“The reality of this marketplace is that true professional writers aren’t being recognized.”
Dan Cafaro, publisher of Atticus Books and the Atticus Review, joins the show to talk about indy publishing, building a writers’ community, taking on the diversity challenge, making the transition from sportswriter to bookseller to book-blogger to publisher, the importance of a supportive spouse, the trick of balancing print and digital (and publishing and a day job), making the investment in a book designer, and more! Give it a listen, and go check out the great catalog of Atticus Books!
“It can be easier to get a good review than to understand how it may translate into sales.”
BONUS: You get to hear me lament about my days as a small press publisher (1998-2004), while Dan & I try to figure out how to market books effectively in This Distracted Age. We also reminisce about a long-gone bookstore in Hackensack, NJ, and make somewhat oblique sports references. We recorded this show at Short Stories Community Book Hub, in Madison, NJ (photo below). It’s a wonderful space, and a neat bookstore, so go visit if you’re in the area!
“Building a writers community is my dream.”
Also, if you want to find out who Dan is reading nowadays (non-Atticus titles) and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Dan is reading and why.
About our Guest
Dan Cafaro is the founder and publisher of award-winning independent press Atticus Books and the Atticus Review, a weekly digital literary magazine. Dan founded Atticus in 2010 after working as a sportswriter, bookseller, editor, and publications manager. He is currently at work on his first novel, The Next Activist, and swears that it has all the makings of a really great reality TV show.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the wonderful Short Stories Community Book Hub, in Madison, NJ, on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Cafaro by . . . somebody . . .
“One of my favorite things is to take a character, figure out what’s most important to them, and then take it away and see what they do.”
Stona Fitch joins the show to talk about balancing his careers as a novelist, a publisher, and a freelance writer with family life. We discuss his new novel, the crime thriller Third Rail, why he he wrote it under the nom de plume Rory Flynn, his influences and favorite crime writers, the challenges of writing a sequel, the futility of debating genre categories, and more! Give it a listen!
“My mentor Russell Banks told me, ‘Go to Miami, you’ll see everything.’ He also said I’d be a great plumber.”
We also talk about what possessed him to write Senseless, which is one of the most disturbing novels ever written. But don’t worry; it’s not all crime and horror! There’s also Stona’s role as the founder of the Concord Free Press, an innovative, generosity-based publishing house! Plus, we explore the benefits of doing corporate work by day and learning about fields you’d otherwise never have any experience in.
“My wife said, ‘Stona, I think you’ve found a brand-new way for writers not to make money.'”
We talk about a bunch of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):
- Third Rail: An Eddy Harkness Novel – Rory Flynn
- Dark Horse: An Eddy Harkness Novel – Rory Flynn
- Senseless – Stona Fitch
- Strategies for Success – Stona Fitch
- Give + Take – Stona Fitch
- Printer’s Devil – Stona Fitch
- The Friends of Eddie Coyle: A Novel – George V. Higgins
- The Girl on the Train – Paula Hawkins
- Gone Girl – Gillian Flynn
- The Next Queen of Heaven: A Novel – Gregory Maguire
- Beautiful Ruins: A Novel – Jess Walter
- Citizen Vince – Jess Walter
- I Served the King of England – Bohumil Hrabal
- The Street of Crocodiles and Other Stories – Bruno Schulz
- Book of Numbers: A Novel – Joshua Cohen
- The Goldfinch: A Novel – Donna Tartt
- Against the Day – Thomas Pynchon
About our Guest
Via Stona’s site:
Praised by critics and readers, Stona Fitch’s novels are published widely throughout the world and have inspired other works, from graphic novels to films. His latest novel, Third Rail (2014, Houghton Mifflin Harcourt), marks the debut of the Eddy Harness series of Boston-based crime novels – published under the pen name Rory Flynn.
Give + Take (2011) crosses genres with a noir-inflected, hilarious road tale. Printer’s Devil (2009) updates A Clockwork Orange to create a post-apocalyptic parable. Critics cite Senseless (2001) as a prescient novel that anticipated violent anti-globalization protests, online hostages, and use of fear as a political tool. It is often described as one of the most disturbing novels ever written. Senseless is now an independent feature film, a graphic novel, and a cult classic.
In 2008, Stona founded the Concord Free Press, a revolutionary publishing house that publishes and distributes original novels throughout the world, asking only that readers make a voluntary donation to a charity or person in need. The first nine CFP books have inspired nearly $500,000 in generosity.
Stona lives with his family in Concord, MA, where he is also a committed community activist. He and his family work with Gaining Ground, a non-profit farm.
Born in Cincinnati, Ohio in 1961, Stona Fitch grew up in the midwest and south. While an undergraduate at Princeton, he received the Creative Writing Program’s Lannan Award for Fiction. He also served as chairman of The Daily Princetonian, and wrote for The Anchorage Daily News.
