Episode 461 – Matt Madden
Episode 434 – Karl Stevens
Virtual Memories Show 434:
Karl Stevens
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Cartoonist & illustrator Karl Stevens rejoins the show to celebrate his new book, Penny: A Graphic Memoir (Chronicle Books), in which Karl explores the inner life of his eponymous cat Penny. We get into the challenges of realistically drawing a tortoiseshell cat (and writing her existentialist thoughts), the book’s origins in his Village Voice strip, and how he avoided plenty of cartoon cat cliches while crafting a book that can appeal to non-comics readers. We also get into his new work adapting another writer’s script for a comic, the experiments he’s doing with different drawing styles, his productive pandemic, and how he’s trying to create book about his father’s Vietnam experience. And we talk about our respective running habits, the virtues of Transcendental Meditation, his learning curve with New Yorker comic submissions, and his deep-dive into back issues of Heavy Metal. Give it a listen! And go read Penny: A Graphic Memoir!
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!
About our Guest
Karl Stevens is a graphic novelist and painter whose comics have appeared regularly in the New Yorker, Village Voice (where Penny premiered), and Boston Phoenix. Stevens’ graphic novels include Whatever, The Lodger, Failure, and The Winner. He lives in Boston with his wife and their overlords cats, Penny and Pepper. His new book is Penny: A Graphic Memoir.
Follow Karl on Twitter and Instagram.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karl by someone else. It’s on my instagram.
Episode 393 – Betsy Bonner
Episode 349 – Peter Bagge
Episode 340 – Sylvia Nickerson
Episode 328 – Emily Nussbaum
Episode 269 – Michael Kupperman
Episode 239 – Pete Bagge and Mimi Pond
Episode 228 – Ellen Forney
Virtual Memories Show 228: Ellen Forney
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“Marbles was in many respects was the senior thesis in psychology that I never did as an undergrad.”
The great Seattle cartoonist Ellen Forney joins the show to talk about comics, civic art, being bipolar, and the challenges of maintaining! We get into her 2012 graphic memoir, Marbles: Mania, Depression, Michelangelo, and Me, finding a graphic representation of her depressive states, the evolution in her drawing style, the letter she stole from Michael Dougan, the process of going from comics panels to enormous murals for a light-rail station in Seattle, the influence of the Moosewood Cookbook, the importance of a psychology stats class she took in college, how she learned to teach comics, the moment when she felt she was using all her artistic tools, and why she needed Kaz to design her back-tattoo! Give it a listen! And go buy Marbles!
“Knowing statistics doesn’t prepare you for the experience of the person in front of you.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guest
Cartoonist Ellen Forney is the author of NYT bestseller Marbles: Mania, Depression, Michelangelo, and Me: A Graphic Memoir, and the 2012 “Genius Award” winner in Literature from Seattle’s The Stranger. She collaborated with Sherman Alexie on the National Book Award-winning novel The Absolutely True Diary of a Part-Time Indian, created the Eisner-nominated comic books I Love Led Zeppelin and Monkey Food: The Complete “I Was Seven in ’75” Collection, and has taught comics at Cornish College of the Arts since 2002. She grew up in Philadelphia and has lived in Seattle, Washington since 1989. Ellen swims and does yoga, and fixes things with rubber bands and paper clips.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Forney’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Promo photo of Ms. Forney by Jacob Peter Fennell. Back-at-her-desk photo of Ms. Forney by me. It’s on my instagram.