Hot Gates, Hot Box Office?

A few posts ago, I mentioned that I was going to mark-out for 300, and that Amy & I would likely go catch it this weekend at the local IMAX, so as to get the full theme-park experience of Thermopylae on a giant screen.

This morning, I went online and discovered that every single IMAX screening this weekend is sold out.

I have to admit, my powers of prognostication aren’t the greatest, when it comes to movies and other pop phenomena. I mean, Ghost Rider looks like a godawful movie, and it’s based on a godawful character from Marvel’s nadir. So of course it ran away with the box office and is going to pass $100 million in sales this weekend. Did I underestimate how bored and/or stupid teenagers can be in February? I guess so.

But 300? Projected to pull in $60 million in its opening weekend? I’m happy that it’s getting so much exposure, but I’m just afraid that it’ll give Frank Miller so much Hollywood cachet that he’ll pursue a bigscreen version of Give Me Liberty.

Not just tan: Spartan

In keeping with my inner classics-geek of that previous post, here’s Victor Davis Hanson on 300, the movie adaptation of Frank Miller’s comic book about the battle of Thermopylae:

[T]he impressionism of 300 is Hellenic in spirit: its buff bare chests are reminiscent of the heroic nudity of warriors on Attic vase paintings. Even in its surrealism — a rhinoceros, futuristic swords, and an effeminate, Mr. Clean-esque Xerxes (Rodrigo Santoro) who gets his ear flicked by a Spartan spear cast — it is not all that different from some of Euripides’ wilder takes, like Helen or Iphigeneia at Taurus, in their strange deviation from the party line of the Homeric epics. Like the highly formalist Attic tragedy — with its set length, three actors, music, iambic and choral meters, and so forth — 300 consciously abandons realist portrayal.

I don’t remember a ton of the comic book. The one time I read it, I was at a friend’s house in Auckland, NZ, trying desperately to stay awake till nightfall, so as not to get wrecked by jetlag. Fortunately, he was one of the greatest cartoonists in the antipodes, and had a room full of comics that I hadn’t read.

And, yes, I’m thinking of catching 300 at the local IMAX. Sue me.

(Here are some terrible pix from the premiere.)

Giving old meaning to “homecoming”

Lately, I’ve been rediscovering my inner classics-geek. I guess it might be obvious from the contents of this blog, between those Monday Morning Montaigne snippets and my return to the Iliad.

During the weekend, I opened up the Poetics so I could try to make a smartass point about Alcestis & Admetus (for That Thing I’m Trying To Write). I never had a productive time with Aristotle, but I’m trying to convince myself that this was partly because of the tiny typesetting of the Penguin editions I used to read.

Last night, I got a brochure in the mail from my graduate school, the inestimably important (to me) St. John’s College. The college is launching a continuing education program for alumni, consisting of weekend (or slightly longer) sessions on some of the great books.

The first offering, Aristotle & Aquinas on the Unity of Intellect, didn’t appeal to me too much, but the second one, a 4-day session in June on the Odyssey, made me wince and got the wheels turning in my head: “Hmm. . . if I get ahead on my Top Pharma Companies report a bit, I can afford to head down to Annapolis Thursday morning and get home Sunday night. . .”

I saved the flyer. This morning, when I looked it over, I noticed something strange. See, this being St. John’s, the program is named after the port where Socrates and his buddies had the conversation that comprises The Republic. It’s a typically intelligent gesture for a place that New York magazine once called “a school for hyperliterate misfits.”

That said, the school is referring to the program as “Pireaus”, and that’s what struck me as odd. I had to run downstairs to my library to check that I wasn’t misremembering, but as far as I can tell, it’s supposed to be “Piraeus”, not “Pireaus”. That’s how Bloom has it, and that’s how Jowett has it. Unfortunately, I can’t find my Greek/English lexicon down there (I’ve got a ton of books, okay? And, yes, I do own a Greek/English lexicon), and don’t have a Greek version of The Republic around.

