplan w/#NJPoet’s Corner

Virtual Memories Show #165:
Fred Kaplan (& #NJPoet’s Corner)

“I asked someone who had worked at Tailored Access Operations [the NSA’s black bag division], ‘I’m in your cubicle at work; what am I seeing?’ and he said, ‘I’m sitting at a monitor, and I’m typing code. And behind me is a supervisor, and behind him is a lawyer, and they’re taking down all of my keystrokes.'”

dtcoverFred Kaplan rejoins the show to talk about his new book, Dark Territory: The Secret History of Cyber War (Simon & Schuster). (We last talked in 2013). We get into the tangled, wild-west story of how cyber warfare is waged, where it might go in future, and why it’s the ultimate asymmetric warfare. Fred also tells us about the role of cyber in the success of the Iraq surge, the story of Stuxnet, the problem with not having rules of engagement for cyber war, how he came to respect the NSA, the statist/libertarian divide at the core of encryption battles, and what he thinks of Edward Snowden. Give it a listen! And go buy Fred’s book, Dark Territory!

“In the US, privacy has become a quaint notion.”

Then Charles Bivona joins us for his monthly installment of #NJPoet’s Corner, where we focus on his dream course: Batman Studies. Go listen! And buy #NJPoet, Chuck’s newly-published poetry collection!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

FredKaplan-byCarolDronsfieldFred Kaplan is the national-security columnist for Slate and the author of Dark Territory: The Secret History of Cyber War, as well as of four other books, including The Wizards of Armageddon, 1959: The Year Everything Changed, Daydream Believers: How a Few Grand Ideas Wrecked American Power, and, most recently The Insurgents: David Petraeus and the Plot to Change the American Way of War, which was a New York Times bestseller and Pulitzer Prize finalist. A former Pulitzer Prize–winning reporter for The Boston Globe, he graduated from Oberlin College, earned a PhD from MIT, and lives in Brooklyn with his wife, Brooke Gladstone.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Kaplan’s home in Brooklyn on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The conversation with Charles Bivona was recorded on the same setup, at his homeI recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. Photo of Mr. Kaplan by Carol Dronsfield.

Episode 161 – Dan Perkins (Tom Tomorrow) LIVE & #NJPoet Corner

Virtual Memories Show #161:
Dan Perkins (Tom Tomorrow) LIVE + #NJPoet’s Corner

“Satire is the art of exaggerating for humorous emphasis and to make a point, but how do you exaggerate Trump?”

Last July, I talked to Dan Perkins (aka Tom Tomorrow) as he was launching a Kickstarter to produce 25 Years of Tomorrow, a massive quarter-century collection of his This Modern World comic strip. It was way more successful than he anticipated (356% overfunded!), so at his book launch party at Mark Twain House in March, we recorded an on-stage followup conversation, plus audience Q&A! Give it a listen! And buy 25 Years of Tomorrow!

“Does political humor date? Sure, but I was writing about gun control and healthcare reform 25 years ago.”

tmw-tmw25Dan & I talk about the challenge of satire in this day and age, the benefits of operating under a pseudonym, the ways his life and work have changed as a result of the Kickstarter process, the ongoing labor of his production partners, Topatoco and Make That Thing!, looking back at 25 Years of Tomorrow, the mixed blessing of the internet, the doors that opened when he published a 1,000-page collection, whose hatred cheers him the most, why the internet is like Soylent Green, and more! Go listen and then order a copy of 25 Years of Tomorrow!

“It’s all fun and games until the crazy man is in the Oval Office.”

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This episode is also the launch of our new monthly feature, #NJPoet’s Corner, where we’ll talk with philosopher-historian-zen-monk-poet Charles Bivona! (That starts around the 50:00 mark)

Also, if you want to find out who Dan and Chuck are reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who they’re reading and why.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Dan Perkins, better known as Tom Tomorrow, is the creator of the weekly political cartoon, This Modern World, which appears in approximately 80 newspapers across the U.S., and on websites such as Daily Kos, and The Nation. His work has appeared in publications including The New York Times, The New Yorker, Spin, Mother Jones, Esquire, The Economist, The Nation, U.S. News and World Report, and The American Prospect, and has been featured on Countdown with Keith Olbermann. In 2013 he was awarded the prestigious Herblock Prize in a ceremony at the Library of Congress, and in 2015 he was a finalist for the Pulitzer Prize. He received the first place Robert F. Kennedy Award for Excellence in Journalism in 1998 and 2003, and has also received the Media Alliance Meritorious Achievement Award, the James Madison Freedom of Information Award from the Society of Professional Journalists, the Professional Freedom and Responsibility Award from the Association for Education in Journalism, and the James Aronson Award for Social Justice Journalism. In 2009, he collaborated with Pearl Jam to create artwork for their album “Backspacer“. Dan has published 9 anthologies of his work, and one mega-sized 15-pound, two-volume slipcased edition of 25 Years of Tomorrow.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Mark Twain House. I recorded the intro and outro on a Blue enCORE 200 microphone feeding into a Zoom H5 digital recorder. Processing was done in Audacity and Logic Pro. Photos of me and Dan by Beverly Gage.