After graduation, Stona reported briefly for The Miami Herald before moving to Boston and joining its burgeoning underground music scene. In 1984, he joined the seminal Boston-based pop group Scruffy The Cat, playing electric banjo, mandolin, accordion, and organ–as well as writing songs. He recorded two albums–High-Octane Revival (a New York Times top release of 1986) and the highly regarded (and rare) Tiny Days–before leaving the band in 1987. During this time, he worked as a dishwasher and cook at the Hoodoo Barbeque, a notorious punk-rock hangout/crime scene in Kenmore Square.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, which seems to have become our unofficial theme song. The conversation was recorded in the Boston Marriott Burlington on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Fitch by me.
“I enjoy going back to Lorain, Ohio because I’m reminded that the world of Washington and the East Coast literary establishment is a very narrow, special one that’s parochial in its own way. The rest of the world has other concerns: family, job and life in general. Whereas we get all up in arms about very minor things.”
Pulitzer Prize-winning book reviewer Michael Dirda rejoins the show to talk about his new collection, Browsings: A Year of Reading, Collecting, and Living with Books (Pegasus Books). We discuss the importance of reading for pleasure, the difference between book-collecting and shopping, the role of the book reviewer (and how it differs from that of the critic), a recent negative review he didn’t want to write, why he doesn’t read reviews of his work, what his mother said when he won the Pulitzer Prize, and more! Give it a listen!
“The books that you don’t grasp immediately, the ones that leave you off-kilter . . . those are often the books that really last, and matter.”
Our first three-time guest also talks about the democratization of book reviewing, the problems of storing books in his basement, what he wants an author to think upon reading his book review of a book, his affinity for Clive James’ work, whether his reviews have a coded autobiographical element to them, how the limitations of the book review form shaped his style, why he disagrees with John Clute’s philosophy on spoilers, and more!
We talk about a lot of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):
- Little Big Man – Thomas Berger
- Suspects – Thomas Berger
- The Creators: A History of Heroes of the Imagination – Daniel Boorstin
- The Discoverers – Daniel Boorstin
- Heart of Darkness – Joseph Conrad
- The Unquiet Grave: A Word Cycle by Palinurus – Cyril Connolly
- The Moving Toyshop – Edmund Crispin
- Browsings: A Year of Reading, Collecting, and Living with Books – Michael Dirda
- Readings: Essays and Literary Entertainments – Michael Dirda
- On Conan Doyle: Or, The Whole Art of Storytelling – Michael Dirda
- The Robe – Lloyd C. Douglas
- The New Lifetime Reading Plan: The Classical Guide to World Literature, Revised and Expanded – Clifton Fadiman
- Party of One – Clifton Fadiman
- Enter Conversing – Clifton Fadiman
- The Recognitions – William Gaddis
- Muse: A novel – Jonathan Galassi
- The Green Carnation – Robert Hichens
- The Odyssey – Homer
- Appleby’s End – Michael Innes
- Cultural Amnesia: Necessary Memories from History and the Arts – Clive James
- Kim – Rudyard Kipling
- Zorba the Greek – Nikos Kazantzakis
- Dazzle – Judith Krantz
- V R Lang: Poems & Plays with a Memoir – Alison Lurie
- Extraordinary Popular Delusions and The Madness of Crowds – Charles Mackay
- Bright Lights, Big City – Jay McInerney
- The Scarlet Pimpernel – Baroness Orczy
- Atlas Shrugged – Ayn Rand
- Burning the Days: Recollection – James Salter
- Memorable Days: The Selected Letters of James Salter and Robert Phelps
- Anathem – Neal Stephenson
- Walden – Thoreau
- Stoner – John Williams
- On Writing Well – William Zinsser
About our Guest
Michael Dirda is a weekly book columnist for The Washington Post, and he received the 1993 Pulitzer Prize for criticism. He is the author of the memoir, An Open Book: Chapters fom a Reader’s Life, and of four previous collections of essays: Readings: Essays and Literary Entertainments, Bound to Please, Book by Book: Notes on Reading and Life, and Classics for Pleasure, in addition to his newest collection, Browsings. His previous book, On Conan Doyle: Or, The Whole Art of Storytelling, received a 2012 Edgar Award for best critical/biographical work of the year. Michael Dirda graduated with Highest Honors in English from Oberlin College and earned a Ph.D. in comparative literature (medieval studies and European romanticism) from Cornell University. He is a contributor to The New York Review of Books, The Times Literary Supplement, the online Barnes & Noble Review, The American Spectator, and several other periodicals, as well as a frequent lecturer and an occasional college teacher.
Credits: This episode’s music is Ah, Putrefaction by Jaristo, from Hans Zimmer’s film music for Sherlock Holmes. The conversation was recorded at the Boston Marriott Burlington on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Dirda by me.
“We were taught with the idea that these books meant something, that it was something vital to your life, that if you read these books you could understand what was going on around you better than you could if you didn’t. I don’t know if anyone’s doing that now.”
