“There were times when I was transcribing the tapes and I’d catch my breath and say, ‘Oh, my God.’ I would stop the tape and just sit there, staring into space. Did I hear what I just heard? It was a shocking, dramatic experience.”
Is wisdom possible? One of my favorite writers, Phillip Lopate, returns to The Virtual Memories Show to talk about his new book, A Mother’s Tale, where he revisits a series of taped conversations he had with his mother in the mid-’80s (and didn’t listen to for 30+ years). We talk about listening to his mother’s voice years after her death, whether I should record with my parents, the way people try to be honest but back away in the face of their own mythologies, the one venue he’s always wanted to write for, the border traffic between fiction and nonfiction, the impact of the 2016 presidential election on his psyche, his prediction for the New York Mets, what it’s like for him to write a blog and the mistrust between mother and son that never goes away. Give it a listen! And go buy A Mother’s Tale (Mad River Books)! (And here’s our 2013 conversation.)
“I feel like all the values I grew up with were repudiated in one election.”
“”We carry this adolescent self in us for so long, we’re not prepared to see ourselves as older.”
About our Guest
Phillip Lopate is a central figure in the resurgence of the American essay, both through his best-selling anthology, The Art of the Personal Essay, and his collections: Getting Personal, Against Joie de Vivre, Portrait of My Body, Portrait Inside My Head, and To Show and to Tell: The Craft of Literary Nonfiction. He directs the nonfiction MFA program at Columbia University, where he is professor of writing. His new book is A Mother’s Tale.
(There’s a more extensive version at his website.)
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Lopate’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Lopate by me. It’s on my instagram.
“As a translator, your initial feeling is, ‘I want to inhabit this text.’ There’s a primary identification, a mirror effect, where you see your own creative possibilities reflected there, and want to realize them through this text.”
The 7th annual Festival Neue Literatur is Feb. 25-28, 2016 in New York, and this podcast is a Media Partner, so let’s talk to the event’s curator! Translator and Guggenheim fellow Ross Benjamin joins the show to talk about putting together “Seriously Funny,” this year’s FNL theme, and coordinating the 6 German language authors and 2 Americans who will be the featured guests. We talk about humor, German stereotypes, and the difference between reading a language and being able to speak it. Along the way, we get into the styles that different translators have, the challenges and joys of translating Kafka’s diaries, the pros and cons of translating living authors and dead ones, and the angst of trying to give meaning to a single word. Give it a listen, and get over to Festival Neue Literatur from February 25-28, 2016 in New York!
“In the early diaries, you can feel Kafka groping for a voice and a style.”
We also get into Ross’ history as a translator, what he’s learned about his mother tongue in the process, what other language he’d love to learn, the deep responsibility that comes from bringing a text into English, and more! Go listen.
“Most authors don’t mind answering ceaseless questions about their own work. It’s not just ego or vanity, I think it’s fascinating for them because authors don’t necessarily think consciously about all these aspects of their work.”
Also, if you want to find out who Ross is reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of February, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Ross is reading and why.
About our Guest
Ross Benjamin is a translator of German-language literature and a writer living in Nyack, NY. His translations include Friedrich Hölderlin’s Hyperion, Kevin Vennemann’s Close to Jedenew, Joseph Roth’s Job, and Clemens J. Setz’s Indigo. He is currently at work on a translation of Franz Kafka’s complete Diaries, to be published by Liveright/Norton. He is a 2015 Guggenheim Fellow. He was awarded the 2010 Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov, a 2012 National Endowment for the Arts Literature Fellowship to translate Clemens J. Setz’s The Frequencies, and a commendation from the judges of the 2012 Schlegel-Tieck Prize for his translation of Thomas Pletzinger’s Funeral for a Dog. His literary criticism has appeared in The Times Literary Supplement, Bookforum, The Nation, and other publications. He was a 2003–2004 Fulbright Scholar in Berlin and is a graduate of Vassar College.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in a conference room in Nyack, NY on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Benjamin by me.