Episode 133 – What If We Give It Away?

Virtual Memories Show #133:
Stona Fitch/Rory Flynn – What If We Give It Away?

“One of my favorite things is to take a character, figure out what’s most important to them, and then take it away and see what they do.”

ThirdRail_cover_277x419Stona Fitch joins the show to talk about balancing his careers as a novelist, a publisher, and a freelance writer with family life. We discuss his new novel, the crime thriller Third Rail, why he he wrote it under the nom de plume Rory Flynn, his influences and favorite crime writers, the challenges of writing a sequel, the futility of debating genre categories, and more! Give it a listen!

“My mentor Russell Banks told me, ‘Go to Miami, you’ll see everything.’ He also said I’d be a great plumber.”

We also talk about what possessed him to write Senseless, which is one of the most disturbing novels ever written. But don’t worry; it’s not all crime and horror! There’s also Stona’s role as the founder of the Concord Free Press, an innovative, generosity-based publishing house! Plus, we explore the benefits of doing corporate work by day and learning about fields you’d otherwise never have any experience in.

“My wife said, ‘Stona, I think you’ve found a brand-new way for writers not to make money.'”

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We talk about a bunch of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Via Stona’s site:

NOW
Praised by critics and readers, Stona Fitch’s novels are published widely throughout the world and have inspired other works, from graphic novels to films. His latest novel, Third Rail (2014, Houghton Mifflin Harcourt), marks the debut of the Eddy Harness series of Boston-based crime novels – published under the pen name Rory Flynn.

Give + Take (2011) crosses genres with a noir-inflected, hilarious road tale. Printer’s Devil (2009) updates A Clockwork Orange to create a post-apocalyptic parable. Critics cite Senseless (2001) as a prescient novel that anticipated violent anti-globalization protests, online hostages, and use of fear as a political tool. It is often described as one of the most disturbing novels ever written. Senseless is now an independent feature film, a graphic novel, and a cult classic.

In 2008, Stona founded the Concord Free Press, a revolutionary publishing house that publishes and distributes original novels throughout the world, asking only that readers make a voluntary donation to a charity or person in need. The first nine CFP books have inspired nearly $500,000 in generosity.

Stona lives with his family in Concord, MA, where he is also a committed community activist. He and his family work with Gaining Ground, a non-profit farm.

THEN
Born in Cincinnati, Ohio in 1961, Stona Fitch grew up in the midwest and south. While an undergraduate at Princeton, he received the Creative Writing Program’s Lannan Award for Fiction. He also served as chairman of The Daily Princetonian, and wrote for The Anchorage Daily News.

After graduation, Stona reported briefly for The Miami Herald before moving to Boston and joining its burgeoning underground music scene. In 1984, he joined the seminal Boston-based pop group Scruffy The Cat, playing electric banjo, mandolin, accordion, and organ–as well as writing songs. He recorded two albums–High-Octane Revival (a New York Times top release of 1986) and the highly regarded (and rare) Tiny Days–before leaving the band in 1987. During this time, he worked as a dishwasher and cook at the Hoodoo Barbeque, a notorious punk-rock hangout/crime scene in Kenmore Square.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, which seems to have become our unofficial theme song. The conversation was recorded in the Boston Marriott Burlington on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Fitch by me.

Podcast: Sound Before Story

Virtual Memories – season 3 episode 5
Greg Gerke – Sound Before Story

To celebrate the publication of Middle C, the new novel by literary legend William Gass, I sat down with writer Greg Gerke, who interviewed Gass for Tin House literary magazine. We talked about Gass’ position in the postmodern literary tradition (as it were), what Greg learned over the course of reading much of Gass’ writings and interviewing The Great Man, what it’s like to construct a literary monument to horror, which authors Greg discovered through Gass’ essays over the years, how you can’t judge a man by his (roommate’s) bookshelf, why Gass holds self-publishing in disdain, and how one can build a powerful literary career by putting Sound Before Story.

 

Enjoy the conversation! Then check out our archives for more great talks! And buy the issue of Tin House with Greg’s interview with Gass, while you’re at it!

Follow The Virtual Memories Show on iTunesFacebookTumblr, and RSS!

About our Guest

Greg Gerke‘s fiction and non-fiction have appeared in Tin House, The Kenyon Review Online, Denver Quarterly, and Mississippi Review. He’s the author of the short story collection, There’s Something Wrong with Sven. You can read his work and find links to his criticism at greggerke.com and Big Other.

Credits: This episode’s music is Life’s a Gas by T-Rex. The conversation was recorded at Greg Gerke’s apartment in New York City, on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Samson Meteor Mic USB Studio Microphone into Audacity. All editing and processing was done in Garage Band.

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