Episode 133 – What If We Give It Away?

Virtual Memories Show #133:
Stona Fitch/Rory Flynn – What If We Give It Away?

“One of my favorite things is to take a character, figure out what’s most important to them, and then take it away and see what they do.”

ThirdRail_cover_277x419Stona Fitch joins the show to talk about balancing his careers as a novelist, a publisher, and a freelance writer with family life. We discuss his new novel, the crime thriller Third Rail, why he he wrote it under the nom de plume Rory Flynn, his influences and favorite crime writers, the challenges of writing a sequel, the futility of debating genre categories, and more! Give it a listen!

“My mentor Russell Banks told me, ‘Go to Miami, you’ll see everything.’ He also said I’d be a great plumber.”

We also talk about what possessed him to write Senseless, which is one of the most disturbing novels ever written. But don’t worry; it’s not all crime and horror! There’s also Stona’s role as the founder of the Concord Free Press, an innovative, generosity-based publishing house! Plus, we explore the benefits of doing corporate work by day and learning about fields you’d otherwise never have any experience in.

“My wife said, ‘Stona, I think you’ve found a brand-new way for writers not to make money.'”

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We talk about a bunch of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Via Stona’s site:

NOW
Praised by critics and readers, Stona Fitch’s novels are published widely throughout the world and have inspired other works, from graphic novels to films. His latest novel, Third Rail (2014, Houghton Mifflin Harcourt), marks the debut of the Eddy Harness series of Boston-based crime novels – published under the pen name Rory Flynn.

Give + Take (2011) crosses genres with a noir-inflected, hilarious road tale. Printer’s Devil (2009) updates A Clockwork Orange to create a post-apocalyptic parable. Critics cite Senseless (2001) as a prescient novel that anticipated violent anti-globalization protests, online hostages, and use of fear as a political tool. It is often described as one of the most disturbing novels ever written. Senseless is now an independent feature film, a graphic novel, and a cult classic.

In 2008, Stona founded the Concord Free Press, a revolutionary publishing house that publishes and distributes original novels throughout the world, asking only that readers make a voluntary donation to a charity or person in need. The first nine CFP books have inspired nearly $500,000 in generosity.

Stona lives with his family in Concord, MA, where he is also a committed community activist. He and his family work with Gaining Ground, a non-profit farm.

THEN
Born in Cincinnati, Ohio in 1961, Stona Fitch grew up in the midwest and south. While an undergraduate at Princeton, he received the Creative Writing Program’s Lannan Award for Fiction. He also served as chairman of The Daily Princetonian, and wrote for The Anchorage Daily News.

After graduation, Stona reported briefly for The Miami Herald before moving to Boston and joining its burgeoning underground music scene. In 1984, he joined the seminal Boston-based pop group Scruffy The Cat, playing electric banjo, mandolin, accordion, and organ–as well as writing songs. He recorded two albums–High-Octane Revival (a New York Times top release of 1986) and the highly regarded (and rare) Tiny Days–before leaving the band in 1987. During this time, he worked as a dishwasher and cook at the Hoodoo Barbeque, a notorious punk-rock hangout/crime scene in Kenmore Square.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, which seems to have become our unofficial theme song. The conversation was recorded in the Boston Marriott Burlington on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Fitch by me.

Podcast: Slipping the Noose of the Topical

Phillip Lopate on The Virtual Memories Show (2/2)

Virtual Memories – season 3 episode 20 –
Slipping the Noose of the Topical

“When you start out writing, you think, ‘Maybe I’ll become one of the great writers, like Dostoevsky or Goethe, Tolstoy.’ Then you quickly realize that that’s never going to happen. But I’ve been writing now for close to 50 years, and I’ve never really had writer’s block. I think success has been esteem in this particular world of the essay and nonfiction. When I go to conferences for the Association of Writing Programs, I’m treated like a demigod. But when I’m in the real world, I’m anonymous.”

Phillip Lopate, the finest personal essayist of our time, joins us to talk about finding his voice, the difference between memoir and essay, teaching students to use the self to fetch the world, why blogs remind him of Sei Shonagon’s pillow books, what’s too personal for a personal essay, and more!

“I had learned from the great essayists — Montaigne and Hazlitt and Lamb — that it wasn’t so much the subject matter as it was the voice and the display of consciousness that was intriguing. If you liked the essayist, you would read anything that they wrote.”

We discuss his five-decade-plus-long career (spanning 20 books and collections, including 2013’s Portrait Inside My Head and To Show and to Tell), the author who started him on his path, his balance between writing fiction and essays, how readers read and misread his work, his methods for fusing the personal and the critical, why students should read some of his essays before taking his classes, whether he considered going Hollywood, why and how he assembled The Art of the Personal Essay anthology, and who his favorite New York Met is. (I was surprised by his answer to that last one.)

“An editor once told me, ‘Phillip, your idea of a perfect assignment is one where you never have to leave the house.'”

Phillip Lopate on The Virtual Memories Show (1/2)

Enjoy the conversation! Then check out the archives for more great episodes!

Related conversations:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Phillip Lopate is the author of numerous collections of personal and critical essays, including Bachelorhood, Notes on Sontag, Portrait of My Body, Against Joie de Vivre, and Waterfront: A Journey Around Manhattan,, as well as several novels and novellas, and three poetry collections, and has edited several anthologies, including The Art of the Personal Essay and Writing New York. His essays, fiction, poetry, film and architectural criticism have appeared in The Best American Short Stories, The Best American Essays, several Pushcart Prize annuals, The Paris Review, Harper’s, Vogue, Esquire, Film Comment, Threepenny Review, Double Take, New York Times, Harvard Educational Review, Preservation, Cite, 7 Days, Metropolis, Conde Nast Traveler, and many other periodicals and anthologies. He is the director of the nonfiction graduate program at Columbia University, where he also teaches writing. His two most recent books are the personal essay collection Portrait Inside My Head and To Show and to Tell: The Craft of Literary Nonfiction.

Credits: This episode’s music is Sometimes The Truth Is All You Get by The Low and Sweet Orchestra. The conversation was recorded at Mr. Lopate’s home in Brooklyn on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. The intro and outro were recorded in my home office on a Blue Yeti USB microphone. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Top photo by me. Bottom photo by Cheryl Cipriani.

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