Virtual Memories Show #192: Jim Woodring
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“I have something to live for in the goal of producing this long, fascinating, convoluted, loop-de-loop, metaphysical story arc. And that’s the kind of thing that occupies me and makes my days the joyous things they are: living in this screwed-up dream-world that isolates me from the rest of the world and humanity in general.”
Jim Woodring rejoins the show to talk art, comics and the Unifactor! During a break at SPX 2016, we sat down to discuss the importance of Fantagraphics on its 40th anniversary, Jim’s move to Seattle in 1974 and his move away from there last year, camaraderie with the cartoonists of his generation, what he’d do if he was just starting out as a cartoonist today, the experience of seeing Frank in 3-D
“Some people say religious experiences are just in the person’s mind, but where else would they be?”
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We also talk about how Jack Kirby drew like a haunted machine, why computers have led to a generation of prosthetic geniuses, why he sticks with analog drawing tools (like that six-foot-long pen, known as Nibbus Maximus), the remarkable experience of going on a tour of the South China Seas with “a billionaire friend of mine”, his relationship with the Unifactor (and the perils of trying to circumvent its storytelling imperatives), the role of perseverance in becoming a better artist, and the feeling that he’s done the right thing in his life. Now go listen to the show!
“I feel like a pretender next to guys like Jaime and Gilbert Hernandez. With my limited abilities and my ‘that’s good enough’ philosophy of art, I feel like I’ve just sneaked into the party.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
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About our Guest
Jim Woodring was born in Los Angeles in 1952 and enjoyed a childhood made lively by an assortment of mental an psychological quirks including paroniria, paranoia, paracusia, apparitions, hallucinations and other species of psychological and neurological malfunction among the snakes and tarantulas of the San Gabriel mountains.
He eventually grew up to be an inquisitive bearlike man who has enjoyed three exciting careers: garbage collector, merry-go-round-operator and cartoonist. A self-taught artist, his first published works documented the disorienting hell of his salad days in an “illustrated autojournal” called JIM. This work was published by Fantagraphics Books and collected in The Book of Jim
He is best known for his wordless comics series depicting the follies of his character Frank, a generic cartoon anthropomorph whose adventures careen wildly from sweet to appalling. A decade’s worth of these stories was collected in The Frank Book
Woodring is also known for his anecdotal charcoal drawings (a selection which was gathered in Seeing Things
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Bethesda North Marriott on a pair of Blue enCORE 200 Microphones
in his new book, 
(First Second), the massive implications of crowdfunding for cartoonists and other creators, the problems with ‘balance’ in comics pages, his rebellion against Facebook, the Laurie Anderson model of comics, how he defines success, how to keep a happy marriage inside the comics world, and more! 
is probably off the hook now, because I finally did a comic even more sentimental. So now I made Craig look like Gary Panter.”
– Scott McCloud
– Scott McCloud
– Scott McCloud
– Art Spiegelman
– Chris Ware
– Wendy Pini
– Frank Miller
– Alan Moore
– Kerascoët, Fabien Vehlmann
– Roz Chast
– Jules Feiffer
– Richard McGuire
– Matthew Farber
– Joan Didion
– Tom Hart
– Orwell
– Joshua Foer
– David Byrne
– Alice Munro
– Joyce Carol Oates
and a pair of 
feeding into a 
digital recorder. I recorded the intro and outro on a 
. Processing was done in Audacity and Logic Pro. Photo of Mr. McCloud by me.