Cartoonist & illustrator Karl Stevens rejoins the show to celebrate his new book, Penny: A Graphic Memoir (Chronicle Books), in which Karl explores the inner life of his eponymous cat Penny. We get into the challenges of realistically drawing a tortoiseshell cat (and writing her existentialist thoughts), the book’s origins in his Village Voice strip, and how he avoided plenty of cartoon cat cliches while crafting a book that can appeal to non-comics readers. We also get into his new work adapting another writer’s script for a comic, the experiments he’s doing with different drawing styles, his productive pandemic, and how he’s trying to create book about his father’s Vietnam experience. And we talk about our respective running habits, the virtues of Transcendental Meditation, his learning curve with New Yorker comic submissions, and his deep-dive into back issues of Heavy Metal. Give it a listen! And go read Penny: A Graphic Memoir!
About our Guest
Karl Stevens is a graphic novelist and painter whose comics have appeared regularly in the New Yorker, Village Voice (where Penny premiered), and Boston Phoenix. Stevens’ graphic novels include Whatever, The Lodger, Failure, and The Winner. He lives in Boston with his wife and their
overlords cats, Penny and Pepper. His new book is Penny: A Graphic Memoir.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karl by someone else. It’s on my instagram.
“What I’ve learned about storytelling is that you don’t know what the story’s about until you’re halfway through it. You might have your plot, but plot’s just the vehicle.”
Master tattooist and comics artist Graham Chaffee joins the show to talk about his new graphic noir, To Have & To Hold (Fantagraphics)! We get into the culture(s) of LA and why it’s the quintessential 20th century American city, the way the internet has changed the tattoo business, Graham’s history with comics, the difference between the story and the plot, his lengthy hiatus from making comics and what brought him back to it, the joys of drawing a good dog, the accidental portrayal of race in his comics, and the time he did a full-back tattoo portraying the dark night of Lisa Simpson’s soul! Give it a listen! And go buy To Have And To Hold (along with Graham’s other comics)! And visit his tattoo shop, Purple Panther Tattoo, when you’re in LA!
“I think the dirty, old, crappy version of things was organic, and the newer, cleaner version is manufactured.”
About our Guest
Graham Chaffee is a professional tattoo artist and cartoonist. His previous books are The Big Wheels (1993), The Most Important Thing and Other Stories (1995), and Good Dog (2013). He lives and works in Los Angeles. You can find him on instagram at graham_chaffee
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Purple Panther Tattoos on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Graham by me. They’re on my instagram.