“Time may have taught me things, but I don’t think I learned anything.”
Legendary cartoonist, illustrator, animator, ad-man, artist RO Blechman joins the show to talk about his work and life. We get into the importance of play, the development of his trademark squiggly line (and how he feels when he sees it in other people’s work), his literary upbringing, his News of the Weak series of painting/collages, why he counsels against going to art school, the fateful career decision that he rues 60+ years later, his Mad Men experience and what he learned about management from running his own animation studio, the mistake of turning down a Curious George movie, creating a fore-runner of the graphic novel, and being a 2-D character in a 3-D world. Give it a listen! And go buy all his books, including Dear James: Letters to a Young Illustrator, Amadeo & Maladeo: A Musical Duet, The Juggler of Our Lady, and Talking Lines!
“I really should have been a filmmaker. I really screwed up my life in a terrible way, because I had a chance to be a full-time filmmaker and I threw it away, and it just kills me.”
About our Guest
Born Oscar Robert Blechman in 1930, RO Blechman‘s internationally acclaimed artwork spans decades, mediums, and industries. He is one of the first contemporary cartoonists to pen a full-length graphic novel with The Juggler of Our Lady in 1953, which he published after graduating from Oberlin College. His illustrations and comic strips have graced magazines, anthologies, and newspapers. He has created more than a dozen New Yorker covers. Blechman is also an animated filmmaker, and at one time owned his own animation studio, The Ink Tank. He has been awarded the Gold Medal from the Cannes Film Festival, numerous Emmy Awards, and has been nominated for a BAFTA. In 2002, the Museum of Modern Art held a retrospective of his films. He is also in the Art Directors Hall of Fame, has been an Adweek Illustrator of the Year, and is the creator of many notable advertising campaigns. Blechman is married, has two sons, and lives in Ancram, NY.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Blechman’s farm on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Blechman and his wife by me. It’s on my instagram.
“These days, we tend to think of identity as something chosen; we put on certain masks or we identify as this or that, culturally, ethnically or politically. Bellow is interested in something much more basic: who we really are.”
David Mikics joins the show to talk about his wonderful new book, Bellow’s People: How Saul Bellow Made Life Into Art (Norton). We get into Bellow’s legacy, his fall from academic favor, his transmutations of life into art, David’s humorously accidental introduction to his work, what Jewishness meant to Bellow, whether Philip Roth was right when he told Bruce Jay Friedman, “Saul Bellow am de daddy of us all,” and more! Give it a listen! And go read Bellow’s People: How Saul Bellow Made Life Into Art.
“Bellow once said that the reason writers had such messy personal lives is because they didn’t know what to do with the afternoon.”
We also talk about David’s experience as a professor, why writing is harder for today’s students, what it’s like to teach course called, “Is Life Worth Living?” and “The Human Situation”, which science fiction novels warped him as a youth, why we need Slow Reading in a Hurried Age, what contemporary books look like they’ll last, and why he eventually came around on Faulkner. Go listen!
“Canonicity is not where you find it, but where you make it.”
- Rachel Hadas (2014 and 2016)
- Bruce Jay Friedman
- Jules Feiffer
- Harold Bloom
- Langdon Hammer
- Edward Mendelson
- Willard Spiegelman
About our Guest
David Mikics grew up in Carteret, New Jersey and Atlanta. He went to college at NYU and earned a Ph.D. at Yale. He lives in Brooklyn with his wife Victoria and son Ariel, and teaches every year at the University of Houston, where he is John and Rebecca Moores Professor of English. He is the author of six books, including Slow Reading in a Hurried Age (Belknap/Harvard) and Bellow’s People: How Saul Bellow Made Life Into Art (Norton), and is a columnist at Tablet magazine.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at David’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. Intro was recorded on the same setup. Photo of Mr. Mikics by me.