Virtual Memories Show 484:
Julie Phillips
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“When you have kids, you can find yourself really interested in writers and artists who leave their children. It’s not usually about wanting to leave your own children, but about wanting to have your old self back.
Author & biographer Julie Phillips joins the show to celebrate her amazing new book, The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem (WW Norton). We get into the tensions of being a mother & having a life in the arts and how that mirrors the Hero’s Journey, the definitions of motherhood and how women’s roles changed in the 20th century (and what’s different (and not) in the 21st century), how she chose the mother/artists she focused on in the book, like Alice Neel, Ursula K. Le Guin, and Angela Carter, and the challenges of writing about African-American subjects like Audre Lorde and Alice Walker. We also talk about what it means to consider motherhood as interrupted consciousness, which artist/mother she came to love more than she expected & which one frustrated her the most, how her bio of James Tiptree/Alice Sheldon led to her next book, a biography of Ursula K. Le Guin, why motherhood gets short shrift from most areas of theory, and more. Give it a listen! And go read The Baby on the Fire Escape!
“Motherhood had taken up such a large place in all my subjects’ hearts and their souls and their selves and their daily lives. They all felt lost for a while. They all had the search.”
“As soon as you tell the story of someone’s life, then you can imagine your own life having a story. If you tell a maternal life-story, then you can believe that there is a maternal life-story.”
Enjoy the conversation! Then check out the archives for more great episodes!
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About our Guest
Julie Phillips is the National Book Critics Circle Award-winning author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon and The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem. A biographer and critic fascinated by questions of gender and creative work, she has written for many publications including 4Columns, LitHub, and The New Yorker. The recipient of a Whiting Creative Nonfiction Grant, she lives in Amsterdam with her partner and their two children. She’s working on a biography of Ursula K. Le Guin.
Follow Julie on Twitter and Instagram.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone
(published by William Morrow, an imprint of Harper Collins). Lori’s one of my all-time favorite musicians, so the conversation also covers her singer-songwriter career and her time with the Golden Palominos, where she recorded two phenomenal albums, 
and 
. It’s a really fun talk about the blurring of fact and fiction, the differences between songwriting and prose-writing (and album vs. book launches), how the music industry changed over the course of her career, her favorite authors and the books that sustained her through her first novel, why she made this life-jump from music to books, and more!
Lori Carson
, 
, 
, 
and 
. A former member of the seminal band 
, Kathryn Bigelow’s 
, Keith Gordon’s 
, and others. 
, feeding into a 
. I recorded the intro and outro on a 
into Audacity. All editing and processing was done in Garage Band. Photo by Lauren Cook (thanks, Lauren!). There are a few more pix of us up at the