So, can anyone (that means you, brother) get me a ruling on why they’re called it Pireaus?

(Now if I can just make an early start on those Top Company reports. . .)

Monday Morning Montaigne

This week’s Montaine passage comes from On the Education of Children, which was written to Madame Diane De Foix, Comtesse De Gurson, who was expecting the birth of her first son. How do we know it’s a son? Well, “[You] are too noble-spirited to begin otherwise than with a male,” Michel tells us.

Montaigne uses the occasion of this essay to praise the merits of a liberal arts education. I wish I had it on hand to explain my master’s degree to people. He’s telling us to learn how to think, and how to be curious (and also how to inure ourselves to torture in case we end up in the clutches of an Inquisition). In this passage, we find that it’s not so important to quote the great thinkers (which Montaigne still does a bunch) as it is to understand how they thought:

Let the tutor make his charge pass everything through a sieve and lodge nothing in his head on mere authority and trust: let not Aristotle’s principles be principles to him any more than those of the Stoics or the Epicureans. Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured.

“For doubting pleases me no less than knowing,” says Dante. For if he embraces Xenophon’s and Plato’s opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. “We are not under a king; let each one claim his own freedom.” [Seneca] Let him know that he knows, at least. He must imbibe their ways of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I understand and see it in the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all theirs; it is no longer thyme or marjoram. Even so with the pieces borrowed from others; he will transform and blend them to make a work that is all his own, to wit, his judgment. His education, work, and study aim only at forming this.

Let him hide all the help he had, and show only what he has made of it. The pillages, the borrowers, parade their buildings, their purchases, not what they get from others. You do not see the gratuities of a member of Parliament, you see the alliances he has gained and honors for his children. No one makes public his receipts; everyone makes public his acquisitions.

The gain from our study is to have become better and wiser by it.

Oh, and Montaigne also offers up some advice for tutors, in the off chance this liberal education doesn’t take:

If this pupil happens to be of such an odd disposition that he would rather listen to some idle story than to the account of a fine voyage or a wise conversation when he hears one; if, at the sound of a drum that calls the youthful ardor of his companions to arms, he turns asideto another that invites him to the tricks of the jugglers; if, by his own preference, he does not find it more pleasant sweet to return dusty and victorious from a combat than from tennis or a ball with the prize for that exercise, I see no other remedy than for his tutor to strangle him early, if there are no witnesses, or apprentice him to a pastry cook in some good town, even though he were the son of a duke.

Major, Burns!

Charles Burns, one of the finest cartoonists currently practicing the craft, recently released a book of “paired photographs” called One Eye. Chris Ware, another of the finest cartoonists around, wrote about Burns and the photos at Virginia Quarterly Review. Some of the photos are in the article, and they’re gorgeous, so check it out.

Mental Health Day

Amy & I had a good time in Seattle. I was much more of a tourist than I was in my first two trips there. We spent plenty of time downtown during this trip, and I barely recall seeing any of that in 2001 or 2002, when I spent more time in neighborhoods, dive bars, and the offices of comics publishers.

If you rolled through my pix already, then you saw that we went up the Space Needle, meandered around the EMP, and took a million snaps in and around the Rem Koolhaas-designed Public Library. Before we got to all that, though, we made time for friends.

We had lunch Thursday with the Brooding Persian, who left Teheran for Seattle a while back. As you may or may not recall (thank gosh for hyperlinks), he went through a pretty rough stretch of mental illness last year. It turns out that he suffers from bipolar disorder, but also had other disorders, stemming from an autoimmune disease that was ravaging his mind. With medication and therapy, he feels that his condition is “under control,” but that’s a far cry from being well. (He gives profuse thanks to you readers who offered suggestions for how best to get help.)

