“I think of a collector as a gardener, rather than someone who just buys books. Like gardeners, they do a lot of murdering. They cull books.”
It’s another Readercon episode! First, Liz Hand rejoins the show for a little conversation about what she’s been reading lately (it’s some creepy stuff, of course), the regenerative aspects of Readercon, why the novella is ideal for dark/spooky fiction, and whether the attendee wearing an ASIA t-shirt is doing so ironically. Then John Clute talks about the ruins of futurity and the launch of the Clute Science Fiction Library at Telluride Institute. We get into the need for visual presentation and accessibility of original books in their context (including dust jackets), his transition from book accumulator to collector, the externalization of one’s mind into one’s library, why he doesn’t write fiction, the Easter eggs he sneaks into the Science Fiction Encyclopedia, why Galaxy Quest is the best Star Trek movie (except for Wrath of Khan), reaching a uniform degree of incompletion, generational shifts in SF/F, and the sneaky adoption of Fantastika. Give it a listen! And go buy Liz Hand’s new collection, Fire., and her Cass Neary novels: Generation Loss, Available Dark, and Hard Light!
“Most scholars, academic institutions, libraries are not interested in context. In that sense, the Science Fiction Library at Telluride is transgressive.”
About our Guests
Elizabeth Hand flunked out of college a couple of years after seeing Patti Smith perform and became involved in the nascent punk scenes in DC and New York. From 1979 to 1986 she worked at the Smithsonian’s National Air and Space Museum. She was eventually readmitted to university to study cultural anthropology and received her BA. She is the author of many novels, including The Winterlong Trilogy, Waking the Moon, Glimmering, Mortal Love, Illyria, and Radiant Days, and the Cass Neary novels, Generation Loss, Available Dark, and Hard Light, as well as three collections of stories, including Saffron and Brimstone. Her fiction has received the Nebula, World Fantasy, Mythopoeic, Tiptree, and International Horror Guild Awards, and her novels have been chosen as notable books by both The New York Times and The Washington Post. She has also been awarded a Maine Arts Commission Fellowship. A regular contributor to The Washington Post Book World and the Magazine of Fantasy and Science Fiction, she lives with her family on the coast of Maine.
John Clute is a multiple Hugo Award and World Fantasy Award winner and Visiting Fellow at Anglia Ruskin University in Cambridge, England. He is perhaps best known for his editorship, with David Langford, and others, of the Encyclopedia of Science Fiction (sf-encyclopedia.com). As an illustrious and prolific reviewer and essayist, he has profoundly influenced science fiction writing in his time.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Marriott in Quincy, MA during Readercon on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Liz Hand and John Clute in the Soundcloud by Scott Edelman; not sure who the other/younger one is by. Either way, they’re not on my instagram.
“There’s no way to write about millennials without adopting a comic tone.”
I get over my insecurity about younger authors and talk with Tony Tulathmiutte about his debut novel, Private Citizens! We discuss his critique of the idea of voice-of-a-generation novels, the heavy and weird expectations of being an Asian-American writer, the impossibility of satire, what he got out of his years working in Silicon Valley, writing good bad sex scenes, and his discovery that Jonathan Franzen thinks he uses “overly interesting verbs”. Give it a listen! And go buy Private Citizens!
“I don’t think of writing as a therapeutic activity. It’s more like exhibitionist wallowing.”
“It’s not fair to castigate David Foster Wallace for the purposes to which other people put his writing.”
About our Guest
From tonytula.com: “I’ve written for The New York Times, VICE, The New Yorker, The Atlantic, The New Republic, N+1, Playboy, The Paris Review, and elsewhere. I come from the Pioneer Valley in the Bay State, and used to work in Silicon Valley in the Bay Area. For some reason I’ve received an O. Henry Award and a MacDowell Fellowship, and I appeared as a guest on Late Night with Seth Meyers. I work in New York.” His new novel is Private Citizens.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Tony’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Tulathimutte by me. It’s on my instagram.
It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2016’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2017! More than 30 responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Hanukkah and/or Christmas purchases, The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!
This year’s Guest List episode features selections from more than 30 of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.
(painting of Scribners bookstore by Bob Eckstein from his new book, Footnotes from the World’s Greatest Bookstores: True Tales and Lost Moments from Book Buyers, Booksellers, and Book Lovers)
About our Guests
The guests who participated in this year’s Guest List are Glen Baxter, Ross Benjamin, Harold Bloom, MK Brown, Nina Bunjevac, Hayley Campbell, David M. Carr, Myke Cole, Liza Donnelly, Bob Eckstein, Glynnis Fawkes, Rachel Hadas, Liz Hand, Glenn Head, Virginia Heffernan, Harry Katz, Ed Koren, David Leopold, Arthur Lubow, Michael Maslin, David Mikics, Ben Model, Christopher Nelson, Jim Ottaviani, Ann Patty, Burton Pike, Frank Sorce, Willard Spiegelman, Leslie Stein, Tom Tomorrow (a.k.a. Dan Perkins), Andrea Tsurumi, Carol Tyler, Jim Woodring, and me, Gil Roth! Check out their episodes at our archives!
