Virtual Memories – season 2 episode 14 – Classical Pop
It’s time for a (somewhat) long-delayed new episode of The Virtual Memories Show!
“Picasso said that the way you draw your circle is your style.”
This time, postmodern cartoonist Bob Sikoryak talks about the high/low mashups of his amazing book, Masterpiece Comics, the 1980’s art scene in NYC, the sea change in the acceptance of comics as art and entertainment, the (un)importance of having an individual drawing style, and more!
“It’s amazing to me how comics artists can speak to a generation, and that’s it. When you make something, it’s of your time, no matter what you do.”
We also reflect on the art of mimicry, the history of popular art, and who decides when it’s too soon to goof on Dostoevsky. I’ve been a fan of his work since I first read his Inferno Joe strip in 1989, so getting the chance to sit down with Bob for a conversation was a joy. (He’s the sweetest person I’ve met in comics.)
“My roommate in college said, “If you keep reading those comics, it’s gonna affect your style,” and clearly he was right.”
Listen to the conversation: Virtual Memories – season 3 episode 14 – The Correction of Taste
Photo by Kriota Willberg.
About Our Guest
R. Sikoryak has drawn cartoons for numerous media giants, including Nickelodeon Magazine, The New Yorker, and The Daily Show with Jon Stewart, as well as for independent publications, films and theater productions. His cartoon slideshow series Carousel has been presented around the U.S. and Canada. He also teaches and lectures on comics and illustration. He lives in NYC with his wife and frequent collaborator Kriota Willberg.
About Our Sponsor
This episode is sponsored by Out of Print Clothing! Visit their site and check out their great selection of T-shirts, fleeces, bags and other gear featuring gorgeous and iconic book cover designs.
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Credits: This episode’s music is Ambicion Eterna by Thievery Corporation. I recorded the intro on a Blue Yeti mic into Audacity, and the conversation with was recorded in Mr. Sikoryak’s home in Stuy Town in NYC, on a pair of Blue Encore 100 mics, feeding into a Zoom H4N recorder. All editing was done in Garage Band, with some post-processing in Audaity.