I hadn’t seen him in four years, but it seems that his experiences haven’t aged him outwardly. Inside, though, it’s another story. I wasn’t prepared for his intense, thoughtful pauses, nor for the quietness of his voice. I remember vociferous arguments with him in graduate school, good-spirited but finger-waggingly authoritative. The 2007 edition appeared much more wrapped up in his own thoughts, less certain. I chose to see that as pensiveness, rather than shatteredness or medicated-into-zombie-ness. It’s a tough distinction to make, but I felt there was plenty in him, just more reticence about letting it out.

And as lunch progressed, he started to unfold a bit, expressing stronger opinions about our world and his world. He explained to us that the most important lesson he learned from the last few years was the absolute fragility of human being. All of our will and our drive for self-definition, he said, can be short-circuited so easily (I paraphrase slightly).

At one point, he expressed nostalgia for the highs of his manic phases, in a manner similar to the way some addicts I’ve known pined for the early days of their drug use. Before, of course, It All Spun Out Of Control.

Over coffee, I asked him a question about his favorite book, which I brought with me on this trip. I asked, “How do you understand the role of the gods in the Iliad?”

It had been a few years since he read it, and he was afraid that gaps in his memory might undermine his response, but he talked confidently about the role of myth in explaining the natural world, of divinities that once expressed the deeper aspects of the mind (I was going to write “psyche” instead of “mind” just now, then realized that she was one of those divinities). We’re both more apprehensive about those passages in which the gods take an active, physical hand in matters, but we glossed over that part and talked instead about fate.

My friend told us about his initial autoimmune diagnosis in 1995, and how his doctor told him he had 10 years left in the world. He said that he lived with that death sentence, embracing life to the fullest, achieving many goals, including a meandering journey across the world. All accomplished, he moved back to Iran, ready to die in his homeland.

Except it didn’t happen. He took ill a number of times over the years, but kept recovering. After passing the decade-mark in relative good health, he found himself trying to figure out “what to do next.” He’s on 12 years now, and he’s still trying to figure that out now, as he pieces himself together.

In a sense, he’s been catching up with his own experiences, trying to recollect his life from the perspective of a non-manic personality. I can’t imagine the struggle that he’s gone through, nor where he goes from here.

As I continue my way through the Iliad, his condition puts me in mind of Achilleus on the beach. As the Achaians implore him to accept Agamemnon’s apology and gifts and return to war, he explains that he knows his fate — or, more accurately, his fates. He knows that he can return to combat, where he will achieve eternal glory, but be killed before the end of the war, or he can pack up and head home to Phthia, achieve less glory, but have a long life.

I think about my friend, and how his sentence was repealed (“postponed”, of course), and wonder how Achilleus would have handled such a situation. Imagine getting to the end of the war, and finding that, your divine mother’s prophecies to the contrary, you were still alive and heading home. What could there be to do after?

The Brooding Persian hasn’t led as eventful a life as Achilleus, but he’s been through plenty over the years, including the Iranian Revolution, madness, and having to deal with the likes of me in seminar.

I was happy to see him, but sad that I couldn’t offer anything beyond my friendship. An older student — well, 7 years older than I am — he had a much more distinct mind than many of our younger friends when we were in Annapolis. He seems almost veiled now, as if his silences, his ineffabilities, are a mist about his head.

Which didn’t stop me from having Amy snap a pic of us outside the restaurant:

And that was lunch. Dinner promised raw oysters and a reunion with my twin brother. Which is to say, more to come. . .

Random Seattle Stuff

Last night I remembered that, on my first trip to Seattle (August 2001), I almost decided to stay based solely on two factors: the summer weather here is gorgeous, and the sell Cherry Coke in 1-liter bottles.

On that first trip, it took me three days before I saw any black people. I’ve seen a bunch already this trip, even though the first black guy I saw that time, Sonics coach Nate McMillan, has moved on to Portland. Not sure if there’s been any demographic shift, or if the downtown area I’m staying in is more “urban” than the neighborhoods I generally hung out in on my other trips.

There’s a lot of construction downtown.

Ambien will help you get 7-8 hours of sleep even if you took a 5-hour nap earlier in the day.