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. Most of the episode was recorded on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Myke Cole’s segment was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. All processing and editing done in Adobe Audition CC.
“These days, we tend to think of identity as something chosen; we put on certain masks or we identify as this or that, culturally, ethnically or politically. Bellow is interested in something much more basic: who we really are.”
David Mikics joins the show to talk about his wonderful new book, Bellow’s People: How Saul Bellow Made Life Into Art (Norton). We get into Bellow’s legacy, his fall from academic favor, his transmutations of life into art, David’s humorously accidental introduction to his work, what Jewishness meant to Bellow, whether Philip Roth was right when he told Bruce Jay Friedman, “Saul Bellow am de daddy of us all,” and more! Give it a listen! And go buy Bellow’s People: How Saul Bellow Made Life Into Art.
“Bellow once said that the reason writers had such messy personal lives is because they didn’t know what to do with the afternoon.”
We also talk about David’s experience as a professor, why writing is harder for today’s students, what it’s like to teach course called, “Is Life Worth Living?” and “The Human Situation”, which science fiction novels warped him as a youth, why we need Slow Reading in a Hurried Age, what contemporary books look like they’ll last, and why he eventually came around on Faulkner. Go listen!
“Canonicity is not where you find it, but where you make it.”
- Rachel Hadas (2014 and 2016)
- Bruce Jay Friedman
- Jules Feiffer
- Harold Bloom
- Langdon Hammer
- Edward Mendelson
- Willard Spiegelman
About our Guest
David Mikics grew up in Carteret, New Jersey and Atlanta. He went to college at NYU and earned a Ph.D. at Yale. He lives in Brooklyn with his wife Victoria and son Ariel, and teaches every year at the University of Houston, where he is John and Rebecca Moores Professor of English. He is the author of six books, including Slow Reading in a Hurried Age (Belknap/Harvard) and Bellow’s People: How Saul Bellow Made Life Into Art (Norton), and is a columnist at Tablet magazine.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at David’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. Intro was recorded on the same setup. Photo of Mr. Mikics by me.
“When you translate, you are digging into not so much the psyche of the author but the psyche of the author’s use of language.”
Translator and emeritus literature professor Burton Pike joins the show to talk about his lifetime in the arts, the musicality and rhythm of language, the experience of translating early Proust, whether national literature departments are an outdated concept, the peculiarities of various Swiss ethnicities, how his dream project — Musil’s The Man Without Qualities — fell into his lap, and more! Give it a listen!
“The Man Without Qualities is written not from a literary but a scientific point of view. It’s predicated on the fact that everything changes and nothing stays stable. And of course that includes this novel itself.”
We also talk about the joys of hitchhiking across Europe in the ’50s, the reasons he came to New York and the reasons he stays, the disappearance of high German culture — Goethe, Schilling, et al. — from postwar Germany, the problems with Moncrieff’s fruity translation of Proust, his objection to calling Die Verwandlung The Metamorphosis, and more! Go listen!
“When a German is in sight, Swiss Germans revert to their native patois, because they’re horrified that they’ll be taken for German. The French look down on French Swiss and Belgians, of course, because they’re not French. The Swiss French, their faces are glued to the window pane of France. And the Italian Swiss? They’re perfectly happy and at home and have no problem.”
Also, if you want to find out who Burton is reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who he’s reading and why.
- Anthea Bell
- Ross Benjamin
- Christopher Kloeble
- Timur Vermes, Gavriel Rosenfeld and Liesl Schillinger
- Harold Bloom
- Willard Spiegelman
About our Guest
Burton Pike is professor emeritus of comparative literature and Germanic languages and literature at the CUNY Graduate Center. He did his undergraduate studies at Haverford College and received his PhD from Harvard University. He has taught at the University of Hamburg, Cornell University, and Queens College and Hunter College of the City University of New York. He has also been a Visiting Professor at Yale University. He is a recipient of a Guggenheim Fellowship, a fellowship from the American Council of Learned Societies, and a Fulbright fellowship. He was awarded the Medal of Merit by the City of Klagenfurt, Austria, for his work on Robert Musil. Finalist and special citation, PEN/Book-of-the-Month Club Translation Prize for editing and co-translating Robert Musil’s The Man Without Qualities. He is the winner of the 2012 Helen and Kurt Wolff Translator’s Prize for Gerhard Meier’s Isle of the Dead.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Professor Pike’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. Photo of Mr. Head by me.