Podcast: Readercon 2013 – Fairies and Zombies

Virtual Memories – season 3 episode 15 –
Readercon – Fairies and Zombies

It’s time for a two-part mega-podcast! I visited the 24th annual Readercon, conference on literary fantasy & science fiction (or “imaginative literature,” as it’s known) in Burlington, MA in July, and came back with a ton of interviews! Readercon is a fantastic (ha-ha) event, with great programming, a good booksellers’ hall, and lots of fun conversation; you should make a point of attending it if your tastes run toward the authors who come up in this and the following episode.

I (not-so-wisely) conducted five interviews in one day so, rather than make a 3-hour episode, I decided to split them up between boys and girls. This time around you get interviews with authors John Crowley and Scott Edelman!

“The big books I’ve written have never had a genre at all. They were certain kinds of fictional possibilities that interested and intrigued me and that I wanted to try to achieve. I wouldn’t say there’s an awful lot in Little, Big that’s realistic, but there’s plenty that was based on my daily experiences of life in New York City.”

–John Crowley

John Crowley is the author of Little, Big (or, The Fairies’ Parliament), which I consider one of the greatest novels of the 20th century. I’d known about it for a long time, but only read it a few years ago, after learning that my wife has been re-reading it every year or two since it came out in paperback in 1983 or thereabouts. You should go read it now or wait for the deluxe edition from Incunabula Press! (He’s also written other amazing books, like the Aegypt cycle, Engine Summer, and more.)

I talked with Mr. Crowley about readers’ devotion Little, Big, the problems he faced in writing it and how surmounting them opened the doors to his subsequent books, how the fantasy genre developed during the course of his career, what his favorite imaginary books are, why I felt unprepared for our conversation despite having read six of his novels, and what it was like to write copy for Maidenform bras when he was starting out.

“One of the most amazing things about writing to me is that, even though you’ve read, and heard, and seen thousands of stories, when you sit down to write one, you have no idea how to begin!”

–John Crowley

Even if you haven’t read Little, Big, you’ll find this a fascinating conversation about the writing process, literary reputation, and what it means to tell a story!

“You have to write the things you love. They have to be extremely important to you, to give you that tingle when you read them. Because if you’re not moved by it, I don’t see how anyone else is going to be moved by it. . . .”

–Scott Edelman


Then I talk with Scott Edelman, a longtime writer, editor and Con-goer, about his zombie-fiction, being an editor at Marvel Comics in the 1970s, his storytelling tips and his pros and cons of workshops, whether he pays attention to literary markets, what Readercon means to him, and what it was like to move from one side of the convention table to the other.

“Why zombies? Because zombies are the closest we’ll ever see to what we’ll really become. Because there’ll be that day when we’re all walking husks without memory.”

–Scott Edelman

Enjoy the conversations! Then listen to part 2 of our Readercon conversations with Theodora Goss, Valya Dudycz Lupescu, and Nancy Hightower. Meanwhile, check out the archives for more great episodes!

Related episodes:

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About our Guests

John Crowley lives in the hills above the Connecticut River in northern Massachusetts with his wife and twin daughters. He is the author of Little, Big, the four-volume Aegypt cycle, The Translator, Novelties & Souvenirs, Lord Byron’s Novel, and Four Freedoms. You can find out more about the special anniversary edition of Little, Big here.

Scott Edelman has published more than 75 short stories in magazines such as Postscripts, The Twilight Zone, Absolute Magnitude, Science Fiction Review and Fantasy Book, and in anthologies such as The Solaris Book of New Science Fiction, Crossroads, MetaHorror, Once Upon a Galaxy, Moon Shots, Mars Probes, Forbidden Planets. His poetry has appeared in Asimov’s, Amazing, Dreams and Nightmares, and others. What Will Come After, a collection of his zombie fiction, and What We Still Talk About, a collection of his science fiction stories, were both published in 2010. He has been a Stoker Award finalist five times, in the categories of both Short Story and Long Fiction. He is the editor of Blastr at the Syfy Channel. You can find more about him at his site.

Credits: This episode’s music is Fairy Tales by Style Council. Both conversations were recorded in a room at the Burlington Marriott on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. I recorded the intro and outro on a Blue Yeti into my Mac Mini, at my Ikeahack standing desk. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Photos by me.

Podcast: The Wonders of the Audible World

Virtual Memories – season 3 episode 14 –
The Wonders of the Audible World

“One day, I was on the train to work and I had a terrible anxiety attack and a crisis of whatever, and began just scribbling on a yellow legal pad that I had. It was basically my complaints about my own misery. I was terrified that if I even lifted the pen from the page, I would just be carried off that railroad car screaming, past all the commuters.

“I did that for about three days, just a therapeutic venting on the page. In a little while, I began to become cold and calculating and worldly, and I thought, ‘Shit, this is pretty interesting. What if I just gave this a little quarter-turn to the left? Maybe this would be fiction.’ So that was it.

“Having nothing else to do, it was, hey, let’s dedicate the life to this.”

This episode of the Virtual Memories Show features a conversation with one of my favorite contemporary authors! In June, I drove up to Bennington College to talk to David Gates, author of the novels Jernigan and Preston Falls, the short story collection, The Wonders of the Invisible World, about owning his niche (once described as “smart-but-self-destructive-white-American-middle-class-male-in-crisis”), teaching fiction and non-fiction writing, why he left the east coast for Montana, how he feels about the end of Newsweek, what it was like to make his start as a writer in his 30s.

You’ll also find out why he doesn’t want to write another novel, whose books he rereads every year, the status of his next collection of stories, the lineup for his country-rock band of writers and critics, and why he’s not exactly as enamored with Jernigan as its fans are.

As a bonus, our very first guest, Professor Ann Rivera, rejoins us for a quick conversation about what she’s been reading lately and why! (Hint: she’s down on postmodern lit.) Why, here we are at Gina’s Bakery in Montclair, NJ, recording away!

Annriveraandme

Enjoy the conversations! Then check out the archives for more great episodes!

Others conversations with contemporary literary writers and critics:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guests

David Gates is the author of the novels Jernigan and Preston Falls and a collection of stories, The Wonders of the Invisible World. His fiction has appeared in such magazines as The New Yorker, Esquire, GQ, Granta, The Paris Review, Tin House and Ploughshares. His nonfiction has appeared in Newsweek, where he was a longtime writer and editor, The New Yorker, The New York Times Book Review, Bookforum, GQ, Rolling Stone, H.O.W., The Oxford American and the Journal of Country Music. He has been a Guggenheim Fellow, and his books have been finalists for the Pulitzer Prize and the National Book Critics Circle Award. He is an Assistant Professor Fiction and Nonfiction in the Creative Writing Program at University of Montana.

Ann Rivera is a professor of English at Villa Maria College in Buffalo, NY, where she teaches courses in writing, narrative and literary genres. Her current project investigates the influence of digital media on narrative, reading networks and social structures. She attended Hampshire College along with your humble podcast-host in the early ’90s, which may help explain our mutual dislike of postmodernism.

Credits: This episode’s music is Guitar Man by Bread. The conversation with David Gates was recorded in the back yard of the Dog House residence on the Bennington College campus on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. The conversation with Ann Rivera was recorded Gina’s Bakery in Montclair, NJ with the same equipment. (Sorry about all the door opening/closing noises in that segment!) I recorded the intro and outro with that gear, sitting in a comfy chair in my library. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Photo of David Gates by me, photo of Ann Rivera and me by Amy Roth.