Episode 209 – Jeff Nunokawa

Virtual Memories Show 209: Jeff Nunokawa

“I want to use this media, which is all about going somewhere else, to say, ‘Just here. Just stop at these woods, this snowy evening. Just here.'”

For more than a decade, Princeton literature professor Jeff Nunokawa has posted daily mini-essays using Facebook Notes. We talk about how he discovered that form, the audience that grew around his work, writing without links, the experience of producing a print edition of the notes, and his ambivalence over the final product. We get into the negative review that affirmed all of his self-doubts and pushed him toward his goal of becoming transparent, the benefits of consolatory drivel, dreaming of the next day’s note and making writing a source of pleasure, his mixed-race heritage (his dad’s Japanese, his mom’s caucasian-American) and his childhood in the 60s, his 30 years at Princeton, his joy at living in the same world as Torres and Ronaldo, and why you have to feel homesick before you feel home. Oh, and there’s a heartbreaking story of how he came out to his parents, plus I do a lot more talking than usual. This is one of those beautiful, soul-diving conversations, so give it a listen! And go buy note book (Princeton University Press)!

“My father said, ‘I was trying to turn you into a samurai, but you were actually a poet, and I went the wrong way.’ My father never apologized to me for anything, and that was as close as he came.”

“This project, which began as a lark, has become the single most serious thing in my life.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Jeff Nunokawa teaches English literature at Princeton University and lives in Princeton and New York.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Jeff’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Prof. Nunokawa and me by me. It’s on my instagram.

Episode 189 – Glen Baxter

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Virtual Memories Show #189: Glen Baxter

“The world is a mad place, and New York was a good place to be mad in.”

Artist Glen Baxter joins the show for a conversation about his new collection, Almost Completely Baxter: New and Selected Blurtings (New York Review Comics). We get into the roots of his absurdism, his first visit to New York City in the ’70s and how it changed his life, where his cowboy-thing started, why he doesn’t define himself as either an artist or a cartoonist (but maybe as a visual poet?), the challenge of doing long-form narrative when so much of his work is single-panel, our mutual dislike of the contemporary art scene, and more! Give it a listen! And go buy Almost Completely Baxter: New and Selected Blurtings!

“All the cultural vibrancy of great cities has been made less possible by the fact that people can’t afford to live there anymore. The energy is dissipated.”

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We also get into how absurdism insulates him from this modern world, the impact of Brexit on British culture, why his humor was always a tough sell in the UK, the paradox of political cartoonists’ work being bought by the politicians they ridicule, the joy of ukulele, the experience of having his work knocked off by other artists, the time he got a Cartier commission, and more. Now go listen to the show!

“European culture is important to me. Having that snatched away by Brexit, well, that’s something no one discussed in any of the debates.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

30130569142_183be2eae0_zGlen Baxter is the author of many books since the 1970s, including The Impending Gleam, The Billiard Table Murders, and Blizzards of Tweed. His work has appeared in The New Yorker, Vanity Fair, Elle, Vogue, Le Monde, The Observer, and The Independent on Sunday. He is a Chevalier of the Order of Arts and Letters, and his art is often exhibited in New York, Amsterdam, Paris, and London, where “Colonel” Baxter lives. His new collection is Almost Completely Baxter: New and Selected Blurtings (New York Review Comics).

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Bethesda North Marriott on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Baxter by me.

Episode 132 – Rootless People

Virtual Memories Show #132:
Christopher Bollen – Rootless People

“I wanted to be a writer since I knew that I couldn’t be a detective.”

tumblr_noaa2szheD1u3hieto1_500We close out the summer of 2015 with a great summer novel, Orient (Harper) by Christopher Bollen! We talk about his new book, the difference between a “smart murder mystery” and a “literary thriller,” the perils of Male First Novel Syndrome (as evinced in Lightning People: A Novel), the challenges of writing about Long Island, how his years at Interview magazine honed his ear for dialogue, his fascination with rootlessness, why it’s too easy to parody the contemporary art scene, and more! Give it a listen!

“Remember how you could totally judge a stranger by what they were reading? Now we’ve totally lost that cue, thanks to e-books.”

We also talk about Christopher’s impending 40th birthday, his reverse mid-life crisis, “kids today,” the people he now realizes he should’ve been nervous about interviewing when he was young, the allure of detective stories, why childhood bookish shut-ins have great skin when they get older, how I once nearly blew up a shopping mall back in my high school years, and whether the actual inhabitants of Orient were peeved about his new novel.

