Episode 176 – Malcolm Margolin

This is one of those Must-Hear episodes of The Virtual Memories Show, people! I know I love all my kids, but I admit this one’s pretty special; give it a few minutes and you’ll understand why.

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Virtual Memories Show #176:
Malcolm Margolin

“What I’m passing on to people is . . . the capacity to have fun. To have a life that you can build around. Not branding, and not the demands of the marketplace, but what you really think and what you want.”

After a remarkable 40-year career, publisher Malcolm Margolin is retiring from Heyday Books in Berkeley. He joins the show to talk about the liberation of being unimportant, building a roundhouse to fall apart, the “dress code” necessary to make things palatable to a mainstream audience, his efforts to chronicle California Indian culture, his next act(s), and more! Give it a listen!

“In some ways I feel regret; the irony is that I was so active in preserving other people’s cultures and languages, but I let mine go.”

We also talk about the craziest golf foursome ever, the two-week-plus run of LSD that may have changed his life, his hatred of salesmanship (and environmentalists), the publishing revolution of the ‘70s, how we learn to live in a world bigger than our capacity to understand it, the inscription he’d want on his headphone e’d what drew him to publishing all those years ago (the beautiful women)! Give it a listen!

And become a patron of this podcast via Patreon or Paypal to get access to bonus conversation with Malcolm and a list of all the books we talked about! (Also, here’s a free bonus page of all the great quotes from our conversation.)

“I’m an emotion junkie. If I can go more than a few hours without breaking into tears, it’s a wasted day.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

HMALcover_web800px-200x299Malcolm Margolin is an author, publisher, and the founder and executive director of Heyday Books, an independent nonprofit publisher and cultural institution in Berkeley, CA. In 1974 he founded Heyday with the publication of his book The East Bay Out: A Personal Guide to the East Bay Regional Parks. Malcolm is the author/editor of eight books including The Ohlone Way: Indian Life in the San Francisco-Monterey Bay Area, named by the San Francisco Chronicle as one of the hundred most important books of the 20th century by a western writer. His essays and articles have appeared in a number of periodicals including The Nation, Small Press, National Parks, the San Francisco Chronicle, and the Los Angeles Times. He retired from his role as publisher at Heyday Books this year.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the offices of Heyday Books on a Zoom H2n digital recorder (because I screwed up with my main recorder). I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photos of Malcolm by me.

Episode 153 – Rachel Hadas

Virtual Memories Show #153:
Rachel Hadas

“I’ve never felt so happy, but I’ve never felt so mortal.”

41jSXgwsSYL._SX358_BO1,204,203,200_Poet Rachel Hadas returns to the show to talk about her new books, Talking To The Dead (Spuyten Duyvil Press), and Questions in the Vestibule (Northwestern University Press). It’s been two years since we last talked (over here), so I had plenty of questions for her. How did she rebuild her life after losing her husband to early onset dementia? How did she wind up pals with James Merrill (and what’s her take on his Ouija poems)? What do we lose and gain in the act of translation? And how did she become a love poet after spending her career writing elegies? Listen in to find out!

“It’s like Forster said, there’s a sense that the great poets are sitting at a table, synchronically all writing at the same time.”

515iK7+qPaL._SX337_BO1,204,203,200_You should check out this extra material from our conversation: Backdrop: Merrill in Stonington, a video essay Rachel made with her husband, Shalom Gorewitz, and The Art of Empathy: Celebrating Literature in Translation, a collection of essays commissioned by the National Endowment for the Arts. Also, here’s the blog post I wrote about translating Tolstoy.

“I’m at a point in my career where I feel fortunate to be able to publish what I’m writing.”

Also, if you want to find out who she’s reading nowadays and get a list of the books we talked about, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of February, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Rachel’s reading lately and why.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

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About our Guest

Rachel Hadas’s book of selected prose pieces, Talking To The Dead, was published by Spuyten Duyvil Press in 2015. Her new book of poems, Questions in the Vestibule, is forthcoming (April 2016) from Northwestern University Press, which will also publish her verse translations of Euripides’ dramas Iphigenia in Aulis and Iphigenia Among the Taurians. The author of a score of books of poetry, essays, and translations, Hadas is Board of Governors Professor of English at Rutgers University-Newark. She and her husband, artist Shalom Gorewitz, have been working on marrying poetry and video; some of their collaborative work, including a piece about James Merrill, can be seen at www.rachelandshalomshow.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Hadas’ home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. All photos of Ms. Hadas by Shalom Gorewitz.