“You would be surprised at the level of craziness and hostility that exists in the literary world if you share a different opinion than somebody.”
Last week’s guest was quintessential bookman Michael Dirda, and this time around we have Jessa Crispin, founder of Bookslut! Ms. Crispin recently stepped down from blogging at Bookslut after a 12-year run, which is like 500 years in internet-time. We talked about that decision, the advice she’d give her 23-year-old self, the downsides of learning to write online, why lack of ambition was key to Bookslut’s success, her take on the state of book reviewing, her upcoming book, The Dead Ladies Project (2015, from University of Chicago Press), how she learned to love Henry James while nursing a breakup, and more!
“It’s been my experience that in your hour of need, the book that you need to read will find you.”
We also discuss how she escaped the Outrage Machine by moving to Berlin, how she pared her library down to 17 books, why joining the National Book Critics Circle was her biggest mistake during the Bookslut era, why Belgrade was her least favorite city to visit, and why she’s more afraid of reading her blog archives than her old margin notes. Bonus: I accidentally mix up William Safire and William Buckley!
“It isn’t the case of ‘I’m only going to review the nice things’; it’s more the case that I can cultivate the world that I want to live in. I can invite people in rather than constantly defend the gates.”
About our Guest
Jessa Crispin is the editor and founder of the literary magazines Bookslut.com and Spoliamag.com. Her first book, The Dead Ladies Project, is forthcoming from the University of Chicago Press, fall 2015. Born in Kansas, she has lived in Texas, Ireland, Chicago, and Germany. She has written for many publications, some of which are still in business. Her personal library currently resides in Berlin.
Credits: This episode’s music is No More Words by Berlin (see, because Jessa isn’t writing any more blog posts for Bookslut and she moved to Berlin a while back, and — oh, never mind). The conversation was recorded at a housesit in Brooklyn on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Crispin by me.
“Restaurants follow the opposite direction of stories: they’re like finding a book of blank pages and trying to come up with something to fill the space. That’s not how it goes with stories.”
Charles Blackstone, managing editor of Bookslut, joins us to talk about his new novel, Vintage Attraction, out this week from Pegasus Books! We recorded in Chicago last April, so he wasn’t in full book-publicity mode, and I hadn’t read the book. Instead, our conversation veers all over the place, covering his descent into post-grad career madness, the problems with getting mired in literary theory, what he does at Bookslut, how he deals with the sheer volume of books published every day, Chicago’s restaurant culture, the similarities between deconstruction and molecular gastronomy, and how to master the party-throwing art of taking a guest’s coat while handing them a beverage.
But we really do talk about Vintage Attraction (which has great blurbs from Jay McInerney and Gary Shteyngart)! I promise!
About our Guest
Charles Blackstone is the managing editor of Bookslut, as well as the co-editor of the literary anthology The Art of Friction: Where (Non)Fictions Come Together (University of Texas Press, 2008) and the author of the novel, The Week You Weren’t Here (Dzanc and Low Fidelity Press, 2005). His short fiction has appeared in Esquire‘s Napkin Fiction Project (the piece was also selected for the &NOW Awards: The Best Innovative Fiction anthology), Lewis University’s Jet Fuel Review, and the University of Maine’s Stolen Island. His short plays have been produced by Victory Gardens and Lifeline Theaters. He is married to Master Sommelier and television personality Alpana Singh. He currently is a ghostwriter, coach, and editor for clients at all stages of the publication process in private practice. He and his wife live with their pug, Haruki Murakami, in downtown Chicago. His new novel is Vintage Attraction.
Credits: This episode’s music is Graceless by The National. The conversation was recorded at the Hyatt Regency in Chicago on a pair of AT2020 cardioid condenser mics feeding into a Zoom H4n recorder. The intro and outro were recorded in the InterCity Hotel in Frankfurt on a Samson Meteor USB Studio mic. File-splitting was done in Audacity and all editing and processing was done in Garage Band on a Macbook Air. Photo of Charles Blackstone by me.