What Would Brian Boitano Do?

I don’t write about the winter Olympics because I don’t give a crap about any of the events, except the sublimely named Super G.

Still, I had to follow this link from Drudge about some knucklehead U.S. figure skater who wore a throwback USSR warmup jacket during a practice session today. He claims to be a major Russophile, and what better way to celebrate it than to have the good ol’ CCCP across your chest?

Of course, if he’d been wearing a throwback German jersey (c. 1936), it’d be a much different story.

Double Down

(Stories that begin with “I was a pizza delivery man” tend to go in a different direction than this one, so I apologize in advance for the letdown.)

I was a pizza delivery man one summer during my college years. My mom and I lived in southeast Pennsylvania, in a nice town close to the ivy-covered halls of Swarthmore College and one of the most depressed cities east of the Mississippi. When friends from my hometown in NJ would come to visit, they’d follow my directions from Rt. 95 and look around nervously, wondering why my mom had chosen to move to a ghetto slum. Within a mile or two, as they approached Wallingford, their moods would brighten.

When I began delivering pizzas, one of the other drivers stood beside me and pointed to the map of the delivery area. The area of Chester, PA cut off to the east by 95 was covered with cross-hatched lines. It may as well have said, “No man’s land.”

“What’s the deal?” I asked.

“We don’t deliver to that side of 95. Too many drivers got shot and had their cars stolen,” he replied.

“Uh-huh.”

“You want to buy a gun?” he asked. “I’m a licensed dealer.”

“That’s okay.”

(Keep in mind: this is within a year of my Napoleon Dynamite look)

I did carry a knife that summer, and kept a baseball bat in my car. I managed to make it through the season without getting into trouble, although I did pull out the bat once, when two guys were having a street-brawl directly in front of my car while I was on a delivery.

A year or two later, I drove a shuttle van during late-night weekend shifts for a motel near the Philadelphia International Airport. As part of that gig, I would drive the girls from the housekeeping department home when their shifts were up. They lived on The Other Side of 95. The side where there are corner bars with a line of guys 25 long waiting to get in, looking like a casting call for that bad movie-within-the-movie in The Hollywood Shuffle.

The trip was usually pretty easy, since I always knew how far I was from the highways. Still, a white guy driving a big van through Chester on a Saturday night must’ve seemed a little odd. If there were any cops on patrol, I bet they’d have been suspicious.

Why do I bring all this up? Because Chester’s getting a casino!

That’s right: this hideously depressed shipbuilding town has decided that the best way to revitalize its fortunes is to let Harrah’s come in and build a casino and racetrack.

Officials see the Harrah’s project as a potential economic engine that will bring new investment, service jobs and increased revenues to a Colonial-era city that has been battered by high unemployment, poverty, crime and drugs in recent decades [ . . .] While the city has not done an economic-impact study, [David N. Sciocchetti, executive director of the Chester Economic Development Authority] predicts the daily influx of visitors to Chester will prompt new restaurants, gas stations and businesses catering to tourists. He also sees an opportunity for companies that will supply the complex with goods and services.

No, seriously! The cure for their ills will consist of compulsive gamblers and track-denizens! Even better, the area upon which Harrah’s is building gets tax abatements, so the city and state won’t get as much of a benefit from the commerce!

I understand that Chester’s essentially a dead zone, and probably still doesn’t even have decent pizza delivery, but if you’re going to try to reduce crime, poverty and drug use, I’m not sure that slot machines and harness racing comprise a viable strategy.

Read all about it.

Grouse!

Because I wasn’t the guy who got shot, I think the Cheney hunting accident is pretty funny. Maybe not as funny as Bobby Knight plugging a buddy while grouse hunting in 1999, nor beating up his son on another hunting trip (broken nose, dislocated shoulder), but still pretty good.

What I like is that it brings us to a bygone era, when the post of vice president was treated as a national joke. Chevy Chase built a career on stumbling over stuff as Gerald Ford. Bush Sr. was regarded as an imbecile (until he turned out to be a lot craftier than anyone expected from a former head of the CIA). And Dan Quayle . . . well, I’m not even going to venture there.

What I’m saying is, since I was a kid, the vice president was either a joke or an afterthought. It was only with Clinton-Gore that we got the “Team USA” treatment from the Pres/VP tandem. With the 2000 election, that morphed into the “America, Inc.” campaign, where Bush’s strength was supposed to be in his ability to assemble a great “upper management” for the country. Of course, when his HR director named himself as the best guy to be chief operating officer, a light-bulb should’ve turned on.

