Tag Henry James

Podcast: Readercon 2013 – Monsters, Memories and Mythmaking

The Three Graces on The Virtual Memories Show

Virtual Memories – season 3 episode 16 – Readercon – Monsters, Memories and Mythmaking

“Readercon focuses on the literature. And the people who come here are really smart. They take science fiction and fantasy seriously as literature. It’s always interesting to be on panels. It’s also a real community, so I can talk with writers, small presses, editors. Beyond that, it’s really a good scene socially.”

–Theodora Goss

It’s time part two of our Readercon 2013 mega-podcast! I visited the 24th annual Readercon conference on literary fantasy & science fiction in Burlington, MA in July, and recorded five interviews in one day! Readercon has great panels and programming, a fine booksellers’ hall, and lots of fun conversation; if you’re into the “literature of the fantastic,” you really should make a point of attending this event next year.

First, Theodora Goss talks about her new accordion-shaped novella, The Thorn and the Blossom, what writing contracts taught her about writing stories, why most classic literary monsters were female, and the joys of coffee in Budapest. Then (52:00), Valya Dudycz Lupescu explores the joys of Growing Up Ukrainian in Chicago, the role of folklore and myths in her fiction, and how every immigrant wave has to choose what it holds onto when it lands in America. Finally (1:15:00), Nancy Hightower tells us why she gave up Colorado for NYC, how she made the transition from teaching the grotesque to writing epic eco-fantasy, and how we learn the cost of wilderness.

Enjoy the conversations! And check out the archives for more great episodes!

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About our Guests

Theodora Goss was born in Hungary and spent her childhood in various European countries before her family moved to the United States. Although she grew up on the classics of English literature, her writing has been influenced by an Eastern European literary tradition in which the boundaries between realism and the fantastic are often ambiguous. Her publications include the short story collection In The Forest Of Forgetting (2006); Interfictions (2007), a short story anthology coedited with Delia Sherman; Voices from Fairyland (2008), a poetry anthology with critical essays and a selection of her own poems; and The Thorn and the Blossom (2012), a novella in a two-sided accordion format. She has been a finalist for the Nebula, Locus, Crawford, and Mythopoeic Awards, as well as on the Tiptree Award Honor List, and has won the World Fantasy Award. Check out her website, tumblr, Facebook page and twitter feed for more.

Valya Dudyz Lupescu is a writer and the founding editor of the literary magazine, Conclave: A Journal of Character. Born and raised in Chicago, she received her degree in English at DePaul University, studying with Richard Jones, Maureen Seaton, and Anne Calcagno. She earned her MFA in Writing as part of the inaugural class at the School of the Art Institute of Chicago, where she studied under Michael D. Collins, James McManus, M. Evelina Galang, Rosellen Brown, and Carol Anshaw. Since receiving her MFA, Valya has worked as a college professor, obituary writer, content manager, goth cocktail waitress, internal communications specialist, and co-producer of the independent feature film, The Secret. She teaches workshops around the city and online, and  helps to facilitate a monthly gathering of writers and artists in Chicago called the Chicago Creative Cooperative (“the Coop”). Her historical novel, The Silence of Trees, was published in 2010 (Wolfsword Press) in hardcover, paperback, ebook, and audiobook (2012, Iambik Audio). She has also been published in various journals, including Sentence, The Pedestal Magazine, and Doorknobs & Bodypaint. She is currently an Artist-in-Residence at the historic Cliff Dwellers Club and at the Everleigh Club in Chicago. Check out her website, tumblr, Facebook page and twitter feed for more.

Nancy Hightower is a speculative fiction author and poet, as well as an art critic who writes for Weird Fiction Review. Her debut epic fantasy novel, Elementarí Rising, will be published in September 2013 with Pink Narcissus Press. She has co-authored, along with Carrie Ann Baade, the Cute and Creepy exhibition catalogue, an art book of contemporary macabre and surrealist works. She reviews books for Fantasy Matters and interviews writers such as China Miéville and Neil Gaiman for DJ Spooky’s Origin Magazine (interviews can be read online here). She has a Ph.D. in literature from the University of Denver, and previously taught the rhetorics of the fantastic, uncanny, and grotesque in art and literature at the University of Colorado. Her short fiction and poetry has appeared in Up the Staircase, Word Riot, Strange Horizons, Neon, Bourbon Penn, Prick of the Spindle, Liquid Imagination, Corvus, Red Fez, Prime Number Magazine, The New York Quarterly, storySouth, and Dense Macabre, among others. She now resides in New York City. Check out her website, Facebook page and twitter feed for more.