“You don’t interview Fran Lebowitz; it’s more like you’re her audience.”

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We talk about some books and movies in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Christopher BollenPortrait_Christopher-Bollen2 is a writer who lives in New York City. He regularly writes about art, literature, and culture. His first novel, Lightning People, was published in 2011. His second novel, Orient, was published by Harper in May 2015. He is currently the Editor at Large at Interview Magazine.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, which seems to have become our unofficial theme song (I’ll ask DB if it’s okay to make it official). The conversation was recorded at Mr. Bollen’s apartment on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Bio photo of Mr. Bollen by Danko Steiner; not-as-good photo by me.

Episode 115 – Idlers and Belgians

Virtual Memories Show:
Edward Mendelson – Idlers and Belgians

“I have a private test for whether I’m an individual person or whether I’m part of the culture: I go to the supermarket and I look at the supermarket weeklies, and if I recognize the names, then I’m not a person, I’m a product of collective culture.”

moral-agents200Professor Edward Mendelson joins the show to talk about his new book, Moral Agents: Eight Twentieth-Century American Writers (New York Review Books), which profiles Lionel Triling, Dwight Macdonald, Alfred Kazin, William Maxwell, Saul Bellow, Norman Mailer, WH Auden, Frank O’Hara. We discuss the role of individuals in mass culture, the intellectual’s temptation to be a leader, the outdated figure of the Beloved Professor, Orwell’s misinterpretation of Auden, the writer he was terrified to meet, the failures of identity politics, the purpose of Columbia University’s Core Curriculum, his lack of nostalgia for the era of public intellectuals, the way certain books need a year off from teaching in order to recharge, and more. Give it a listen!

“All these writers were tempted by the way they were taken seriously.”

We also talk about why he hates one of my favorite novels, why he agrees with my take on Achilles’ uncanniness in the Iliad, why professors think students are getting dumber year after year, how the economic collapse of the ’70s led to improved colleges across the country, why he thinks Stoner is a study in self-pity, and more! Go listen!

Edward Mendelson on the Virtual Memories Show

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

At Columbia since 1981, Professor Edward Mendelson has also taught at Yale and Harvard. A recipient of American Council of Learned Societies, NEH, and Guggenheim fellowships, he is chiefly interested in 19th-and 20th-century literature, formal and social aspects of poetry and narrative, and biographical criticism. He is Auden’s literary executor; his book Later Auden (1999) is a sequel to his Early Auden (1981). His book, The Things That Matter: What Seven Classic Novels Have to Say About the Stages of Life, was published by Pantheon in 2006. His new book is Moral Agents: Eight Twentieth-Century American Writers, from New York Review Books. He has edited a volume of essays on Thomas Pynchon and, with Michael Seidel, Homer to Brecht: The European Epic & Dramatic Traditions. He has prepared editions of novels by Hardy, Bennett, Meredith, Wells, and Trollope, the first five volumes of a complete edition of Auden, and selections of Auden’s poems and prose. His essays and reviews have appeared in the New York Review of Books, London Review of Books, TLS, the New York Times Book Review, and many other journals and collections, and he wrote an introduction for a new edition of Gravity’s Rainbow. He has also written about computers, music, and the visual arts. He is a Fellow of the Royal Society of Literature and was the first Isabel Dalhousie Fellow at the Institute for Advanced Studies in the Humanities at the University of Edinburgh.

Credits: This episode’s music is Homesickness by Tsegue-Maryam Guebrou. The conversation was recorded at Mr. Mendelson’s office on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Mendelson by me.

Episode 114 – Roller Coaster

Virtual Memories Show:
Brad Gooch – Roller Coaster

“History and culture are the rooms in which a person is living.”

Brad Gooch joins the show to talk about his new memoir, Smash Cut: A Memoir of Howard & Art & the ’70s & the ’80s (Harper). We discuss his long relationship with director Howard Brookner, his need to chronicle the New York City scene of his youth, the transitory nature of so much of the great art of that era, the Life-During-Wartime aspect of the AIDS era in the city, survivor’s guilt, how he stumbled into becoming a literary biographer, and why 63 is the perfect age to become a dad. Give it a listen!

