Note: DG Myers died on Sept. 26, 2014, about 6 months after we recorded this episode. You can read my contribution to his festscrhift here.
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“I would take an evil delight in asking my colleagues what they were reading, and watching the look of panic on their faces. Because everyone reads scholarship now, and very few primary materials. Our academic specialties are an inch wide and a mile deep.”
Literature professor and book critic DG Myers is dying of cancer, but that doesn’t mean he’s planning to go gentle into that good night. In a far-ranging conversation, we talk about why he believes university English departments will barely outlast him, how he made the move from Southern Baptist to Orthodox Judaism (getting recircumcised a few times along the way), what he’d like to be remembered for, why the idea of The Western Canon is a canard, which books and authors he’s trying to get to before he dies, who he regrets not reading before now, and the identity of the one author he’d like to hear from. Give it a listen!
“Every Shabbos I thank Hashem for my cancer, because it has focused me on what’s good and enabled me to ignore what’s not.”
We also talk about his plans to dispose of his library, the joys of studying under Stanley Elkin, the relation of books to moral life, the things that cease to matter in the face of a terminal diagnosis, the failure of English departments in the age of Theory, the thorny question of whether creative writing can be taught, and what writers and readers should do to save the humanities. Also, check out the list of books that came up in our conversation.
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About our Guest
DG Myers is the author of The Elephants Teach: Creative Writing Since 1880
Credits: This episode’s music is First We Take Manhattan by Jennifer Warnes. The conversation was recorded at Prof. Myers’ home on a pair of Blue enCORE 200 microphones
(Atlantic Monthly Press), joins the Virtual Memories Show to show to talk about the many notions of “home” for black people. Along the way, we talk about the many notions of what constitutes a black person. As Ms. Raboteau discovered in the travels chronicled in her book — encompassing Israel, Jamaica, Ethiopia, Ghana and America’s deep south — there are a lot of ideas about who’s black and what blackness means.
(Henry Holt, Picador), and a work of creative nonfiction, 
. We have a great conversation about why he chose to write about the founder of Planned Parenthood, how he made the shift from fiction to nonfiction comics, who his favorite “pre-feminist feminists” are, why he stuck with comic books over paperback books for too long, what the strangest sketchbook request he ever received is, and why R. Crumb considered him the least insane of cartoonists. (10/15/13) – 
as a guest-gift (I try to do that for all the guests). I mentioned Visconti’s film version of it, which starred Burt Lancaster, and Bagge told me that Lancaster stars in his favorite movie, along with Tony Curtis: 
. I’d never seen it before, so I grabbed it on Netflix and WOW is it an amazing flick.
and how it reflects the nation’s perception of the military, how he was inspired by Bill Clinton (but didn’t reckon with survivor bias), why he’d like to write a novel about his experiences at war, what books meant the most to him during his years in the service, the difference between motivation and volition, and why war is like a self-licking ice cream cone.
, out this week from Doubleday Books.
(2008), 
(2010) and 
, 
, and 
). He is a contributor to Reason magazine, which led to the collection 
, and his work has appeared in Weirdo (where he served as managing editor), The Stranger, New York Press, Entertainment Weekly, Details, Seattle Weekly, Screw, and more. He is also the author of 
, 
, 
, 
, and 
, among other works.
. The book includes more than 100 of his amazing photos, including 32 pages in color (so you can see 
, 
, 
, 
, 
, and 
microphones, feeding into a 
mics feeding into the Zoom H4n. I recorded the intro and outro on a Blue enCORE 200 into the Zoom H4n. All editing and processing was done in Garage Band. Photo of Eva Brann by me, photo of Ian Kelley and me by