Credits: This episode’s music is Budapest by Blimp by Thomas Dolby. All conversations were recorded in a room at the Burlington Marriott on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. I recorded the intro and outro on a Blue Yeti into my Mac Mini, at my Ikeahack standing desk. File-splitting is done on a Mac Mini using Audacity and all editing and processing was done in Garage Band. Photo by me.

Podcast: Sound Before Story

Virtual Memories – season 3 episode 5 – Sound Before Story

To celebrate the publication of Middle C, the new novel by literary legend William Gass, I sat down with writer Greg Gerke, who interviewed Gass for Tin House literary magazine. We talked about Gass’ position in the postmodern literary tradition (as it were), what Greg learned over the course of reading much of Gass’ writings and interviewing The Great Man, what it’s like to construct a literary monument to horror, which authors Greg discovered through Gass’ essays over the years, how you can’t judge a man by his (roommate’s) bookshelf, why Gass holds self-publishing in disdain, and how one can build a powerful literary career by putting Sound Before Story.

Enjoy the conversation! Then check out our archives for more great talks! And buy the issue of Tin House with Greg’s interview with Gass, while you’re at it!

Greg Gerke on The Virtual Memories Show

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About our Guest

Greg Gerke‘s fiction and non-fiction have appeared in Tin House, The Kenyon Review Online, Denver Quarterly, and Mississippi Review. He’s the author of the short story collection, There’s Something Wrong with Sven. You can read his work and find links to his criticism at greggerke.com and Big Other.

Credits: This episode’s music is Life’s a Gas by T-Rex. The conversation was recorded at Greg Gerke’s apartment in New York City, on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Samson Meteor Mic USB Studio Microphone into Audacity. All editing and processing was done in Garage Band.

Podcast: The Magnificent Seven

Virtual Memories – season 3 episode 2 – The Magnificent Seven

Reading, walking, looking, dancing, listening, swimming, and writing: these are the activities organizing the life of this episode’s guest, Willard Spiegelman, author of Seven Pleasures: Essays on Ordinary Happiness! We talk about his wonderful book (go read it!), his addiction to ballroom dancing, how to find joy in the day-to-day world, why he hates book clubs, what Dallas, TX is like for a secular Philadelphia Jew, how he turned me on to one of my favorite novels, who his Desert Island Poets are, how he writes about the visual arts, why the world’s great novels are lost on the young, and what it was like to attend his 50th high school reunion. (Also, Harold Bloom crops up yet again; I really gotta try to get him on the show sometime. Boy, talk about the anxiety of influence . . .)

One of the best things about doing this podcast is that I get to meet some wonderful people. In this case, meeting with Willard over two afternoons (story to come) was like making a new old friend.

Enjoy the conversation! Then check out the archives for more!

Willard Spiegelman on The Virtual Memories Show

About our Guest

Willard Spiegelman is the Hughes Professor of English at Southern Methodist University. He also serves as editor-in-chief of Southwest Review, the third oldest continuously published literary quarterly in America. In 2005, Willard won the PEN/Nora Magid award for literary editing. In addition to Seven Pleasures, he’s also written or edited How Poets See the World: The Art of Description in Contemporary Poetry, Wordsworth’s Heroes, Imaginative Transcripts: Selected Literary Essays, Majestic Indolence: English Romantic Poetry and the Work of Art, The Didactic Muse: Scenes of Instruction in Contemporary American Poetry, and Love, Amy: The Selected Letters of Amy Clampitt. He writes about the arts for the Wall Street Journal. Oh, and he’s quite dapper.

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Credits: This episode’s music is This Charming Man by The Smiths. The conversation was recorded at Willard Spiegelman’s home in New York City, on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Blue Yeti USB mic into Audacity. All editing and processing was done in Garage Band.

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