Still, after all the mistakes, I hope this accident is a sign that the role of VP is heading back to irrelevance. After all, it’s not like it helped Gore in 2000.

In a barrel

Nice post by Andrew Sullivan, ripping up Stanley Fish for “post-modern claptrap”:

Yes, Fish has read Nietzsche, hence his homage in the sentence: “The first tenet of the liberal religion is that everything (at least in the realm of expression and ideas) is to be permitted, but nothing is to be taken seriously.” But this is a distortion of liberalism, as Nietzsche’s was. The defense of free speech is not a frivolous exercise, as Fish argues. In the context of a continent where artists and writers have been threatened with death and murdered for their freedoms, it is a deadly serious task. And maintaining support for the difficult restraint that liberalism asks of us — to maintain faith if you want, but to curtail its intolerant and extreme influence in the public square — is, pace Fish, not an easy or platitudinous path. It is the difficult restraint liberty requires in modernity. Fish, however, like many postmoderns, is skeptical of such ideas of liberty and, in a pinch, seems to prefer the Taliban’s authenticity to societies where writers dare to challenge religious taboos.

This cultural jiu-jitsu put me in mind of a passage from George Orwell’s great essay, Inside the Whale. I don’t think I’ve written about this passage before. Orwell has been discussing political trends among British writers: the modernists of the 1920s — whom he characterizes largely as fascists — and the Comintern-supporting writers of the 1930s. Since I can’t write anywhere near as well as Orwell, let’s just go with an extended passage:

[W]hy did these young men turn towards anything so alien as Russian Communism? Why should writers be attracted by a form of socialism that makes mental honesty impossible? The explanation really lies in something that had already made itself felt before the slump and before Hitler: middle-class unemployment.

Unemployment is not merely a matter of not having a job. Most people can get a job of sorts, even at the worst of times. The trouble was that by about 1930 there was no activity, except perhaps scientific research, the arts, and left-wing politics, that a thinking person could believe in. The debunking of Western civilization had reached its Climax and “disillusionment” was immensely widespread. Who now could take it for granted to go through life in the ordinary middle-class way, as a soldier, a clergyman, a stockbroker, an Indian Civil Servant, or what-not? And how many of the values by which our grandfathers lived could not be taken seriously? Patriotism, religion, the Empire, the family, the sanctity of marriage, the Old School Tie, birth, breeding, honour, discipline — anyone of ordinary education could turn the whole lot of them inside out in three minutes. But what do you achieve, after all, by getting rid of such primal things as patriotism and religion? You have not necessarily got rid of the need for something to believe in. There had been a sort of false dawn a few years earlier when numbers of young intellectuals, including several quite gifted writers (Evelyn Waugh, Christopher Hollis, and others), had fled into the Catholic Church. It is significant that these people went almost invariably to the Roman Church and not, for instance, to the C. of E., the Greek Church, or the Protestants sects. They went, that is, to the Church with a world-wide organization, the one with a rigid discipline, the one with power and prestige behind it. Perhaps it is even worth noticing that the only latter-day convert of really first-rate gifts, Eliot, has embraced not Romanism but Anglo-Catholicism, the ecclesiastical equivalent of Trotskyism. But I do not think one need look farther than this for the reason why the young writers of the thirties flocked into or towards the Communist Party. If was simply something to believe in. Here was a Church, an army, an orthodoxy, a discipline. Here was a Fatherland and — at any rate since 1935 or thereabouts — a Fuehrer. All the loyalties and superstitions that the intellect had seemingly banished could come rushing back under the thinnest of disguises. Patriotism, religion, empire, military glory — all in one word, Russia. Father, king, leader, hero, saviour — all in one word, Stalin. God — Stalin. The devil — Hitler. Heaven — Moscow. Hell — Berlin. All the gaps were filled up. So, after all, the “Communism” of the English intellectual is something explicable enough. It is the patriotism of the deracinated.

But there is one other thing that undoubtedly contributed to the cult of Russia among the English intelligentsia during these years, and that is the softness and security of life in England itself. With all its injustices, England is still the land of habeas corpus, and the over-whelming majority of English people have no experience of violence or illegality. If you have grown up in that sort of atmosphere it is not at all easy to imagine what a despotic régime is like. Nearly all the dominant writers of the thirties belonged to the soft-boiled emancipated middle class and were too young to have effective memories of the Great War. To people of that kind such things as purges, secret police, summary executions, imprisonment without trial etc., etc., are too remote to be terrifying. They can swallow totalitarianism because they have no experience of anything except liberalism.

