“Zweig was immersed in the problem of the disjunction between our grand desires for the kind of life we dream we should be living and the actual circumscribed canvas on which we must operate.”
At his peak, Viennese author Stefan Zweig was one of the most widely read authors in the world. How did he and his wife end up in a double-suicide in a bungalow in Petropolis, Brazil? George Prochnik joins us to talk about his new biography, The Impossible Exile: Stefan Zweig at the End of the World (Other Press). We discuss the arc of Zweig’s exile, why Zweig remains important to our age (both in his writing and in his character), how he lost his belief in the power of bildung, the fleetingness of fame and the accident of survival, the role of education in changing political dynamics, the contemporary revival of Viennese culture, the reason why Zweig fled New York City, and more!
“I think he felt that the more we have to produce official documents to indicate who we are, the more we are reduced to that strip of paper.”
We also talk about our respective introductions to Zweig’s work, the ways that his final novella may be an allegory for Vienna, the danger of looking for clues to Zweig’s suicide in his writing, and how he may have been the inspiration for Woody Allen’s Zelig. Give it a listen! Go pick up a copy of The Impossible Exile: Stefan Zweig at the End of the World! And check out my Zweig-shelf!
About our Guest
George Prochnik’s essays, poetry, and fiction have appeared in numerous journals. He has taught English and American literature at Hebrew University in Jerusalem, is editor-at-large for Cabinet magazine, and is also the author of In Pursuit of Silence: Listening for Meaning in a World of Noise and Putnam Camp: Sigmund Freud, James Jackson Putnam and the Purpose of American Psychology. He lives in New York City.
Credits: This episode’s music is Brazil by The Coasters. The conversation was recorded at Mr. Prochnik’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Prochnik by me.
Today’s episode of The Virtual Memories Show is a little offbeat, but I have faith in you, dear listener!
I take something that seems obscure, and it leads you to somewhere that is not where you expect.
First, philosopher, musicologist, clarinetist and author David Rothenberg joins us to talk about his new book, Bug Music: How Insects Gave Us Rhythm and Noise, and its accompanying CD. It’s a fun conversation about rhythms and meta-rhythms, 17-year cicadas, David’s lifetime of music, the joy of bringing different people’s worlds together, how aesthetic preference sorta trumps survival of the fittest. the development of bugstep, and the secret to finding a rewarding job teaching the humanities. (And, really, you should listen just to find out that secret.)
These points in your life, you often wonder what would have happened if you’d taken the other course. I could’ve gone into theology or some bloody thing. Instead I wound up in science and I’m atheist now.
Then (around the 43:00 mark), we have a conversation with Clive Bennett, the CEO of Halo Pharma, a pharmaceutical contract manufacturing organization. I met Clive through my day job, and found him so delightfully literate, discursive and thoughtful that I asked him to record a segment on the podcast. Once I had him cornered, I asked him why he’d gone into the sciences, given his artistic, historical, musical and literary interests. (Really, I think it was just a condemnation of myself for not doing more with my time.) He decided to bring his Kindle along to reveal what he’s reading and why (and reveal himself in the process). It’s two men talking about the choices we make and those that are made for us.
About our Guests
Philosopher and jazz musician David Rothenberg is professor of philosophy and music at the New Jersey Institute of Technology and the author of Bug Music, Survival of the Beautiful, Why Birds Sing, and Thousand-Mile Song. He is also a composer and jazz clarinetist, and he has nine CDs out under his own name, including On the Cliffs of the Heart, named one of the top ten CDs by Jazziz Magazine in 1995. He lives in the Hudson Valley, New York.
Clive Bennett has been CEO and president of Halo Pharma since 2008. He’s spent 40 years in the pharma industry, including 23 years at Hoechst Marion Roussel (now sanofi), as well as Fisons Limited, Evolutec, and Patheon. He’s also a voracious reader, history buff, opera-goer, and a lot of other things that don’t go on a CV.
Credits: This episode’s music is Katydid Prehistory by David Rothenberg. The conversation with David Rothenberg was recorded at his childhood home in Westport, CT on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. The conversation with Clive Bennett was recorded at his office in Whippany, NJ on the same equipment. The intro and outdo were recorded in my home office on a Blue Yeti USB microphone. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Photo of David playing with cicadas by Charles Lindsay. Photo of Clive & me by Sally Langa.
Back-to-back episodes of The Virtual Memories Show! Who’d a’ thunk it?
Around Memorial Day, I took a little vacation to my alma mater, St. John’s College, for a seminar on Flannery O’Connor, and got to interview two of my favorite tutors: David Townsend and Tom May. Because they both had so much to talk about, I decided to split this month’s show into two parts.
This episode contains my conversation with Tom May, the first St. John’s tutor I ever met (that’s him, conducting the freshmen chorus, above). I find Mr. May — sorry, but I can’t get over those Johnnie traditions — fascinating and intensely thoughtful, and I was glad to learn some of his history, how he’s seen the college change during his three decades-plus as a tutor, how we should never read a book for the first time, and and he had to get a note from his priest to read books from the Vatican’s Index Librorum Prohibitorum.
It all makes sense here:
If you’re interested in seeing some of Annapolis, check out my photoset from that trip:
Credits: This episode’s music is Steely Dan’s Here at the Western World. I recorded the intro on a Blue Yeti mic, and the conversation with was recorded on a pair of Blue Encore 100 mics, feeding into a Zoom H4N recorder. (Also, there’s a Flannery O’Connor pun that I won’t bother to explain.)