Brad Gooch on The Virtual Memories Show

“One friend told me, ‘Sixty is the perfect age to get married. If I’d known, I wouldn’t have had three divorces.'”

Seriously. That guy is 63. Sheesh.

Anyway, we also talk about the influence of Frank O’Hara’s poetry and life, the many faces of Rumi, why he’s hooked on Knausgaard, the differences between writing biography and memoir, his career as a male model, and how it feels to get retweeted by RuPaul and the Elton John Foundation. Go listen!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Brad Gooch is the author of Smash Cut: A Memoir of Howard & Art & the ’70s & the ’80s (Harper) and Flannery: A Life of Flannery O’Connor (Little, Brown, 2009), which was a National Book Critics Circle Award Finalist, a New York Times Notable Book of the Year, and a New York Times bestseller. His previous books include City Poet: The Life and Times of Frank O’Hara; as well as Godtalk: Travels in Spiritual America; three novels–Scary Kisses, The Golden Age of Promiscuity, Zombie 00; a collection of stories, Jailbait and Other Stories, chosen by Donald Barthelme for a Writer’s Choice Award; a collection of poems, Daily News; and two previous memoirs, Finding the Boyfriend Within and Dating the Greek Gods. His work has been featured in numerous magazines, including The New Republic, The New Yorker, Vanity Fair, New York Magazine, Travel and Leisure, Partisan Review, The Paris Review, The Los Angeles Times Book Review, Art Forum, Harper’s Bazaar, The Nation, and regularly on The Daily Beast. A Guggenheim fellow in Biography, he has received a National Endowment for the Humanities fellowship, and a Furthermore grant in publishing from the J.M. Kaplan Fund. A professor of English at William Paterson University, he earned his Ph.D. at Columbia University, and lives in New York City. He is currently writing a biography of the Sufi mystic poet Rumi.

Credits: This episode’s music is Beautiful Child by Rufus Wainwright. The conversation was recorded at Mr. Gooch’s office on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Gooch by me.

Podcast: Buddy Rich’s Teeth and the Corruption of Reality

Ron Slate on The Virtual Memories Show

Virtual Memories: Ron Slate – Buddy Rich’s Teeth and the Corruption of Reality

“It’s said that the sources of writing are mysterious, but the sources of not writing are pathological.”

slatecoversRon Slate spent more than two decades in the corporate world before returning to poetry and writing an award-winning collection praised by the likes of Robert Pinsky. We talk about his roots in poetry, how those “lost” years weren’t so lost, what it’s like to be the guy who sees things late, and how his life was forever changed the day he saw Buddy Rich’s teeth.

“Poetry is always battling invention over assertion, over statement. That’s the tug-of-war. I love poets whose work suggests that tension. I look for that battle between ‘words can do so much’ and ‘words are ineffectual.'”

We also explore why he bailed on his Ph.D., how Ted Leonsis asked him the greatest job interview question ever, what it’s like to get poetry-stalked by Louise Glück, and why he’s trying his hand at fiction. Plus, he reads us a poem from his second book!

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Ron Slate was born in Quincy, Massachusetts in 1950. He earned his Masters degree in creative writing from Stanford University in 1973 and did his doctoral work in American literature at the University of Wisconsin, Madison. He started a poetry magazine, The Chowder Review, in 1973 which was published through 1988. In 1978, he left academia and was hired as a corporate speechwriter, beginning his business career in communications and marketing. From 1994-2001 he was vice president of global communications for EMC Corporation. More recently he was chief operating officer of a biotech/life sciences start-up and co-founded a social network for family caregivers. Since 2007 he has been reviewing poetry and prose at his popular homepage called On the Seawall. He lives in Milton, MA.

His poems have appeared in The New Yorker, The Paris Review, Slate, and many other magazines and sites. The Incentive of the Maggot, his first book of poems, was published by Houghton Mifflin in 2005. The collection was nominated for the National Book Critics Circle poetry prize and the Lenore Marshall Prize of the Academy of American Poets. The collection won the Breadloaf Writers Conference Bakeless Poetry Prize and the Larry Levis Reading Prize of Virginia Commonwealth University. The Great Wave, his second book, was published by Houghton in April 2009.

Credits: This episode’s music is Poet by Sly and the Family Stone. The conversation was recorded in Mr. Slate’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Slate by me.