Update: I zapped this post to Andrew Sullivan, who liked it enough to riff on it as his second Quote of the Day, and extend me a hat-tip! Much appreciated! New visitors: Enjoy the site!

Cola War on Terror

Last week’s reading in the Official VM Book Club Of One was The Other Hollywood; this week it’s The Substance of Style, Virginia Postrel’s book on the value of aesthetic value, as it were. I just finished the third chapter, “Surface and Substance,” which ends with this passage:

When terrorists slammed two passenger jets into the World Trade Center on September 11, 200, Michael Bierut had his own moment of Nazis-to-Pepsi self-doubt. He was in London and returned home to Manhattan a few days after the attack. “As a designer,” he wrote me, “I am still reeling from the images of 9/11.” The act had been horrifying, but the images it created could not have been better designed: “The timing of the collisions, the angle of the second plane, the colors of the explosions, the slow-motion collapsing of the towers: could the terrorists ever dream how nightmarishly vivid this would be to the vast viewing audience?”

Amid the trauma of mid-September, this terrible juxtaposition — striking images in the service of death — recalled all the attacks ever made on surface for its own sake, and on the designers who create surface appeal. If an event so awful could look so vivid, even beautiful in a purely formal sense, how could we trust aesthetic pleasure? How could designers like Bierut justify their work, except when surface serves some grander substance? The attack, wrote Bierut, “makes me put meaningless content into beautiful packages. I will not approach my work the same way from now on.”

He knew better. The destruction of the World Trade Center was not a carefully composed movie scene, designed to around pity and terror within the same frame of fiction. It was the all-too-real muder of thousands. It was entirely substance. The attack was not packaging, not surface, not performance art. It had both meaning and political purpose. The striking images produced led viewers not to praise but to condemn the attackers who created them. Only those who embraced the murderers’ cause rejoiced in those images. Aesthetics did not prove a superweapon, justifying slaughter. To the contrary, the media images that followed were attempts to capture the events — and the horror and grief — of the day. Those images were valuable because they could say more than words. But the images were not the act itself.

In the horror of the moment, Bierut had forgotten the meaning and value of his work, falling into the puritanical mind-set that denies the value of aesthetic pleasure and seeks always to link it with evil. To wrap meaningless, as opposed to vicious, content in beautiful packaging does no harm. To the contrary, such creativity enriches the world and affirms the worth of the individuals whose pleasure it serves. Colas are not genocide.

Bierut soon had second thoughts. “One of the signatures of any repressive regime,” he wrote the following day, “is their need to control not just meaningful differences — the voices of dissent, for instance — but ostensibly ‘meaningless’ ones as well, like dress. It will take some time for people to realize that creating the difference between Coke and Pepsi is not just an empty pastime but one of many signs of life in a free society.” The Afghan women who risked the Taliban’s prisons to paint their faces and style their hair in underground beauty shops, and who celebrated the liberation of Kabul by coloring their nails with once-forbidden polish, would agree. Surface may take on meaning, but it has a value all its own.

Good Bad Books

A few years ago, I met up with a buddy from my freshman year of college. Over a bunch of drinks, he said to me, “Y’know, you gave me a list of books back when we were at Tulane, and I still have a stack of them sitting on my desk. But I’m gonna get through ’em someday.”

I blanched. “Oh, God. Paul, please just throw them out. I don’t know what books they are, but I can just about guarantee that you should toss ’em. Just please don’t tell me what books they are. I’ll even give you a new bunch of books to replace them.”

I’m pretty embarrassed by whatever I recommended when I was 18 (books, music, movies, etc.), but I’m shameless enough that I’m willing to include that roster in the list of all the books I’ve finished since 1989.

In that vein, ourgirlinchicago has a nice post about selecting what to read next. She wrote previously about calculating the number of books she could expect to finish reading based on the average lifespan, which was pretty depressing in and of itself. Now she wonders what proportion of those books should be devoted to fluff:

[W]hat percentage of that terribly finite amount of reading do you feel should be earmarked for incontestably Great books, and what percentage of fluff — elegant, witty, and delightful fluff, needless to say — are you comfortable including? I’m thinking a full 50%. But I have another wrench to throw into the machinery: how many of your 200 or 500 or 1,000 books will be books you’ve already read? For most of us, I’m guessing, this will be a non-negligible number.

Read the whole thing, but get back to me about this question of hers. Since my list of books is in spreadsheet format, it’s quite easy to put a check-box next to every book that we consider fluff. . .