Time to wrap up our August book critics miniseries! Following our conversations with Michael Dirda and Jessa Crispin, we have Frank Wilson, who’s been reviewing books for FIFTY YEARS. Frank, who launched the Books, Inq. blog in 2005, talks about the changes in book culture over that half-century, the marvel of Tolstoy, his picks for most underrated and most overrated authors, the perils of using big-name writers as book reviewers, and more!
“I think that blogging has wiped out the book reviewing business but it does wonders for the literary business.”
We also talk about his life as a Catholic Taoist, the similarities of poetry and religion, whether Catholics can write good novels, the biggest gap in his literary background, when it’s okay to break the rules of Haiku (and other forms), and why he thinks Willa Cather is truly the Great American Novelist!
About our Guest
Frank Wilson is celebrating his 50th year of book reviewing. His reviews have appeared in a number of newspapers and magazines, but mainly the Philadelphia Inquirer, where he served as book editor until 2008. In 2005, he launched Books, Inq.: The Epilogue, a blog about books and publishing. He has an entertaining bio over here.
Credits: This episode’s music is Sinner’s Prayer by Ray Charles (see, because of Frank’s Catholicism and belief in the fallenness of — oh, never mind). The conversation was recorded at Mr. Wilson’s home in Philadelphia on a pair of Blue enCORE 200 microphones feeding into a brand-new Zoom H5 digital recorder. The intro and outro were also recorded on that equipment, in a room at the Courtyard Marriott in Creve Coeur, MO. Processing was done in Audacity and Garage Band. Photo of Mr. Wilson by me.
“In the late 1970s, I wanted to write against the grain, so I wrote about a marriage that lasted a long time, with all the strife and stresses.”
Novelist, essayist, poet, short story writer, and translator Lynne Sharon Schwartz sat down with me to talk about her newest essay collection, This Is Where We Came In: Intimate Glimpses (Counterpoint), but we talked about a lot more in our hour! Listen in to learn how she and her husband began recording literary readings by authors like James Baldwin, Philip Roth, John Updike, William Styron in the ’60s, and how they’ve re-launched those recordings. We also discuss how second-wave feminism convinced her to pursue a writing career, how her ear for music influences her writing, why she swears by audiobook reader David Case, and how Margaret Atwood once dropped the boom on Norman Mailer. Give it a listen!
“Although I identify with feminism, my literary tastes don’t divide into men and women; it’s the ones who are concerned with language and delight in language, rather than their gender, that I read.”
We also talk about her love of digressive essays, the joys of translation, her travel-anxiety, the difficulty in getting a book of essays published, why W.G. Sebald is one of her favorite authors, and how — kinda like last week’s guest, Caitlin McGurk — she got involved in bringing back lost women writers.
About our Guest
Lynne Sharon Schwartz is the author of more than 20 books, including novels, short story collections, non-fiction, poetry, and translations. Her new essay collection, This Is Where We Came In: Intimate Glimpses, was just published by Counterpoint. Her first novel, Rough Strife, was nominated for a National Book Award and the PEN/Hemingway First Novel Award. Her other novels include The Writing on the Wall; In the Family Way: An Urban Comedy; Disturbances in the Field; and Leaving Brooklyn (Rediscovery), nominated for the PEN/Faulkner Award. She and her husband Harry have launched Calliope Author Readings, which offers lovers of literature a rare opportunity to hear great 20th century American authors interpreting their own works. Ms. Schwartz has received grants from the Guggenheim Foundation, the NEA, and the New York State Foundation for the Arts. Her stories and essays have been reprinted in many anthologies, including The Best American Short Stories, The O. Henry Prize Stories, and The Best American Essays. She has taught writing and literature at colleges and universities in the U.S. and abroad. She lives in New York City.
Credits: This episode’s music is Gladiolas by Scott Joplin. The conversation was recorded at Ms. Schwartz’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Schwartz by me.
What I’m watching: Just The Tall Guy (one of my favorite movies back in college, but one I haven’t watched in at least a decade), and this week’s Deadliest Catch. Amy had a pretty late work-week, and I tend not to watch a lot of stuff by myself.
What I’m drinking: Plymouth & Q Tonic.
What Rufus is up to: Making his first foray into a lake.
Where I’m going: Back to the office! Eek!
What I’m happy about: That I managed to reduce my daily caffeine intake by more than 50% during this vacation! (Also, that I managed to clear around 225 square feet of my backyard by pulling up rampant forsythia, cleaned out my garage, took care of a ton of other items on my to-do list, and still got to spend time with my brother & his family.)
What I’m sad about: That the downstairs freezer and the washing machine both crapped out last week. We got a new washer on Sunday and have a repair guy coming next week for the freezer.
What I’m worried about: Getting back into the rhythm of working at my office, as opposed to working at home.
What I’m pondering: How much of my Top Companies issue will be out of date by the time it sees print.