That is all. We’re heading out soon to meet up with my buddy, the Brooding Persian, for lunch. Later, it’s on to the Flying Fish to drink and dine with a bunch of Amy’s friends, along with a cameo by another of my buddies from Annapolis.

I took a couple of pictures yesterday, but haven’t had time to process them and post, so you’ll have to wait on that. Our hotel’s kinda near the Space Needle, so I promise to get a bunch of pix of that and the EMP before long. And, of course, we’ll visit the co-located Science Fiction Museum and Hall of Fame, even though the balloting is totally driven by RBI totals. . .

Monday Morning Montaigne

Sorta undermining my whole Montaigne-project, but then bringing it back home, this passage is from On Pedantry:

In truth, the care and expense of our fathers aims only at furnishing our heads with knowledge; of judgment and virtue, little news. Exclaim to our people about a passer-by, “Oh, what a learned man!” and about another, “Oh, what a good man!” They will not fail to turn their eyes and respect toward the first. There should be a third exclamation: “Oh, what blockheads!” We are eager to inquire: “Does he know Greek or Latin? Does he write in verse or in prose?” But whether he has become better or wiser — which would be the main thing — that is left out. We should have asked who is better learned, not who is more learned.

We labor only to fill our memory, and leave the understanding and the conscience empty. Just as birds sometimes go in quest of grain, and carry it in their beak without tasting it to give a beakful to their little ones, so our pedants go pillaging knowledge in books and lodge it only on the end of their lips, in order merely to disgorge it and scatter it to the winds.

It is wonderful how appropriately this folly fits my case. Isn’t it the same thing, what I do in most of this composition? I go about cadging from books here and there the sayings that please me, not to keep them, for I have no storehouses, but to transport them into this one, in which, to tell the truth, they are no more mine than in their original place. We are, I believe, learned only with present knowledge, not with past, any more than with future.

Politics and the Turkish language

I busted out the Eco Chamber twice last weekend, to get to books I hadn’t previously given the time to. For the flight out to San Diego, I took Ella Minnow Pea off my shelf. I’d picked it up around 4 years ago, but never started it up. It seemed like a charming premise: it’s an epistolary novel about a small, independent nation off the Carolina coast starts banning letters from the alphabet. As the weeks go by, more letters get banned and thus the characters have to become more inventive in their correspondence. You’ll note, for instance, that I managed to go through this entire post without using the third-to-last letter of the alphabet. I think.

Unfortunately, I didn’t realize that the novel was even briefer than its 224 pages, since so many of the letters ended a few lines into a page, and several pages were devoted to brief single sentences. So I finished the book during the flight, along with the in-flight mag and its crossword puzzle. I enjoyed it, but now had to find another for the trip home.

During a Saturday morning shopping expedition — tied into my picking up a prescription for antibiotics to make sure I don’t get any weird infections from the cut in my finger — Amy & I stopped in at a Target. I decided to buy something from the Target book section, which I thought would be an interesting challenge.

I soon learned that it would be an uninteresting challenge. I was at a loss, facing either Barack Obama’s bio, or one of several “creative rewritings” of Pride & Prejudice. Or, of course, something by Dan Brown.

Then I noticed a face-out display with Orhan Pamuk’s new novel, Snow. I thought, “I have two Pamuk novels at home that I’ve never been able to get into, so it’s into the Eco Chamber with you, Orhan!”

I’ve read a little more than half of the book, and find it compelling despite itself, which is (I think) Pamuk’s intent. The novel is overwhelmingly political, taking place in a border city that’s torn between political Islam and military rule, and Pamuk’s choice of epigrams shows that he knows how weighed-down a novel can become by politicking. He manages to avoid it by (I think) representing the flaws in the various points of view, not championing anyone, and not giving credence to the “artists must be apolitical and free!” vibe that undercuts a lot of novels that attempt to deal with their time.

I’ll let you know if it holds up, but at this point it’s a knockout winner over the leaden, dreadful novel it reminded me of on the surface: Coetzee’s Elizabeth Costello.