This is one of those Must-Hear episodes of The Virtual Memories Show, people! I know I love all my kids, but I admit this one’s pretty special; give it a few minutes and you’ll understand why.
“What I’m passing on to people is . . . the capacity to have fun. To have a life that you can build around. Not branding, and not the demands of the marketplace, but what you really think and what you want.”
After a remarkable 40-year career, publisher Malcolm Margolin is retiring from Heyday Books in Berkeley. He joins the show to talk about the liberation of being unimportant, building a roundhouse to fall apart, the “dress code” necessary to make things palatable to a mainstream audience, his efforts to chronicle California Indian culture, his next act(s), and more! Give it a listen!
“In some ways I feel regret; the irony is that I was so active in preserving other people’s cultures and languages, but I let mine go.”
We also talk about the craziest golf foursome ever, the two-week-plus run of LSD that may have changed his life, his hatred of salesmanship (and environmentalists), the publishing revolution of the ‘70s, how we learn to live in a world bigger than our capacity to understand it, the inscription he’d want on his headphone e’d what drew him to publishing all those years ago (the beautiful women)! Give it a listen!
And become a patron of this podcast via Patreon or Paypal to get access to bonus conversation with Malcolm and a list of all the books we talked about! (Also, here’s a free bonus page of all the great quotes from our conversation.)
“I’m an emotion junkie. If I can go more than a few hours without breaking into tears, it’s a wasted day.”
About our Guest
Malcolm Margolin is an author, publisher, and the founder and executive director of Heyday Books, an independent nonprofit publisher and cultural institution in Berkeley, CA. In 1974 he founded Heyday with the publication of his book The East Bay Out: A Personal Guide to the East Bay Regional Parks. Malcolm is the author/editor of eight books including The Ohlone Way: Indian Life in the San Francisco-Monterey Bay Area, named by the San Francisco Chronicle as one of the hundred most important books of the 20th century by a western writer. His essays and articles have appeared in a number of periodicals including The Nation, Small Press, National Parks, the San Francisco Chronicle, and the Los Angeles Times. He retired from his role as publisher at Heyday Books this year.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the offices of Heyday Books on a Zoom H2n digital recorder (because I screwed up with my main recorder). I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photos of Malcolm by me.
“Readercon focuses on the literature. And the people who come here are really smart. They take science fiction and fantasy seriously as literature. It’s always interesting to be on panels. It’s also a real community, so I can talk with writers, small presses, editors. Beyond that, it’s really a good scene socially.”
It’s time part two of our Readercon 2013 mega-podcast! I visited the 24th annual Readercon conference on literary fantasy & science fiction in Burlington, MA in July, and recorded five interviews in one day! Readercon has great panels and programming, a fine booksellers’ hall, and lots of fun conversation; if you’re into the “literature of the fantastic,” you really should make a point of attending this event next year.
First, Theodora Goss talks about her new accordion-shaped novella, The Thorn and the Blossom, what writing contracts taught her about writing stories, why most classic literary monsters were female, and the joys of coffee in Budapest. Then (52:00), Valya Dudycz Lupescu explores the joys of Growing Up Ukrainian in Chicago, the role of folklore and myths in her fiction, and how every immigrant wave has to choose what it holds onto when it lands in America. Finally (1:15:00), Nancy Hightower tells us why she gave up Colorado for NYC, how she made the transition from teaching the grotesque to writing epic eco-fantasy, and how we learn the cost of wilderness.
- John Crowley/Scott Edelman (Readercon 2013 part 1)
- Paul Di Filippo
- Michael Dirda
- Craig Gidney
- Kyle Cassidy
About our Guests
Theodora Goss was born in Hungary and spent her childhood in various European countries before her family moved to the United States. Although she grew up on the classics of English literature, her writing has been influenced by an Eastern European literary tradition in which the boundaries between realism and the fantastic are often ambiguous. Her publications include the short story collection In The Forest Of Forgetting (2006); Interfictions (2007), a short story anthology coedited with Delia Sherman; Voices from Fairyland (2008), a poetry anthology with critical essays and a selection of her own poems; and The Thorn and the Blossom (2012), a novella in a two-sided accordion format. She has been a finalist for the Nebula, Locus, Crawford, and Mythopoeic Awards, as well as on the Tiptree Award Honor List, and has won the World Fantasy Award. Check out her website, tumblr, Facebook page and twitter feed for more.
Valya Dudyz Lupescu is a writer and the founding editor of the literary magazine, Conclave: A Journal of Character. Born and raised in Chicago, she received her degree in English at DePaul University, studying with Richard Jones, Maureen Seaton, and Anne Calcagno. She earned her MFA in Writing as part of the inaugural class at the School of the Art Institute of Chicago, where she studied under Michael D. Collins, James McManus, M. Evelina Galang, Rosellen Brown, and Carol Anshaw. Since receiving her MFA, Valya has worked as a college professor, obituary writer, content manager, goth cocktail waitress, internal communications specialist, and co-producer of the independent feature film, The Secret. She teaches workshops around the city and online, and helps to facilitate a monthly gathering of writers and artists in Chicago called the Chicago Creative Cooperative (“the Coop”). Her historical novel, The Silence of Trees, was published in 2010 (Wolfsword Press) in hardcover, paperback, ebook, and audiobook (2012, Iambik Audio). She has also been published in various journals, including Sentence, The Pedestal Magazine, and Doorknobs & Bodypaint. She is currently an Artist-in-Residence at the historic Cliff Dwellers Club and at the Everleigh Club in Chicago. Check out her website, tumblr, Facebook page and twitter feed for more.
Nancy Hightower is a speculative fiction author and poet, as well as an art critic who writes for Weird Fiction Review. Her debut epic fantasy novel, Elementarí Rising, will be published in September 2013 with Pink Narcissus Press. She has co-authored, along with Carrie Ann Baade, the Cute and Creepy exhibition catalogue, an art book of contemporary macabre and surrealist works. She reviews books for Fantasy Matters and interviews writers such as China Miéville and Neil Gaiman for DJ Spooky’s Origin Magazine (interviews can be read online here). She has a Ph.D. in literature from the University of Denver, and previously taught the rhetorics of the fantastic, uncanny, and grotesque in art and literature at the University of Colorado. Her short fiction and poetry has appeared in Up the Staircase, Word Riot, Strange Horizons, Neon, Bourbon Penn, Prick of the Spindle, Liquid Imagination, Corvus, Red Fez, Prime Number Magazine, The New York Quarterly, storySouth, and Dense Macabre, among others. She now resides in New York City. Check out her website, Facebook page and twitter feed for more.
Credits: This episode’s music is Budapest by Blimp by Thomas Dolby. All conversations were recorded in a room at the Burlington Marriott on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. I recorded the intro and outro on a Blue Yeti into my Mac Mini, at my Ikeahack standing desk. File-splitting is done on a Mac Mini using Audacity and all editing and processing was done in Garage Band. Photo by me.